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With the full panorama of her life forever lost, Cleopatra touches us in a series of sensational images: floating through a perfumed mist down the Nile; dressed as Venus for a tryst at Tarsus; unfurled from a roll of linens before Caesar; couchant, the deadly asp clasped to her breast. Through such images, each immortalizing the Egyptian queen's encounters with legendary Romans--Julius Caesar, Mark Antony, and Octavian Augustus--we might also chart her rendezvous with the destiny of Rome. So Diana Kleiner shows us in this provocative book, which opens an entirely new perspective on one of the most intriguing women who ever lived. Cleopatra and Rome reveals how these iconic episodes, absorbed into a larger historical and political narrative, document a momentous cultural shift from the Hellenistic world to the Roman Empire. In this story, Cleopatra's death was not an end but a beginning--a starting point for a wide variety of appropriations by Augustus and his contemporaries that established a paradigm for cultural conversion. In this beautifully illustrated book, we experience the synthesis of Cleopatra's and Rome's defining moments through surviving works of art and other remnants of what was once an opulent material culture: religious and official architecture, cult statuary, honorary portraiture, villa paintings, tombstones, and coinage, but also the theatrical display of clothing, perfume, and hair styled to perfection for such ephemeral occasions as triumphal processions or barge cruises. It is this visual culture that best chronicles Cleopatra's legend and suggests her subtle but indelible mark on the art of imperial Rome at the critical moment of its inception.
A “splendid” (The Wall Street Journal) account of one of history’s most important and yet little-known wars, the campaign culminating in the Battle of Actium in 31 BC, whose outcome determined the future of the Roman Empire. Following Caesar’s assassination and Mark Antony’s defeat of the conspirators who killed Caesar, two powerful men remained in Rome—Antony and Caesar’s chosen heir, young Octavian, the future Augustus. When Antony fell in love with the most powerful woman in the world, Egypt’s ruler Cleopatra, and thwarted Octavian’s ambition to rule the empire, another civil war broke out. In 31 BC one of the largest naval battles in the ancient world took place—more than 600 ships, almost 200,000 men, and one woman—the Battle of Actium. Octavian prevailed over Antony and Cleopatra, who subsequently killed themselves. The Battle of Actium had great consequences for the empire. Had Antony and Cleopatra won, the empire’s capital might have moved from Rome to Alexandria, Cleopatra’s capital, and Latin might have become the empire’s second language after Greek, which was spoken throughout the eastern Mediterranean, including Egypt. In this “superbly recounted” (The National Review) history, Barry Strauss, ancient history authority, describes this consequential battle with the drama and expertise that it deserves. The War That Made the Roman Empire is essential history that features three of the greatest figures of the ancient world.
She was the last ruler of the Macedonian dynasty of Ptolemies who had ruled Egypt for three centuries. Highly educated (she was the only one of the Ptolemies to read and speak ancient Egyptian as well as the court Greek) and very clever (her famous liaisons with Julius Caesar and Mark Antony were as much to do with politics as the heart), she steered her kingdom through impossibly taxing internal problems and railed against greedy Roman imperialism. Stripping away preconceptions as old as her Roman enemies, Joyce Tyldesley uses all her skills as an Egyptologist to give us this magnificent biography.
Biography of the Egyptian Queen who attempted to ally with the Roman Empire, but eventually was taken captive, allowing the Rome to gain control.
A powerful tale of war, romance, and one of history's most desperate gambles Julius Caesar was nothing if not bold. When, in the wake of his defeat of Pompey at Pharsalus his victorious legions refused to march another step under his command, he pursued his fleeing rival into Egypt with an impossibly small force of Gallic and German cavalry, raw Italian recruits, and nine hundred Spanish prisoners of war-tough veterans of Pompey's Sixth Legion. Cleopatra's Kidnappers tells the epic saga of Caesar's adventures in Egypt through the eyes of these captured, but never defeated, legionaries. In this third volume in his definitive history of the Roman legions, Stephen Dando-Collins reveals how this tiny band of fierce warriors led Caesar's little army to great victories against impossible odds. Bristling with action and packed with insights and newly revealed facts, this eye-opening account introduces you to the extraordinary men who made possible Caesar's famous boast, "I came, I saw, I conquered." Praise for Caesar's Legion "A unique and splendidly researched story, following the trials and triumphs of Julius Caesar's Legio X. . . . More than a mere unit account, it incorporates the history of Rome and the Roman army at the height of their power and gory glory. Many military historians consider Caesar's legions the world's most efficient infantry before the arrival of gunpowder. This book shows why. Written in readable, popular style, Caesar's Legion is a must for military buffs and anyone interested in Roman history at a critical point in European civilization." -T. R. Fehrenbach author of This Kind of War, Lone Star, and Comanches
The twilight of a republic -- The death of Caesar -- Rome in chaos -- Cleopatra returns to Alexandria -- Cleopatra remembers Caesar -- The battle of Philippi -- Cleopatra and Antony meet -- True love -- The start of a nightmare -- The battle of Actium -- The end of Antony and Cleopatra -- The dawn of an empire.
Cleopatra VII (69-30 BC) is the most famous woman from classical antiquity. Yet her modern reputation is based largely on her post-antique representation in drama, art, and other media. The current study is the first to examine the queen solely from the source material from the Greco-Roman period: literary sources, Egyptian documents including those of the queen herself, her own writings, and her representations in art.
Fabled for her sexual allure and cunning intelligence, Cleopatra VII of Egypt has fascinated generations of admirers and detractors since her tumultuous life ended in suicide on Octavians' capture of Egypt in 30 BC. The last of the Ptolemaic monarchs who had ruled Egypt as Hellenistic Greek kings and Egyptian pharaohs for 300 years, Cleopatra created her own mythology, becoming an icon in her own lifetime and even more so after her death. This book explores the ways in which she was depicted in antiquity, within the context of the iconography of contemporary coinage, statues and other images of Egyptian, Greek and Roman rulers, and then examines the image of Cleopatra from the Renaissance to modern times, as seen in plays, opera, painting, ceramics and even jewellery. Exciting new research has revealed seven Egyptian-style statues believed to represent Cleopatra, and two portraits probably commissioned in Rome while she lived there with Julius Caesar.