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Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.
This concise volume offers both a practical manual for performers and an authoritative history of the instrument. Includes advice on mastering basic touch, fingering, articulation and phrasing, rhythm and tempo, ornaments, more.
"Jean Nandi's delightful, informative, & user-friendly 'how-to' book, Starting on the Harpsichord, fills a twenty-year need for an effective tutor designed for the individual whose first musical experience is on a harpsichord. We are fortunate that this first book of its genre is so engaging, clear, & pedagogically imaginative. The book includes charming black & white drawings by Thomas Gordon Smith, an architect, & Mark Farmer, both experienced harpsichord players. The writing style is good-natured, lucid, & conversational throughout. Hand position & rhythmic interpretation all proceed in order of importance, including little examples written by Leonie Jenkins, an orthopedist & harpsichordist who, like the artists listed above, studied with Nandi, a twenty-five-year veteran of harpsichord teaching."--Laurette Goldberg, Notes, Music Library Association Quarterly Journal, December, 1990. "I invite you to read the book Starting on the Harpsichord by Jean Nandi...There has never been such a study that outlines in such good detail how to play the harpsichord...A thorough teaching manual. ...Jean's enthusiasm & her love of the harpsichord has inspired me & others to continue playing & enjoying the harpsichord"...Matthew Redsell, Continuo Magazine, 1989-1990.
This is a richly illustrated history of the clavichord, the forerunner of the modern piano.
Want to go beyond "Chopsticks?" This visual guide to tickling the ivories will show you the way. By Chapter 2, you'll be playing simple pieces and practicing scales. You'll progress from getting familiar with notes, symbols, and keys to playing basic chords and reading music like a pro. Without getting bogged down in boring theory, you'll learn what you need to know and enjoy playing as you go! Whether you like Bach or rock, jazz or country, golden oldies or new age, you'll love learning to play the fun, visual way. Concise two-page lessons show you all the crucial skills and are ideal for quick review Each skill, chord, or technique is clearly described Concise and understandable instructions accompany each photo Detailed color photos demonstrate proper fingering technique Helpful tips provide additional guidance
Kottick presents technical information in an accessible, but entertaining, way: the forms and styles of harpsichords, advice on purchasing decisions, maintenance techniques (such as voicing, regulating, and changing strings, tongues, plectra, springs, and dampers), aids in troubleshooting common problems, and detailed instructions on tuning and temperament. As builder of some thirty keyboard instruments, Kottick is well qualified to speak on the subject.
A renowned concert pianist traces the instrument's design, manufacture, and music in a delightful "piano's eye-view" of the social history of Western Europe and the United States from the 16th to the 20th centuries.
"Divided into two parts, the book combines Touch at the harpsichord, in part one, with Rhetoric at the keyboard (or, performance practice) in part two. The book is spiral bound and designed for use at the keyboard, with or without a teacher. It features 30 teaching pieces from the Bach/Ricci "Methode ou Receuil de Connaissances elementaires pour le piano forte ou clavecin" of 1786. Also featured are pieces to play by Louis & Francois Couperin, J. S. Bach and Georg Bohm. An appendix of recommended starting pieces follows. If you take the trouble to work with this book at a harpsichord, (especially if you use the recordings) your touch and knowledge of Baroque performance will improve."--Publisher's description.
Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.