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In 2005, the celebrated scholar of Japanese literature Haruo Shirane published Classical Japanese: A Grammar. Now, with Classical Japanese Reader and Essential Dictionary, he completes his two-volume textbook for learning classical, or literary, Japanese--the primary written language in Japan from the seventh to the mid-twentieth century. The text contains carefully selected readings that address a wide array of grammatical concerns and that steadily progress from easy to difficult. The selections encompass a wide range of historical periods and styles, including essays, fiction, and poetry from such noted works as The Tale of Genji, The Tales of Ise, The Pillow Book, The Tales of the Heike, and Essays in Idleness, and such authors as Ihara Saikaku, Matsuo Basho, Ueda Akinari, Motoori Norinaga, and Fukuzawa Yukichi. Each reading is accompanied by a short English introduction, a vocabulary list, and extensive grammatical notes, and ends with a comprehensive grammatical annotation. The classical Japanese-English dictionary composes the last third of the book and features approximately 2,500 key words, highlighting those used most frequently. The first of its kind, this volume is a vital tool for students, scholars, and translators of classical Japanese.
Classical Japanese: A Grammar is a comprehensive, and practical guide to classical Japanese. Extensive notes and historical explanations make this volume useful as both a reference for advanced students and a textbook for beginning students. The volume, which explains how classical Japanese is related to modern Japanese, includes detailed explanations of basic grammar, including helpful, easy-to-use tables of grammatical forms; annotated excerpts from classical premodern texts. Classical Japanese: A Grammar - Exercise Answers and Tables (ISBN: 978-0-231-13530-6) is now available for purchase as a separate volume.
Emerging from materials the author developed while teaching, A Handbook to Classical Japanese draws on twenty-five years of experience in addressing problem areas for those learning the language. The work deals with the central issue of classical language, namely, 'verb'-endings: specifically, the endings of verbs, verbal adjectives, pseudo-adjectives, and verb-suffixes. The Handbook treats the issue systematically, presenting 670 real-language examples, nearly 400 of which are discretely different quotations. The work's extensive Introduction walks the reader through key problem areas, with sections on "Which Verbs Belong to Which Conjugation?" "How to 'Unpack' Bungo Verbs," "Nari Headaches," "Namu/nan Trouble," "Items Easily Confused: Apparent Ambiguity," "Respect Language," and the like. The body of the Handbook, with its hundreds of examples, serves as a kind of reader; thirty-two verb-suffixes are illustrated in all of their forms or functions (with at least two examples of each). The book's seven appendices introduce a wide range of Western-language material, including comprehensive information about other translations into English, French, German, and Spanish of all texts cited--especially helpful for potential comparative translation study. For those unfamiliar with the topic, the section on Orthography is a model of clarity. Throughout the Handbook, highlighted items in Japanese are printed in bright red and their romanization in dark-black small capitals, to repeat and reinforce material at both conscious and unconscious levels via complementary graphic features. The volume can be used as an introduction to classical Japanese, an initial textbook, a companion text, a review text, and/or a reference work.
"The Japanese government may someday recognize--as it ought to--Tuttle's contribution to creating an intelligent interest in Japan among the English-reading public, and deepening understanding of Japanese overseas--STRONG>Hokubei Mainichi (San Francisco) Awarded the 1969 Prize for the Society of the Promotion of International Cultural Relations, this is the most comprehensive Japanese book of its kind. Containing Japanese-English and English-Japanese sections, it is an essential reference tool for serious students studying the Japanese language or for business people and tourists wishing to learn Japanese before they travel. Special features include: Lists over 5,000 carefully selected characters with their 10,000+ current readings and almost 70,000 compounds in current use, al with concise English definitions. Scientifically arranged by a logical extension of the traditional radical system so as to make the finding of a given character almost fool-proof, saving hours of time. Makes provision for quickly finding characters either in their traditional or their modern and often greatly altered forms, thus serving for both prewar and postwar literature. Includes 14 valuable appendices giving (1) instructions for the most efficient use of the book, (2) discussions of the written language in general and particularly of its recent and far-reaching official modifications, and (3) much helpful
This is the first anthology ever devoted to early modern Japanese literature, spanning the period from 1600 to 1900, known variously as the Edo or the Tokugawa, one of the most creative epochs of Japanese culture. This anthology, which will be of vital interest to anyone involved in this era, includes not only fiction, poetry, and drama, but also essays, treatises, literary criticism, comic poetry, adaptations from Chinese, folk stories and other non-canonical works. Many of these texts have never been translated into English before, and several classics have been newly translated for this collection. Early Modern Japanese Literature introduces English readers to an unprecedented range of prose fiction genres, including dangibon (satiric sermons), kibyôshi (satiric and didactic picture books), sharebon (books of wit and fashion), yomihon (reading books), kokkeibon (books of humor), gôkan (bound books), and ninjôbon (books of romance and sentiment). The anthology also offers a rich array of poetry—waka, haiku, senryû, kyôka, kyôshi—and eleven plays, which range from contemporary domestic drama to historical plays and from early puppet theater to nineteenth century kabuki. Since much of early modern Japanese literature is highly allusive and often elliptical, this anthology features introductions and commentary that provide the critical context for appreciating this diverse and fascinating body of texts. One of the major characteristics of early modern Japanese literature is that almost all of the popular fiction was amply illustrated by wood-block prints, creating an extensive text-image phenomenon. In some genres such as kibyôshi and gôkan the text in fact appeared inside the woodblock image. Woodblock prints of actors were also an important aspect of the culture of kabuki drama. A major feature of this anthology is the inclusion of over 200 woodblock prints that accompanied the original texts and drama.
Revision of the original modern reader's Japanese-English character dictionary.
Kanji From Zero! isn't just another kanji reference book, instead, it's designed to give genuine insight into kanji, the associated Japanese culture, and related Japanese words that other books often ignore.
This abridged edition of Haruo Shirane's popular anthology, Early Modern Japanese Literature, retains the essential texts that have made the original volume such a valuable resource. The book introduces English-speaking readers to prose fiction genres, including dangibon, kibyoshi (satiric picture books), sharebon (books of wit and fashion), yomihon, kokkeibon (books of humor), gokan (bound books), and ninjobon (books of romance and sentiment). It also features poetic genres such as waka, haiku, senryu, and kyoka, and plays ranging from Chikamatsu's puppet plays to nineteenth-century kabuki. Readers will continue to benefit from the anthology's selection of significant essays, treatises, literary criticism, folk stories, and other noncanonical works, as well as the numerous prints that accompanied these works. They will also find Shirane's introductions and critical commentary, which guide the reader through the allusive and often elliptical nature of these incredible selections.
With The Kodansha Kanji Learner’s Dictionary: Revised and Expanded, learners finally have at their fingertips accurate and in-depth information on all the kanji prescribed by the Japanese government. In all, 3,002 characters—772 more than in the first edition—fill its pages, making it the most comprehensive and up-to-date dictionary of its kind. The main goal of the dictionary is to give the learner instant access to a wealth of useful information on kanji, including their meanings, readings, stroke order, and usage in compounds. Compounds pose a special problem for learners. Normally one must memorize them as unrelated units. A unique feature of this dictionary that overcomes this difficulty is the core meaning, a concise keyword that defines the dominant sense of each kanji, followed by character meanings, or specific senses the kanji can have when used in the living language. Together these features help learners understand the logic behind compound formation. Another unique feature is the System of Kanji Indexing by Patterns (SKIP), a revolutionary indexing system that has gained widespread popularity because it enables the user to locate characters as quickly and as accurately as in alphabetical dictionaries. With SKIP, all one needs to do to find a kanji is identify the geometrical pattern to which it belongs, then count the strokes in each part of that pattern—a much speedier process than searching by traditional methods. These features, and many more, make this dictionary the most powerful kanji-learning tool ever devised.
In Kanbunmyaku: The Literary Sinitic Context and the Birth of Modern Japanese Language and Literature, Saito Mareshi demonstrates the centrality of kanbun and kanshi in the creation of modern literary Japanese and problematizes the modern antagonism between kanbun and Japanese.