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With useful lists of featured houses by style and by neighborhood, this essential resource is both an important portrait of the city and an invaluable guide to a rich chapter in the history of residential architecture in the Pacific Northwest."--BOOK JACKET.
Betty Bard MacDonald (1907–1958), the best-selling author of The Egg and I and the classic Mrs. Piggle-Wiggle children’s books, burst onto the literary scene shortly after the end of World War II. Readers embraced her memoir of her years as a young bride operating a chicken ranch on Washington’s Olympic Peninsula, and The Egg and I sold its first million copies in less than a year. The public was drawn to MacDonald’s vivacity, her offbeat humor, and her irreverent take on life. In 1947, the book was made into a movie starring Fred MacMurray and Claudette Colbert, and spawned a series of films featuring MacDonald's Ma and Pa Kettle characters. MacDonald followed up the success of The Egg and I with the creation of Mrs. Piggle-Wiggle, a magical woman who cures children of their bad habits, and with three additional memoirs: The Plague and I (chronicling her time in a tuberculosis sanitarium just outside Seattle), Anybody Can Do Anything (recounting her madcap attempts to find work during the Great Depression), and Onions in the Stew (about her life raising two teenage daughters on Vashon Island). Author Paula Becker was granted full access to Betty MacDonald’s archives, including materials never before seen by any researcher. Looking for Betty MacDonald, a biography of this endearing Northwest storyteller, reveals the story behind the memoirs and the difference between the real Betty MacDonald and her literary persona. Watch the book trailer: https://www.youtube.com/watch?v=_Lr6iVK4zWk
Architect and author Chapin describes existing pocket neighborhoods and co-housing communities while providing inspiration for creating new ones.
PETER DONAHUE’S DEBUT NOVEL MADISON HOUSE, which won the Langum Prize for Historical Fiction 2005, chronicles turn-of-the-century Seattle’s explosive transformation from frontier outpost to major metropolis. Maddie Ingram, owner of Madison House, and her quirky and endearing boarders find their lives inextricably linked when the city decides to re-grade Denny Hill and the fate of Madison House hangs in the balance--Maddie’s albino handyman and furtive love interest, a muckraking black journalist who owns and publishes the Seattle Sentry newspaper, and an aspiring stage actress forced into prostitution and morphine addiction while working in the city’s corrupt vaudeville theater, all call Madison House home. Had E.L. Doctorow and Charles Dickens met on the streets of Seattle, they couldn’t have created a better book.
Takes a close-up look at the design, architectural details, decorating possiblities, furnishings, and accessories of a wide array of cottages throughout North America, along with 170 full-color photographs and a host of historical and cultural trivia about the cottage home.
In the early twentieth century, the appearance of new houses across the United States shifted dramatically. Rejecting the elaborate decoration and complexity of Victorian homes, these new houses featured open, parlorless interiors and a minimalist aesthetic, radiating an aura of warmth, coziness, and naturalness. Nowhere were such residences more evident than in West Coast cities, especially Seattle, where explosive growth generated entire neighborhoods of this new house type--the bungalow. It was the nation's first modern home, and it established the essential characteristics of popular housing for the rest of the twentieth century. In The Seattle Bungalow, Janet Ore modifies the common notion that architectural change flows only from the design elite--the architects, domestic reformers, and planners who advocate for changes in domestic architecture--and argues that ordinary people played a crucial role in creating the bungalow. Through their growing power as consumers, modest-income families influenced the physical form of early twentieth-century houses and suburban landscapes. Still operating within a nineteenth-century labor and contracting system, small home builders responded to rising consumer demand for new conveniences such as electricity and central heating by simplifying their structures. Ambitious salespeople-real estate agents, plan book purveyors, and builders--created a new market for affordable small houses through astute advertising and financing. And once families acquired their homes, they used them flexibly, adapting their lives to their domestic spaces and refashioning their homes when necessary. From such efforts sprang the Seattle bungalow, an artifact of ordinary people's part in creating modern culture. Janet Oreis assistant professor of history at Colorado State University and has been a contributing writer toPacific Northwest QuarterlyandPerspectives in Vernacular Architecture. "Janet Ore's subject - the origins, marketing, development, and legacy of working-class housing in Seattle - offers an opportunity not only to explore architectural history but to characterize the economic, aesthetic, moral, and social dimensions of such housing." - Dennis Andersen, co-author ofDistant Corner: Seattle Architects and the Legacy of H. H. Richardson "A valuable record of the housing boom that transformed the American suburban landscape in the first decades of the twentieth century." - Kingston Heath, Director, Graduate Program in Historic Preservation, University of Oregon
A house is considered historic if it is typical of its period, usually more that 50 years old, and significant in either design, materials, workmanship, setting, and/or association. This work provides advice on the ongoing care and maintenance of such properties, and in the preservation of the qualities which make such homes unique.
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
"Architect Tom Kundig is known worldwide for the originality of his work. This paperback edition of Tom Kundig: Houses, first published in 2006, collects five of his most prominent early residential projects, which remain touchstones for him today. In a new preface written for this edition, Kundig reflects on the influence that these designs continue to have on his current thinking. Each house, presented from conceptual sketches through meticulously realized details, is the product of a sustained and active collaborative process among designer, builder, and client. The work of the Seattle-based architect has been called both raw and refined--disparate characteristics that produce extraordinarily inventive designs inspired by both the industrial structures ubiquitous to his upbringing in the Pacific Northwest and the vibrant craft cultures that are fostered there." --