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A lightly surreal story of misfortune, menace, and high-end stereo equipment in the cutthroat, capitalistic world of modern China. An NYRB Classics Original The hero of The Invisibility Cloak lives in contemporary Beijing—where everyone is doing their best to hustle up the ladder of success while shouldering an ever-growing burden of consumer goods—and he’s a loser. Well into his forties, he’s divorced (and still doting on his ex), childless, and living with his sister (her husband wants him out) in an apartment at the edge of town with a crack in the wall the wind from the north blows through while he gets by, just, by making customized old-fashioned amplifiers for the occasional rich audio-obsessive. He has contempt for his clients and contempt for himself. The only things he really likes are Beethoven and vintage speakers. Then an old friend tips him off about a special job—a little risky but just don’t ask too many questions—and can it really be that this hopeless loser wins? This provocative and seriously funny exercise in the social fantastic by the brilliantly original Ge Fei, one of China’s finest living writers, is among the most original works of fiction to come out of China in recent years. It is sure to appeal to readers of Haruki Murakami and other fabulists of contemporary irreality.
"Never go into the deep parts of the forest, for there are many dangers there, and they will ensnare your soul." Serafina has never had a reason to disobey her pa and venture beyond the grounds of the Biltmore estate.There's plenty to explore in her grand home, although she must take care to never be seen. None of the rich folk upstairs know that Serafina exists; she and her pa, the estate's maintenance man, have secretly lived in the basement for as long as Serafina can remember. But when children at the estate start disappearing, only Serafina knows who the culprit is:a terrifying man in a black cloak who stalks Biltmore's corridors at night. Following her own harrowing escape, Serafina risks everything by joining forces with Braeden Vanderbilt, the young nephew of the Biltmore's owners. Braeden and Serafina must uncover the Man in the Black Cloak's true identity...before all of the children vanish one by one. Serafina's hunt leads her into the very forest that she has been taught to fear. There she discovers a forgotten legacy of magic, one that is bound to her own identity. In order to save the children of Biltmore, Serafina must seek the answers that will unlock the puzzle of her past.
A shepherd shears his sheep, spins the wool, weaves and dyes the yarn, and makes beautiful red cloak.
In this free retelling of an old Scottish ballad, Jan, who is convinced her friend Tam is not dead but has only disappeared, follows the advice of a wise old woman and with the help of a red cloak releases him from capture by elves.
All Callum wants is a break from the spirits who hound him for closure, especially a demon called The Shadow who's incessant presence has forced him to guard the veil separating the living and spirit worlds for weeks. All Zander needs is a fresh start in a new city after years of family drama and tragedy. When they find each other, they find everything they want and need—but Callum's supernatural reprieve has a price. And Zander's fresh start might be a death sentence. Soon, Callum realizes he didn't escape The Shadow when he met Zander, just enticed it to find a new victim: Zander's little sister. To save her sister, and prevent The Shadow from gaining access to the living world, Callum is forced to tell Zander the truth he'd hoped to ignore: he's a medium, able to see and speak to spirits—and she's a cloak, a rare individual who unknowingly closes the veil between the living and spirit worlds. It's no wonder Zander doesn't believe in ghosts—when she's around, it's like they don't exist. So how can Callum make her see the invisible spirit world that lives alongside the one she knows? And, more importantly, how can he make her understand she is the only thing preventing the evil stalking her sister from gaining unhindered access to the living world—the only thing standing between Callum and an endless, living hell?
"From Harry Potter to King Arthur, stories about invisibility cloaks have been around for hundreds or possibly thousands of years. It seems mere fantasy that something like that could exist, but today there are several different kinds of technology that could be used to make someone appear invisible, or at least very inconspicuous. Through direct explanations, this book covers the history of invisibility cloak stories and connects some of the coolest recent technology to these tales. Covering both STEM and literature components, this book will enchant sci-fi lovers and scientists alike."
The series, founded in 1970, publishes works which either combine studies in the history of philosophy with a systematic approach or bring together systematic studies with reconstructions from the history of philosophy. Monographs are published in English as well as in German. The founding editors are Erhard Scheibe (editor until 1991), Günther Patzig (until 1999) and Wolfgang Wieland (until 2003). From 1990 to 2007, the series had been co-edited by Jürgen Mittelstraß.
Explores the true history, folklore, and mythology behind the magical practices, creatures and personalities that appear in J. K. Rowling's Harry Potter books.
A comprehensive book on the kinds of textiles the Shakers used, how they were produced, and their cultural and economic importance to the communities.