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Cleopatra's Nose is an exuberant gathering of essays and profiles representing twenty years of Judith Thurman's celebrated writing, particularly her fascination with human vanity, femininity, and "women's work"—from haute couture to literature to commanding empires. The subjects are iconic (Jackie, the Brontës, Toni Morrison, Anne Frank) and multifarious (tofu and performance art, pornography and platform shoes, kimonos and bulimia); all inspire dazzling displays of craft, wit, penetration, and intelligence. Here we find explorations of voracity: hunger for sex, food, experience, and transcendence; see how writers from Flaubert to Nadine Gordimer have engaged with history; meet eminent Victorians and the greats of fashion. Whether reporting on hairstyles, strolling the halls of power, or deftly unpacking novels and their writers, Thurman never fails to provoke, inspire, captivate, and enlighten. Cleopatra's Nose is an embarrassment of riches from one of our great literary journalists.
The Pulitzer Prize-winning author of The Discoverers demonstrates the truth behind the aphorism that if Cleopatra's nose had been shorter, the face of the world would have been changed. Boorstin goes on to uncover the elements of accident, improvisation and contradiction at the core of American institutions and beliefs.
She was the last ruler of the Macedonian dynasty of Ptolemies who had ruled Egypt for three centuries. Highly educated (she was the only one of the Ptolemies to read and speak ancient Egyptian as well as the court Greek) and very clever (her famous liaisons with Julius Caesar and Mark Antony were as much to do with politics as the heart), she steered her kingdom through impossibly taxing internal problems and railed against greedy Roman imperialism. Stripping away preconceptions as old as her Roman enemies, Joyce Tyldesley uses all her skills as an Egyptologist to give us this magnificent biography.
Dan Rawlins, a world-famous archaeologist working out of New York's Metropolitan Museum, asks his assistant to find half of an Egyptian ankh in the museum's collection. But she disappears, only to turn up murdered. The relic is nowhere to be found. Meanwhile, Jacinda El-Bahri, a Mossad agent, is on the run in Cairo after stealing the other half of the ankh from a powerful terrorist. Known as Salameh, he plans to use the relic's incredible energy to unleash a power of biblical proportions. Across three continents and three thousand years, the struggle to reunite the ancient artifacts rages. And Dan and Jacinda, caught in the throes of an ancient evil, may be the only hope for the modern world. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In this posthumous book, the late Professor R. Hooykaas (1906-1994) conveys a lifetime of historical thought about modes of scientific advance over the centuries. In what variety of ways has the human mind, with all its subjectivity and its capacity for self-deception, but also its piercing gifts of discovery, managed to come to terms with `the whimsical tricks of nature'? Central to this erudite, penetrating, and widely ranging study is Hooykaas's distinction between facts (given by nature yet entirely subject to our mode of interpreting them), faith (broad conceptions like the idea of order, of simplicity, or of harmony), and fictions in the sense of those daring intellectual tools, such as theories and hypotheses and models, which reflect the scientist's creative imagination. Case studies drawn from the history of all branches of science (including chemistry and the earth sciences) and from Antiquity to the present day, serve to widen and to deepen the understanding of every reader (whether a historian of science or not) with a desire to learn more about the realities of the scientific pursuit.
The incredible untold story of the children of Cleopatra, Egypt’s most powerful and notorious ruler—a novel that “brims over with rich details of Roman life, historical personages, and political turmoil” (Romantic Times)—from the internationally bestselling author of Nefertiti “Fast-paced, intriguing, and beautifully written.”—The Boston Globe The marriage of Marc Antony and Cleopatra is one of the greatest love stories of all time. Feared and hunted by the powers in Rome, the lovers choose to die by their own hands as the triumphant armies of Antony’s rival, Octavian, sweep into Egypt. When their orphaned children are taken in chains to Rome, only two—the ten-year-old twins Selene and Alexander—survive the journey. As they come of age, they are buffeted by the personal ambitions of Octavian’s family and court, by the ever-present threat of slave rebellion, and by the longings deep within their own hearts. Recounted in Selene’s youthful and engaging voice, Michelle Moran introduces a compelling cast of historical characters: Octavia, the emperor Octavian’s kind and compassionate sister, abandoned by Marc Antony for Cleopatra; Livia, Octavian’s bitter and jealous wife; Marcellus, Octavian’s handsome, flirtatious nephew and heir apparent; Tiberius, Livia’s sardonic son and Marcellus’s great rival for power; and Juba, Octavian’s watchful aide, whose honored position at court has far-reaching effects on the lives of the young Egyptian royals. Based on meticulous research, Cleopatra’s Daughter is a fascinating portrait of imperial Rome and of the people and events of this most tumultuous period in human history. Emerging from the shadows of the past, Selene must confront the same forces that destroyed her mother and struggle to meet a different fate.
Cleopatra: kohl and vipers, barges and thrones, Elizabeth Taylor and Richard Burton. We have long been schooled in the myth of the Egyptian ruler. In his new book Michel Chauveau brings us a picture of her firmly based in reality. Cleopatra VII reigned in Egypt between 51 and 30 B.C.E. Her primary goal as a ruler was to restore over the eastern Mediterranean the supremacy of the Lagides, the dynasty of Macedonian origin of which she herself was a descendant. We know the queen best from Greek and Latin sources, though these must be used with caution because of their bias. Understandably enough, they reflect not only matters of interest to Romans, but also the propaganda that Octavian used against the queen during his struggles with Mark Antony. Chauveau combines his knowledge of Egyptian sources with judicious use of classical materials to produce an authoritative biography of Cleopatra, the woman and queen, seen in the light of the turbulent era in which she lived.
This edition will be of interest to all Greek scholars, ancient historians, and also the students of English literature since the relevant discussions require no knowledge of Greek.