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"Radical Presence: Black Performance in Contemporary Art, the first comprehensive survey of performance art by black visual artists. While black performance has been largely contextualized as an extension of theater, visual artists have integrated performance into their work for over five decades, generating a repository of performance work that has gone largely unrecognized until now. Radical Presence provides a critical framework to discuss the history of black performance traditions within the visual arts beginning with the "happenings" of the early 1960s, throughout the 1980s, and into the present practices of contemporary artists."--Publisher's website
Played out across the rolling hills, the Masters is the first major golf tournament of the year. Owen tells the story of how this unlikely winter haven became one of the most famed locations on the sporting map. For the millions of fans who dream of April in Augusta, this is the best and most intimate look at golf's ultimate rite of spring. 32 page photo insert.
Modern Artifacts includes all 18 installments of the series, copresented with Esopus and the Museum of Modern Art Archives, that originally appeared in Esopus, the award-winning nonprofit arts annual that suspended publication in 2018. Each of these installments focuses on a particular part of the MoMA Archives--subjects include the museum's first guest book, its "Art Lending Service" program, activities in the museum's garden, materials from the archives of contemporary artists such as James Lee Byars, Scott Burton and Grace Hartigan, and correspondence, photographs and other ephemera related to exhibitions such as the groundbreaking Spaces show in 1970 devoted to installation art. The book, which features several removable inserts of archival materials printed in facsimile, also includes brand-new contributions commissioned from six contemporary artists--Mary Ellen Carroll, Rhea Karam, Mary Lum, Clifford Owens, Michael Rakowitz and Paul Ramirez Jonas--who have each created a project in the book inspired by a particular item or series of items in the MoMA Archives.
The amazing true story of Gaile Owens' release from death row shows how God opened a door for a mother and son to both be set free - one from a prison of unforgiveness, the other from a literal prison cell.
From sound art to sculpture, an appraisal of the multimedia art of Terry Adkins, featuring items from his own collection This publication highlights the work of prolific American sculptor and performance artist Terry Adkins (1953-2014), who synthesized a deep interest in history with an improvisational approach to art-making, producing an expansive body of work that often reflects on the legacies of unsung figures in American culture. Terry Adkins: Resoundingtraces the artist's development over his more than three-decade career with nearly 50 works across a variety of mediums including sound, sculpture, video and printmaking. The book includes rarely shown examples from Adkins's early work alongside some of his most celebrated pieces, bringing together selections from several acclaimed installations for the first time since their debuts. In addition, the catalog presents a range of items that the artist collected, including books, musical instruments and objects from various artistic traditions. This collection gives new insight into the breadth of Adkins' literary, musical and visual influences.
For over a decade, Contemporary Art and Multicultural Education has served as the guide to multicultural art education, connecting everyday experience, social critique, and creative expression with classroom learning. The much-anticipated Rethinking Contemporary Art and Multicultural Education continues to provide an accessible and practical tool for teachers, while offering new art, essays, and content to account for transitions and changes in both the fields of art and education. A beautifully-illustrated collaboration of over one hundred artists, writers, curators, and educators from in and around the contemporary art world, this volume offers thoughtful and innovative materials that challenge the normative practices of arts education and traditional art history. Rethinking Contemporary Art and Multicultural Education builds upon the pedagogy of the original to present new possibilities and modes of understanding art, culture, and their relationships to students and ourselves. The fully revised second edition provides new theoretical and practical resources for educators and students everywhere, including: Educators' perspectives on contemporary art, multicultural education, and teaching in today’s classroom Full-color reproductions and writings on over 50 contemporary artists and their works, plus an additional 150 black-and-white images throughout Lesson plans for using art to explore topical issues such as activism and democracy, conflict: local and global, and history and historicism A companion website offering over 250 color reproductions of artwork from the book, a glossary of terms, and links to the New Museum and G: Class websites---www.routledge.com/textbooks/9780415960854.
Ollie Tucker, a recent college graduate and student of philosophy, is obsessed with truth and the source of knowledge, questioning the validity of everything he hears from his parents, his girlfriend, and even the voices inside his head. In pursuit of the truth and life's deeper meaning, he invents an alter ego, Oliver, who lives the adventurous and exotic existence Ollie cannot. But Ollie has another problem--a repressed memory of his uncle Scotty that threatens to derail his life, his relationships, and his sexuality. But the memory is a blur. And what he thinks he remembers, he knows is unreliable. The uncertainty is paralyzing. What is the truth? What has his subconscious fabricated? When he learns that his uncle, long-presumed dead, is in fact alive and well, Ollie realizes that to move on with his life and find peace, he must confront his uncle.