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Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.
Academic Paper from the year 2022 in the subject Literature - Comparative Literature, grade: 1, Bahir Dar University (Faculity of Humanities), course: English Literature, language: English, abstract: Literature is a unique subject that is intertwined with a variety of fields. This paper's major goal was to provide a comprehensive overview of the literary movements of Classicism and Romanticism. The 18th century's Classicism (Literary Movement) is a movement of artists and authors inspired by the styles and concepts of ancient Greece and Rome. It was a political and philosophical shift away from overt religion and toward science and reason. Reason, Balance, Order, Clarity, Ideal beauty, Common man, Orderly form/structure, Tradition, Nature as a machine, Society, Logic, and Unity were the key points of emphasis. Writers and philosophers stressed the value of logical thought in human affairs, and classicism includes the movement known as the 'Age of Reason' or the 'Enlightenment.' Romanticism, on the other hand, is an attitude or philosophical orientation that marked numerous works of Western civilization's literature, painting, music, architecture, criticism, and historiography from the late 18th to the mid-19th centuries. Order, serenity, harmony, balance, idealization, and rationalism are among the precepts that Romanticism rejects. Between the late eighteenth and the mid-nineteenth century, a cultural and intellectual movement known as Romanticism flourished in Europe. The Romantic Movement emphasized the significance of emotional sensitivity and individual subjectivity and was seen as a break from the Enlightenment's guiding principles, which placed reason as the foundation of all knowledge. The most essential creative faculty for the Romantics was imagination, rather than reason.
Sharply focused essays on the most significant aspects of German Romanticism.
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The Oxford Handbook of European Romanticism focuses on the period beginning with the French Revolution and extending to the uprisings of 1848 across Europe. It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian, Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comparative dynamic. These chapters highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of understanding, and the Enlightenment encyclopaedic project. Discourses typically push their individual claims to resume European culture, collaborating and trying to assimilate each other in the process. The main examples featuring here are history, geography, drama, theology, language, geography, philosophy, political theory, the sciences, and the media. Each chapter offers original and individual interpretation of individual aspects of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide a comprehensive and unique overview of European Romanticism.
67 texts, including hymns, manifestos, articles or extracts from lengthy studies exemplify the relation between Romanticism and the national movements in the cultural space ranging from Poland to the Ottoman Empire. Each text is accompanied by a presentation of the author, and by an analysis of the context in which the respective work was born.The end of the 18th century and first decades of the 19th were in many respects a watershed period in European history. The ideas of the Enlightenment and the dramatic convulsions of the French Revolution had shattered the old bonds and cast doubt upon the established moral and social norms of the old corporate society. In culture a new trend, Romanticism, was successfully asserting itself against Classicism and provided a new key for a growing number of activists to 're-imagine' their national community, reaching beyond the traditional frameworks of identification (such as the 'political nation', regional patriotism, or Christian universalism). The collection focuses on the interplay of Romantic cultural discourses and the shaping of national ideology throughout the 19th century, tracing the patterns of cultural transfer with Western Europe as well as the mimetic competition of national ideologies within the region.
An alphabetical listing and description of authors, works, literary types and terms, mythological figures, and literary periods and movements from all over the world.