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If you’ve ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you! Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was “a virtuoso instrument capable of enriching any musical genre.” In the author’s words, “I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player’s musical sensibility… Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethoven’s Moonlight Sonata, are much slower, but will test your musical abilities in other ways.” The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three- finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo.
Bach for the Banjo is a collection of some of Bach's best-known pieces transcribed for the five-string banjo. Several pieces appear in tablature for banjo with a second part for guitar: Inventions 1, 8, 13, and 14; March; Minuet in G; Polonaise in G minor; Minuet in G minor; and Musette. Others appear in notation and tablature for solo banjo: Prelude from Partita No.III for Solo Violin; Bouree II from Suite IV for Solo Cello; Menuets I & II from Suite II for Solo Cello; Courante from Suite I for Solo Cello; Gavotte en Rondeau from Partita No.III for Solo Violin; and Prelude from Suite I for Solo Cello. Finally, Bauerntanz is offered as a banjo duet in tablature only. These transcriptions are taken from the recordings the Classical Banjo and Bach on the Banjo which take Bach's classic pieces to new heights.
Here is the Forgotten Heritage: Great Banjo Music! Discover the birth of the American fingerstyle banjo in this collection of 28 of the finest tunes culled from banjo publications between 1860 and 1887. Learn amazing banjo music by some of the early leading players, James Buckley, Albert Baur, and the great Frank B. Converse, the greatest virtuoso of his day. from folk-style dances to parlor dances such as the Polka, Mazurka and Schottische, to advanced Romantic-period classical-style solos. Can be played on modern banjos or period-style instruments. the CD recording by Rob MacKillop features a gut-strung banjo, and is played with the flesh of the fingertips, in the old American tuning. for modern instrument players, Rob has provided TAB and a Standard Notation stave at modern banjo pitch. Clawhammer players will find many of the pieces in the book suitable for their technique, and bluegrass/fingerstyle players will be able to play all the pieces. Rob MacKillop provides a fascinating introductory essay, placing the music in its historical context, while his CD of performances can be viewed as a stand-alone recording by a leading player in the revival of this great American banjo heritage.
This unique book of scales and arpeggios for banjo by John Bullard covers all of the major and minor keys. Written in tablature and standard notation, this book brings banjo players the same practical and time-proven system of study common to other classical instruments. Students will learn the scales and arpeggios and apply them in flowing, musical exercises.
This book contains twenty well-known classical melodies arranged for 5-string banjo in G tuning. The selections span from the Baroque era to the beginning of the 20th century. All are set in standard notation and tablature in easy melody/chord arrangements that rarely use the 5th string. This collection will provide beautiful additions to your solo banjo repertoire and improve your note-reading ability.
(Banjo). A great collection of banjo classics that comes with audio examples of the licks. Songs include: Alabama Jubilee * Bye Bye Love * Duelin' Banjos * The Entertainer * Foggy Mountain Breakdown * Great Balls of Fire * Lady of Spain * Rawhide * (Ghost) Riders in the Sky (A Cowboy Legend) * Rocky Top * San Antonio Rose * Tennessee Waltz * UFO-TOFU * You Are My Sunshine * and more.
Bach for the Banjo is a collection of some of Bach's best-known piecestranscribed for the five-string banjo. Several pieces appear in tablature for banjo with a second part for guitar: Inventions 1, 8, 13, and 14; March; Minuet in G; Polonaise in G minor; Minuet in G minor; and Musette. Others appear in notation and tablature for solo banjo: Prelude from Partita No.III for Solo Violin; Bouree II from Suite IV for Solo Cello; Menuets I & II from Suite II for Solo Cello; Courante from Suite I for Solo Cello; Gavotte en Rondeau from Partita No.III forSolo Violin; and Prelude from Suite I for Solo Cello. Finally, Bauerntanz is offered as a banjo duet in tablature only. These transcriptions are taken from the recordings "The Classical Banjo" and "Bach on the Banjo" which take Bach's classic pieces to new heights.
Believed to be the first banjo book of its kind, consisting entirely of Renaissance music, Renaissance and Early Music for Banjo provides the banjo player with growing material – the opportunity to play in a number of different keys besides G major, thus expanding their horizon by using unusual chords. the player will utilize different tempos that banjoists are not usually familiar with. Provides material for Classical Banjo enthusiasts who want to expand their playing, it also allows the player to deal with what was perhaps the earliest type of music theory known – that of the modal scales. It will teach the student the different types of form structures, and to get away from relying on the 5th string too much. This type of music would be extremely difficult to learn by ear, and so a book of tablatures would prove to be invaluable. Every piece is presented first in a vertical chordal arrangement, which was the way it was originally intended, and then arranged in a more linear horizontal style, using perpetual motion which is much more familiar with toda's player. Thus they are great for finger limbering exercises. Every tune is provided with analytical commentaries and the book has a glossary of terms. In tablature only.
(Banjo). 40 works from the Renaissance and Elizabethan period presented in chordal and a more linear manner. Includes an informative introduction about the origins of the music and playing style.