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"Watered with the blood and tears of countless poets and authors and naturally expressing the most heartfelt emotions of ancient peoples, poems of mourning and texts of lament stand out in classical Chinese literature as brilliant and unique. Composed and celebrated over 3000 years, they are central to the Chinese literary tradition but have been largely unknown to English readers. Including 100 major pieces by leading literary figures from 800 BCE - 1800, this is the first English anthology of classic Chinese poems of mourning and texts of sacrificial orations. With annotated translations by leading scholars and reading guides accompanying each piece, this book reveals a powerful literary heritage to students and serious readers of Chinese literature, history and civilization"--
Bathed with the blood and tears of countless poets and authors and naturally expressing the most heartfelt emotions of ancient peoples, poems of mourning and texts of lament stand out in classical Chinese literature as brilliant and unique. Composed and celebrated over 3000 years, they are central to the Chinese literary tradition but have been largely unknown to English readers. Including over 100 major pieces by leading literary figures from 800 BCE – 1800, this is the first English anthology of classic Chinese poems of mourning and texts of sacrificial offering. With annotated translations by leading scholars and reading guides accompanying each piece, this book reveals a powerful literary heritage to students and serious readers of Chinese literature, history and civilization.
Late in life, China's Meng Chiao (A.D. 751-841) developed an experimental poetry that anticipated similar landmarks in the modern Western tradition by a millennium. His late work is singular not only for its bleak introspection and "avant-garde" form but also for its dimensionsa truly major work, perhaps the most radical in the Chinese tradition. Renowned translator David Hinton gives us the first volume of Meng Chiao's poetry to appear in English.
With this groundbreaking collection Classical Chinese Poetry, translated and edited by the renowned poet and translator David Hinton, a new generation will be introduced to the work that riveted Ezra Pound and transformed modern poetry. The Chinese poetic tradition is the largest and longest continuous tradition in world literature, and this rich and far-reaching anthology of nearly five hundred poems provides a comprehensive account of its first three millennia (1500 BCE to 1200 CE), the period during which virtually all its landmark developments took place. Unlike earlier anthologies of Chinese poetry, Hinton's book focuses on a relatively small number of poets, providing selections that are large enough to re-create each as a fully realized and unique voice. New introductions to each poet's work provide a readable history, told for the first time as a series of poetic innovations forged by a series of master poets. From the classic texts of Chinese philosophy to intensely personal lyrics, from love poems to startling and strange perspectives on nature, Hinton has collected an entire world of beauty and insight. And in his eye-opening translations, these ancient poems feel remarkably fresh and contemporary, presenting a literature both radically new and entirely resonant, in Classical Chinese Poetry.
Poetry. This anthology gathers together over 1500 years of Chinese Zen (Ch'an) poetry from the earliest writing, including the Hsin Hsin Ming written by the 3rd Patriarch, to the poetry of monks in this century. Poets include Wang Wei, Li Po, Tu Fu, Yuan Mei, the crazy hermits Han-shan and Shih-te, as well as many anonymous monks and hermits.
A comprehensive anthology of Chinese poetry from the 12th century B.C. to the present. "This magnificent collection has the effect of a complete library rather than of an anthology of poetry.... A lyric quality comes through into our own language... Every page is alive with striking and wonderful things, immediately accessible." -- Publishers Weekly "Sunflower Splendor is the largest and, on the whole, best anthology of translated Chinese poems to have appeared in a Western language." -- The New York Times Book Review "This remarkably fine anthology should remain standard for a long time." -- Library Journal ..". excellent translations by divers hands. Open to any page and listen to the still, sad music... " -- Washington Post Bookworld
Poetry. Asian & Asian American Studies. Translated by Red Pine. Before Qu Yuan (340-278 B.C.E.), poems in China read as if they could have been written by anyone. Qu Yuan changed this. It was his voice. He was a poet. Wang Wei once said he never traveled anywhere without taking two books with him: the Vimalakirti Sutra, from which he took his own pen name, and the poems of Qu Yuan. He wasn't alone. It's hard to find any Chinese poet of the past whose verse wasn't affected, if not inspired, by what Qu Yuan wrote and by the way he used language, his rhythms and his voice.