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A writerly study of Lady Hawarden's photographs and other visual representations of the complex erotics of adolescent girlhood.
Drawing inspiration from their dress-up boxes, the girls masqueraded in lavish costumes and acted out mysterious dramas for their mother's camera.
This anthology is dedicated to pictures of women taken by women. It begins withhotographs by the two great female photographers of the 19th century, Clementna Lady Hawarden and Julia Margaret Cameron, and covers a period of over 100 yars to the present day.;Some 160 images by 90 photographers present us with th entire spectrum of female self-definition both behind and in front of the camra. As such, the four major themes of social reality, the family, the female bdy and virtual reality come to the fore with their multifarious pictures fromhe worlds of art, literature, fashion, dance and show business. There are selfprotraits as well as female photographers' portraits of female photographers,aughters, mothers and, of course, several important female figures including Vrginia Woolf, Greta Garbo, Martha Graham, Simone de Beauvoir, Maria Callas, Maonna, Hillary Clinton, and even Her Majesty the Queen.
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
This book examines the unprecedented florescence of sculpture during the reign of Queen Victoria
Contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. These 13 essays address the work and history of specific artists, beginning with the Renaissance and ending with the present day.
In the wake of Glasgow’s transformation in the nineteenth-century into an industrial powerhouse — the "Second City of the Empire" — a substantial part of the old town of Adam Smith degenerated into an overcrowded and disease-ridden slum. The Old Closes and Streets of Glasgow, Thomas Annan’s photographic record of this central section of the city prior to its demolition in accordance with the City of Glasgow Improvements Act of 1866, is widely recognized as a classic of nineteenth-century documentary photography. Annan’s achievement as a photographer of paintings, portraits and landscapes is less widely known. Thomas Annan of Glasgow: Pioneer of the Documentary Photograph offers a handy, comprehensive and copiously illustrated overview of the full range of the photographer’s work. The book opens with a brief account of the immediate context of Annan’s career as a photographer: the astonishing florescence of photography in Victorian Scotland. Successive chapters deal with each of the main fields of his activity, touching along the way on issues such as the nineteenth-century debate over the status of photography — a mechanical practice or an artistic one? — and the still ongoing controversies surrounding the documentary photograph in particular. While the text itself is intended for the general reader, extensive endnotes amplify particular themes and offer guidance to readers interested in pursuing them further.
Filled with compelling images from revered photographers of the past and present, this book sheds light on marginalized communities who have traditionally shied away from the camera. At a time when individual rights are being contested and when those on the fringes of society feel deeply threatened, this powerful photographic compilation delivers a message of humanity and inclusiveness that transcends geopolitical and cultural boundaries. Works by critically acclaimed photographers including Bruce Davidson, Paz Errazuriz, Jim Goldberg, Danny Lyon, Mary Ellen Mark, Boris Mikhailov, Daido Moriyama, and Dayanita Singh cast a compassionate, unflinching eye on the worlds inhabited by transsexuals, hookers, hustlers, bikers, junkies, circus performers, gang members, survivalists, petty criminals, and others who live in the shadows, on the streets, and out of the public eye. Grouped by photographer and ranging in genre from portraiture to photojournalism, these images were selected for their authentic and humane perspective, as well as for their artistic brilliance. An important testament to photography's power to both expose injustice and provide affirmation for those outside the norm, this collection bears witness to the ways social attitudes change across time and space, and how visual representation can promote understanding and dialogue.
Pultz explores various issues in photography by focusing on one of its greatest subjects--the human body. He traces images of the body--male and female, child and adult, nude and clothed--from the tintypes of anonymous itinerant photographers to the great classic works of the masters of the medium to the artistic experiments of today. 125 illustrations, 32 in color.