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Classic Festival Solos, Volume 2 continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Bouree (Forsberg, arr. Johnson) * Canterbury Round (Forsberg, arr. Johnson) * Fantasie (Strauss, arr. Pottag) * March in Bb (Forsberg, Johnson) * Melody for Jane (Weber) * Nocturne (Forsberg, arr. Johnson) * On Wings of Song (Mendelssohn, arr. Ployhar) * Romanza (Schumann, arr. Johnson/Forsberg) * Russian Dance (Kopprash, arr. Poole) * Sarabande (Brahms, arr. Poole) * Simple Gifts (Traditional, arr. Johnson/Forsberg) * Themes from Academic Festival Overture (Brahms, arr. Ployhar) * To Spring (Grieg, arr. Farkas/Smith)
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Titles: * Allegro (Saint-Saens, arr. Dishinger) * Aurora (Ostling) * Bordogni Medley (arr. Bowles) * Bourree (Handel, arr. Swanson) * Dance of the Slovaks (Bartok, arr. Dishinger) * The Elephant Dance (Weber) * Gallant Captain (arr. Ostling) * Largetto and Allegro (Handel, arr. Little) * Legend (Stoutamire) * Military March (arr. Little) * Minuet (Eccles, arr. Dishinger) * Sometimes I Feel Like A Motherless Child (Spiritual, arr. Barnes) * Where'er You Walk (Handel, arr. Swanson) * Work Song (Barnes)
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Adagio from Clarinet Concerto (Mozart, arr. Porter) * Andante (Gluck) * Apple Pie and Mom (Nix, arr. Ferreira) * Come To the Sea (Traditional, arr. Nix/Ferreira) * Dusty Rag (Nix, arr. Ferreira) * Excerpts from Concertino (von Weber, arr. Porter) * German band (Goldberg) * Hidin' Haydn (arr. Leonard) * Lonesome Pup (Goldberg) * Prelude to Midnight (Dallin) * Wearing of the Green (Traditional, arr. Nix/Ferreira)
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Titles: * Bourree (Handel, arr. Dishinger) * Chalet (Smith) * Champagne Song (Mozart, arr. Ployhar) * Elegie (Scheurer) * Hornpipe (Handel, arr. Ployhar) * Humoresque (Tschaikowsky, arr. Smith) * Lady In Blue (Pelz) * March of the Grenadiers (Ployhar) * Menuet (K. 164) (Mozart, arr. Dishinger) * Nobodyes Gigge (Farnaby, arr. Dishinger) * Romanza and Allegro (Scarmolin) * Soliloquy (Kaplan) * Valse Triste (Sibelius, arr. Ployhar) * Viking (Smith)
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Snare Drum, Volume II contains 15 different solos for snare drum and piano accompaniment. Elementary to advanced contest standards by Feldstein, Hoey, Barnett, and Masoner. Titles: * Drumfounded (Barnett) * Flim Flam (Barnett) * George M. Cohan Medley (Cohan, arr. Barnett) * High School Cadets (Sousa, arr. Barnett) * Hoedown (Barnett) * A Horse of a Different Color (Barnett) * March - Two (2) (Knohr/Sousa, arr. Moyer/Barnett) * Pet Rock (Barnett) * Polka Dots (Barnett) * Snap, Crackle, Pop (Barnett) * Stick to It (Barnett) * Sugar Beats (Barnett) * Sweet Rolls (Barnett) * Tiki's Tune (Barnett) * Track South (Hoey)
The Horn Player's Audition Handbook provides a handy, one-volume reference guide to the literature, especially for those players preparing for an imminent auditions, containing, as it does, the repertoire most frequently asked for by American orchestras. Since audition lists almost always include a few "non-standard" works, the well-versed student will also want to have employed the more comprehensive collections of excerpts in the course of his/her general preparation for an orchestral career. However, the advantages of having the most "important" audition material under one cover will readily be appreciated and makes this book a welcome addition to the literature.
Classic Festival Solos, Volume II continues to afford the advancing student the opportunity to find performance materials graded from easy to more challenging, including exposure to a variety of musical styles. Many of these works appear on state contest lists. Titles: * Adagio (Mozart, arr. Lentz) * Aries (Lewallen) * Canto Lyric (Bolz) * Elf Interludes (Haan) * Hungarian Dance No. 6 (Brahms, arr. Steenland) * Intermezzo (Mascagni, arr. Guenther) * Offenbach Ballet (arr. Steenland) * Parade (Billingsly, arr. Hahn) * Poeme Petite (Lewallen) * Taurus (Lewallen) * Waltz (Tschaikowsky, arr. Guenther)
Preparatory Melodies to Solo Work for B-Flat Cornet, selected from the Famous Schantl Collection (for French horn).
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Titles: * Alman (Morley, arr. Dishinger) * Ancient Story (Kaplan) * Bourree (Handel, arr. Dishinger) * The Enchanted Swing (Pelz) * Fantasy for Trumpet (Walters) * Halgueno (Chenette) * Legend (Bakaleinikoff) * March of the Matadors (Eymann) * Menuet (K. 164) (Mozart, arr. Dishinger) * Morning Glory (Chenette) * Serenade Bakaleinikoff * Tall Men (Smith)
The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.