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Studies of creativity frequently focus on the modern era yet creativity has always been part of human history. This book explores how creativity was expressed through the medium of clay in the Bronze Age in the Carpathian Basin. Although metal is one of the defining characteristics of Bronze Age Europe, in the Carpathian Basin clay was the dominant material in many areas of life. Here the daily experience of people was, therefore, much more likely to be related to clay than bronze. Through eight thematic essays, this book considers a series of different facets of creativity. Each essay combines a broad range of theoretical insights with a specific case study of ceramic forms, sites or individual objects. This innovative volume is the first to focus on creativity in the Bronze Age and offers new insights into the rich and complex archaeology of the Carpathian Basin.
Creativity is an integral part of human history, yet most studies focus on the modern era, leaving unresolved questions about the formative role that creativity has played in the past. This book explores the fundamental nature of creativity in the European Bronze Age. Considering developments in crafts that we take for granted today, such as pottery, textiles, and metalwork, the volume compares and contrasts various aspects of their development, from the construction of the materials themselves, through the production processes, to the design and effects deployed in finished objects. It explores how creativity is closely related to changes in material culture, how it directs responses to the new and unfamiliar, and how it has resulted in changes to familiar things and practices. Written by an international team of scholars, the case studies in this volume consider wider issues and provide detailed insights into creative solutions found in specific objects.
An up-to-date, systematic depiction of Bronze Age societies of the Levant, their evolution, and their interactions and entanglements with neighboring regions.
You will then learn how to create a mold to cast the sculpture in wax, pour the molten bronze, and finesse the final bronze sculpture."--BOOK JACKET. "Whether you are an experienced sculptor trying bronze for the first time, or someone entirely new to sculpture, From Clay to Bronze will serve as your one-stop reference."--BOOK JACKET.
The papers in this volume view Bronze Age objects through the lens of creativity in order to offer fresh insights into the interaction between people and the world, as well as the individual and cultural processes that lie behind creative expression.
Offers an innovative theory for ancient art and its creativity, demonstrated through the rich material and visual culture of the protohistoric Aegean.
This book brings together for the first time a detailed, comparative view of Bronze Age communities in key areas of the Mediterranean basin. Each of the eleven regional studies contains consideration of technology, economic competition, regional settlement patterns, subsistence, social and political organisation, defence and ritual. Contributors include: C Mathers (Contrasting patterns of change in the south-east Iberian Bronze Age); R J Harrison (The Bronze Age in northern and northeastern Spain); J Gasco (Development and decline in the Bronze Age of southern France); L Barfield (The Bronze Age of northern Italy); G Barker & S Stoddart (The Bronze Age of central Italy); C Malone, S Stoddart & R Whitehouse (The Bronze Age of southern Italy, Sicily and Malta); P Halstead (Regional paths to complexity in prehistoric Greece); S W Manning (Bronze Age Crete and the Cyclades); A Bernard Knapp (Bronze Age Cyprus); S E Falconer (Urbanism and ruralism in the southern Levant); A Sherratt (Perspectives on the Bronze Age).
The Cambridge Prehistory of the Bronze and Iron Age Mediterranean offers new insights into the material and social practices of many different Mediterranean peoples during the Bronze and Iron Ages, presenting in particular those features that both connect and distinguish them. Contributors discuss in depth a range of topics that motivate and structure Mediterranean archaeology today, including insularity and connectivity; mobility, migration, and colonization; hybridization and cultural encounters; materiality, memory, and identity; community and household; life and death; and ritual and ideology. The volume's broad coverage of different approaches and contemporary archaeological practices will help practitioners of Mediterranean archaeology to move the subject forward in new and dynamic ways. Together, the essays in this volume shed new light on the people, ideas, and materials that make up the world of Mediterranean archaeology today, beyond the borders that separate Europe, Africa, and the Middle East.
It is always interesting to read studies of insular or isolated groups or environments, and to speculate on why they do not tend to mirror changes in neighbouring areas. This book studies the archaeological evidence during the period 3000-800 BC, the settlements, cemeteries, artefacts and environment of each individual island. In a concluding chapter the islands are studied as a group looking at general sequences of historical and cultural development and the role of foreign, outside influences in accounting or contributing to these changes. A clear and well illustrated archaeological study.