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The Dances Of India Are Among The Oldest Dance Genres Still Widely Practiced Today. In Recent Years They Have Become Increasingly Known And Appreciated All Over The World. This Book Details The History Of The Several Styles Of Indian Dance And Gives An Account Of The Cultural, Religious, Social And Political Factors Which Influenced Their Growth And Development. There Are Fascinating Side-Lights On The Etiquette And Mores Of Indian Society. Many Of The Myths And Legends Which Form The Subject Matter Of The Dances Are Recounted And Theories Suggested To Explain Their Inspiration And Sources.This Is A Comprehensive Survey For Readers Who Want To Relate The Classical Dances To The Broader Background Of Indian Culture. For Students, Indian And Non- Indian, It Provides Valuable Historic And Technical Information; And For Dance Lovers It Serves As A Guide Telling Them What To Look For In A Performance. There Is, In Addition, An Overview Of India'S Many Folk Dances. The Glossary Of Terms Germane To The Different Styles Is A Useful Adjunct As Is The Bibliography.In The Latter Part Of This Book The Achievements Of Leading Delhi-Based Dancers Are Recorded And, At The Same Time, New Talent Is Readily Recognized.Written By An Acknowledged Authority, India'S Dances Is, Quite Simply, A Defmitive Volume On Some Of This Country'S Most. Enduring Contributions To World Culture.
Covering eight classical dance forms of India Bharatanatyam, Kathak, Kuchipudi, Kathakali, Manipuri, Mohiniattam, Odissi and Sattriya Leela Venkataraman seamlessly weaves together a historical perspective with the contemporary scenario. Stripped of their association with the temple and the court, classical dance traditions in India went through a series of unprecedented change in the period marking the last few years of British rule and thereafter. From becoming part of the nationalist struggle when India was trying to rediscover its lost identity, to sharing the international stage today with dance forms from all over the world, the last sixty-six years have seen many changes in perspective and presentation of Indian Classical Dance some intentional, others involuntary. While looking at these years closely and their impact on dance forms, one realises that this is a phase in an ongoing process, with each new generation of dancers and musicians adding to an already rich tapestry of tradition."
The yoga and classical dance traditions of India have been inextricably entwined for millennia. The exacting hand gestures, postures and movements of Indian classical dance can only be achieved through yogic concentration. Conversely, the esthetics, symmetry, and dynamism of dance enhance the practice of yoga. These two traditions, so complementary and essential to one another, are united and explicated for the first time in A Yoga of Indian Classical Dance. Twenty-five years ago Roxanne Kamayani Gupta embarked on a journey of dance and yoga, yearning to unlock their mysteries and discover their common origins. As a twenty-year-old student from America she was miraculously and mysteriously absorbed into Indian culture, became a Hindu, and began an odyssey so unusual and unique that the reader will be enchanted by its telling. Choosing the path of the dancer, Roxanne Gupta accomplished what no Western woman had done before: being accepted and trained by Indian masters and then performing in the Indian classical traditions--from the palaces of maharajas to the arts festivals of Europe and America--while at the same time achieving a doctorate in the anthropology of religion and being initiated into a number of yogic traditions. Having mastered the classical form of Kuchipudi dance and studied with teachers of the hatha and kriya yoga traditions, she brings together these two great streams of consciousness and practice. In this tantric approach to yoga and dance, expressed through the body and through a yoga of emotions, we see the traditions embodied in a manner that embraces the totality of the human experience. The result is the dance of the yogini, the sacred feminine initiatress who dances with one foot in nature and the other in the realm of the gods. With extensive photographs of innovative yoga routines, Roxanne Kamayani Gupta distills her experience into techniques for yogic study certain to assist students of all levels to achieve a dynamic, beautiful, and graceful practice.
Information About Various Dances Of India With Colourful Pictures
A sweeping look at the magnificene of Indian culture through its varied dance forms, Indian Classical Dance: Tradition in Transition is a tour de force study of the forms, characteristics, challenges and change in traditional dance. Briliant photographs taken by Avinash Pasricha, undoubtedly the master of Indian dance photography, make the book as vibrant as the dances it presents.
Exposition Of Classical Dances Of India [hardcover] Koser, S [Jan 01, 2010] Readings and activities designed to help students improve their comprehension and response skills. Classroom–tested lessons include brief reading selections followed by constructed response and multiple–choice questions and thinking and writing activities. Reading Comprehension Boosters is flexible and can be used as a core or supplemental program, as test prep, or for intervention with individual students or groups.
This book covers the history of the various styles of Indian dancing. It gives a related account of the religious, social, and political factors which influenced their growth and development, with side-lights on the etiquette and mores of Indian society. Many of the legends and myths which form the subjects of the dances are recounted and theories suggested to explain their origins.
This book aims at creating a deeper understanding and appreciation of the Indian dance and its cultural environment in India. The book is addressed to the general reader, dancer, and connoisseur, interested in the arts and traditions of India, where regional forms of dance rituals, dance-drama, folk dance, and classical dance forms have existed for centuries as an essential part of sacred rites and festivals, and as a classical art patronised and practised by the royalty.