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Although there are many books written about the most famous Cleopatra, this is the only study in English devoted to her less well-known but equally illustrious namesakes. Cleopatras traces the turbulent lives and careers of these historically important women, examining in particular the earlier Macedonian and Ptolemaic Cleopatras, and the impact of their dynastic marriages on the history of the Hellenistic world. John Whitehorne also evaluates current views of Cleopatra VII's dramatic suicide, and considers the evolving political significance of royal women in the last three centuries BC. Clearly and engagingly written, Cleopatras reveals the true significance to the ruling dynasties of the 34 known Cleopatras who were not Cleopatra the Great, and illuminates some fascinating but little-known aspects of ancient Greek and Egyptian history along the way.
A journalist in nineteenth-century New York matches wits with a serial killer in a gripping thriller by the prizewinning author of the Ian Hamilton Mysteries. New York, 1880. Elizabeth van den Broek is the only female reporter at the Herald, the city's most popular newspaper. Then she and her bohemian friend Carlotta Ackerman find a woman's body wrapped like a mummy in a freshly dug hole in Central Park--the intended site of an obelisk called Cleopatra's Needle. The macabre discovery takes Elizabeth away from the society pages to follow an investigation into New York City's darkest shadows. When more bodies turn up, each tied to Egyptian lore, Elizabeth is onto a headline-making scoop more sinister than she could have imagined. Her reporting has readers spellbound, and each new clue implicates New York's richest and most powerful citizens. And a serial killer is watching every headline. Now a madman with an indecipherable motive is coming after Elizabeth and everyone she loves. She wants a good story? She may have to die to get it.
What part did Shakespeare play in the construction of a 'white people' and how has his work been enlisted to define and bolster a white cultural and racial identity? Since the court of Queen Elizabeth I, through the early modern English theatre to the storming of the United States Capitol on 6 January 2021, white people have used Shakespeare to define their cultural and racial identity and authority. White People in Shakespeare unravels this complex cultural history to examine just how crucial Shakespeare's work was to the early modern development of whiteness as an embodied identity, as well as the institutional dissemination of a white Shakespeare in contemporary theatres, politics, classrooms and other key sites of culture. Featuring contributors from a wide range of disciplines, the collection moves across Shakespeare's plays and poetry and between the early modern and our own time to interrogate these relationships. Split into two parts, 'Shakespeare's White People' and 'White People's Shakespeare', it explores a variety of topics, ranging from the education of the white self in Hamlet, or affective piety and racial violence in Measure for Measure, to Shakespearean education and the civil rights era, and interpretations of whiteness in more contemporary work such as American Moor and Desdemona.
Gives readers a sharp new critical understanding of how racial whiteness in Shakespeare begets anti-Blackness and sustains white supremacy.
Presents the romantic tragedy about the relationship between Mark Antony and the Queen of Egypt.
'That woman is a woman!' So thundered Simon Callow in the film Shakespeare in Love, thus underlining one of the great differences between our theatre and that of the Elizabethans where women were prohibited from appearing on the stage. In this highly controversial book, the first on the subject for over sixty years, Joy Leslie Gibson looks at the female roles in Elizabethan and Jacobean drama from the point of view of the boys who actually had to create these fascinating and dramatic parts. Scrupulously researched, this groundbreaking book sheds new light not only on Elizabethan drama but also on society as a whole. It will be required reading for any lover of Shakespeare or anyone made curious by a visit to the theatre to see one of Shakespeare's plays.
[V.23] The second part of Henry the Fourth. 1940.--[v.24-25] The sonnets. 1924.--[v.26] Troilus and Cressida. 1953.--[v.27] The life and death of King Richard the Second. 1955.
Shakespeare's characterization of Cleopatra may dominate the collective consciousness, but he was only one of several 16th-century writers fascinated by the enigmatic queen of Egypt. Early modern conceptions of Cleopatra offer a rich, complex, and variable set of models for understanding the period's responses to race, female sovereignty, and classical antiquity. This interdisciplinary study investigates images of Cleopatra in the early modern period and examines how her story was mediated and used – from drawing lessons from history to being a symbol of female heroism. It draws on early historiographical works, political and philosophical treatises, coterie dramatic productions, and gender, race and performance studies, as well as evidence from material culture, to consider what was known and thought about Cleopatra in the period This book provides a new literary and cultural history of one of the world's most contested and politically-charged iconic female figures. It combines a close reading of literary and dramatic works with historical and political contexts, paying particular attention to the three major early modern Cleopatra plays: Mary Sidney's translation of Robert Garnier's Marc Antoine, Samuel Daniel's The Tragedie of Cleopatra, and Shakespeare's Antony and Cleopatra. By examining these conflicting historical and fictional identities, Yasmin Arshad offers a diverse and ground-breaking study of Cleopatra's 'infinite variety'.
Cleopatra, a competent Hellenistic ruler who was celibate for over half of her adult life, has been remembered as the heroine of an exotic love story and has been recreated over and over again, each time in a form that fits the prejudices and fantasies of the age that produced it.