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Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Titles: * Allegro (Saint-Saens, arr. Dishinger) * Aurora (Ostling) * Bordogni Medley (arr. Bowles) * Bourree (Handel, arr. Swanson) * Dance of the Slovaks (Bartok, arr. Dishinger) * The Elephant Dance (Weber) * Gallant Captain (arr. Ostling) * Largetto and Allegro (Handel, arr. Little) * Legend (Stoutamire) * Military March (arr. Little) * Minuet (Eccles, arr. Dishinger) * Sometimes I Feel Like A Motherless Child (Spiritual, arr. Barnes) * Where'er You Walk (Handel, arr. Swanson) * Work Song (Barnes)
Classic Festival Solos, Volume 2 continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Aria from La Clemenza di Tito (Mozart, arr. Little) * Campus Queen (Weber) * Flow Gently Sweet Afton (Traditional, arr. Little) * Folksong Melodies (Traditional, arr. Ostling/Weber) * Neutron Stars (Belden, arr. Little) * On Wings of Song (Mendelssohn, arr. Ostling/Weber) * Rocked In the Cradle of the Deep (Knight, arr. Ostling/Weber) * Romance and Scherzo (Cohen) * Song from Timon of Athens (Purcell, arr. Little) * Sunday (Brahms, arr. Little) * Texas Horizons (Quate/Little) * The Tubateer Polka (Bell)
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Aria from La Clemenza di Tito (Mozart, arr. Little) * Campus Queen (Weber) * Flow Gently Sweet Afton (Traditional, arr. Little) * Folksong Melodies (Traditional, arr. Ostling/Weber) * Neutron Stars (Belden, arr. Little) * On Wings of Song (Mendelssohn, arr. Ostling/Weber) * Rocked In the Cradle of the Deep (Knight, arr. Ostling/Weber) * Romance and Scherzo (Cohen) * Song from Timon of Athens (Purcell, arr. Little) * Sunday (Brahms, arr. Little) * Texas Horizons (Quate/Little) * The Tubateer Polka (Bell)
Just how does a brass quintet from Toronto become the most traveled classical act on the scene today? The Canadian Brass, called The Marx Brothers of Brass by the New York Times, has been cheered in concerts around the world for over 20 years. Their nearly 30 albums define them as the most successful crossover group in history. This fascinating look into the makings of a musical institution is a story to be enjoyed by musicians and music lovers. Flavored with the whimsy that has become the trademark of the group, the book is an amusing romp through their career, featuring a revealing look into the recording industry, extensive interviews with each player, dozens of amusing anecdotes, and over a hundred photos.
Offers the advancing instrumental soloist an array of materials graded from easy to more challenging.
Classic Festival Solos, Volume 2 continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Andantino (Sor, arr. Dishinger) * Aria (Bach, arr. Fitzgerald) * Chorale Melody, No. 19 (Bach, arr. Smith) * Dedication (Pelz) * The Easy Winners (Joplin, arr. Herriot/Cable) * El Verano (Knipfel/Leonard) * Happy Go Lucky (Smith) * Introduction and Fantasy (Fitzgerald) * La Casa (Knipfel/Leonard) * Road Runner (Smith) * Scarlatti Suite (Scarlatti, arr. Fitzgerald) * Valse "Au Printemps" (Smith)
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Adagio from Clarinet Concerto (Mozart, arr. Porter) * Andante (Gluck) * Apple Pie and Mom (Nix, arr. Ferreira) * Come To the Sea (Traditional, arr. Nix/Ferreira) * Dusty Rag (Nix, arr. Ferreira) * Excerpts from Concertino (von Weber, arr. Porter) * German band (Goldberg) * Hidin' Haydn (arr. Leonard) * Lonesome Pup (Goldberg) * Prelude to Midnight (Dallin) * Wearing of the Green (Traditional, arr. Nix/Ferreira)
Classic Festival Solos, Volume 2 continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Andante from Rosamunde (Schubert, arr. Rascher) * Allegro (Haydn, arr. Rousseau) * Barcarolle (Offenbach, arr. Rousseau) * Fun Time (Leonard) * Gavotte (Martin, arr. Rousseau) * Gavotte and Bourree (Bach, arr. Rascher) * Largo (Handel, arr. Rascher) * Londonderry Air (Traditional, arr. Rousseau) * Madrigal (Simonetti, arr. Leonard) * Musette (Bach, arr. Rascher) * Sicilienne and Gigue (Handel, arr. Coggins) * Slavonic Dance (Dvorak, arr. Leonard) * Tribute to the Tenor (Rousseau)