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Exploring Paul Claudel's relationship to the creative geniuses Gide, Merleau-Ponty, Proust, Redon, Sartre, Van Gogh, and Weil, this work clearly demonstrates Claudel's centrality to aesthetic philosophy in France and the profound connection in his work between aesthetics and religious faith.
In Brazil, where forest meets savanna, new towns, agribusiness and hydroelectricity plants form a patchwork with the indigenous territories. Here, agricultural work, fishing, songs, feasts and exchanges occupy the Enawenê-nawê for eight months of each year, during a season called Yankwa. Vital Diplomacy focuses on this major ceremonial cycle to shed new light on classic Amazonian themes such as kinship, gender, manioc cultivation and cuisine, relations with non-humans and foreigners, and the interplay of myth and practice, exploring how ritual contains and diverts the threat of violence by reconciling antagonistic spirits, coordinating social and gender divides, and channelling foreign relations and resources.
This volume, prompted by the publication in 1999 of Moya Longstaffe's remarkable study, Metamorphoses of Passion and the Heroic in French Literature: Corneille, Stendhal, Claudel, further investigates and analyses the multiple appearances of Passion and Heroism in literature. It pursues the exploration of these themes in a variety of cultures (English, French, German, Spanish), genres, and critical approaches. In addition, the chronological span represented is extremely wide. Contributions range from La Fontaine, Molière and Voltaire to Rimbaud and Camus; from Baudelaire to Beckett; from Wagner to Goytisolo. This very diversity gives necessary context, providing scope for reflection and analysis. Although passion seems timeless, can heroism have any real meaning - apart from an individual and existential one - in our postmodern age? Has a notion at the centre of European culture for so many centuries really disappeared from our intellectual and cultural universe? This volume will be of interest to all students of literature, whatever their critical or linguistic allegiance, since it focuses on the varying manifestations of two vital ingredients of all societies and cultures.
This is the most important book to date on one of the giants of modern literature. It examines in detail a dramaturgy that continues to dominate the contemporary stage. In a brilliant confrontation of the question of translation, Matheson discusses the hows and the why that face the artist-as-translator. He shows the terms by which ancient myth is made theatrically significant to the playgoer of today. The author traces the spiritual and artistic development of Claudel, the self-willed, individualistic French artist who found in the works of the difficult, uncompromising Aeschylus prefigurations of his own life. Claudel's training in the classics, his early admiration of Mallarmé, the Aeschylean reminiscences in his early plays Partage de midi and Tête d'Or anticipate his own brilliant trilogy. But it was through his translation of the Oresteia, a translation that Matheson analyzes in detail, that this most important of French dramatists assimilated Aeschylus to recast him for the modern stage. Claudel and Aeschylus, through an examination of Claudel's crucial Aeschylean strain, shows the centrality and the significance of the Hellenic in the work of one of the most important literary figures of our age.
Imagining Columbus is Stavans's contribution to the literature on Columbus. 'My purpose,' says Stavans, 'is to revisit, to investigate, to play with the asymmetrical geometries of the admiral's literary adventures in the human imagination.' Arguing that writers have portrayed Columbus in three ways-as prophet or messiah, as ambitious gold-seeker, and as a conventional, rather unremarkable man-Stavans examines numerous poems, novels, short stories, dramas, and other works on Columbus in this provocative book. In Part 1, 'Mapmaking,' Stavans explores the two opposing views of the celebration of the quincentennial, and discusses the most notable biographies of Columbus, including those by Washington Irving and Samuel Eliot Morison. In Part 2, 'Lives of a Literary Character,' Stavans takes up the geographic and historical development of Columbus as a narrative figure in literature, and devotes a chapter to each of the three literary views of the admiral. Stavans includes portrayals of other writers' views on Columbus like Walt Whitman, Alejo Carpentier, James Fenimore Cooper, Friedrich Nietzsche, Nikos Kazantzakis, Rubén Darío, Michael Dorris, Louise Erdrich, among others.
Reading on the Edge explores the notion of multiple cultural identity and exile in the work of Marcel Proust, James Joyce, and James Baldwin. Focusing on the cultural politics of modernism through the prism of cultural theory, the book reconceives each author's work while at the same time redrawing modernism's traditionally Eurocentric disciplinary boundaries. The book therefore has wide implications for our understanding of modernism and the modernist canon.
Abundantly illustrated, this catalogue is a fascinating and comprehensive reevaluation of the French modernist sculptor Camille Claudel. Camille Claudel (1864–1943) was among the most daring and visionary sculptors of the late nineteenth century. Although much attention has been paid to her tumultuous life—her affair with her mentor, Auguste Rodin; the premature end to her career; her thirty-year institutionalization in an asylum—her art remains little known outside of France. Memorably praised by critic Octave Mirbeau in 1895 as “a revolt of nature: a woman of genius,” Claudel was celebrated for her brilliance during a time when women sculptors were rare. Featuring more than two hundred photographs along with contributions from leading experts, this publication accompanies the first comprehensive survey of Claudel’s oeuvre in nearly forty years. With essays exploring the many facets of her life, work, and reception; a biography; commentary by American sculptor Kiki Smith; and a fascinating appendix of documents written by Claudel and her contemporaries, this volume reevaluates the artist’s work on its own merits and repositions her legacy within a more complex genealogy of modernism.
According to Carol Rigolot, reading the work of Nobel Prize-winning poet Saint-John Perse (1887-1975) is not unlike eavesdropping on a telephone conversation in which only one side is audible. His poems are antiphonal, and even polyphonic, works where int
Building on work by Aristotle, Jacques Lacan, and Harold Bloom, Adrianna M. Paliyenko's richly textured study revises our previous understanding of Arthur Rimbaud's (1854-1891) indirect artistic influence on Paul Claudel (1868-1955). Paliyenko's analysis answers to critical readings that rely on speculative spiritual affinities and text-surface similarities in identifying Claudel as Rimbaud's artistic follower. She traces the two writers' development of the poetic subject, striving to map Claudel's "creative corrections," or revisions, of Rimbaud's work. In redirecting discussion of Rimbaud's work, she develops a Bloomian paradigm of how creative artists strive for originality by correcting or revising their predecessors.