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Urbane, irreverent satire—four of Aubrey Menen’s best novels The novels in this omnibus edition are classic Aubrey Menen—brilliant and inventive, displaying his characteristic wit while laying bare people’s idiosyncrasies. Menen attacks affectation and hypocrisy with his crisp prose and true-to-life characters. Classic Aubrey Menen is an abiding testimony to a master craftsman. The Prevalence of Witches, A Conspiracy of Women, A Fig Tree, The Abode of Love
Urbane, irreverent satire—four of Aubrey Menen’s best novels The novels in this omnibus edition are classic Aubrey Menen—brilliant and inventive, displaying his characteristic wit while laying bare people’s idiosyncrasies. Menen attacks affectation and hypocrisy with his crisp prose and true-to-life characters. Classic Aubrey Menen is an abiding testimony to a master craftsman. The Prevalence of Witches, A Conspiracy of Women, A Fig Tree, The Abode of Love.
In September 1943, Naples lay devastated by incessant bombardment from Allied planes. The city, under an iron occupation by the Germans, was without food. During the bombardment, the famed scugnizzi, the street boys, of Naples grew increasingly exasperated by the passiveness of their elders. Known for their daring, verve, and enterprise, the boys staged an incredible revolt against the Germans on September 28, 1943. Dragging furniture into the roadways, they built barricades and shot at the enemy with stolen guns, inspiring many adults and Italian army deserters to join their ranks. Three days and hundreds of deaths later, the Germans left the city for good. The author, who heard the story of those historic four days from the scugnizzi themselves in 1948, recounts the battle.
In recent years American readers have been thrilling to the work of such Indian writers as Salman Rushdie and Vikram Seth. Now this extravagant and wonderfully discerning anthology unfurls the full diversity of Indian literature from the 1850s to the present, presenting today’s brightest talents in the company of their distinguished forbearers and likely heirs. The thirty-eight authors collected by novelist Amit Chaudhuri write not only in English but also in Hindi, Bengali, and Urdu. They include Rabindranath Tagore, arguably the first international literary celebrity, chronicling the wistful relationship between a village postal inspector and a servant girl, and Bibhuti Bhushan Banerjee, represented by an excerpt from his classic novel about an impoverished Bengali childhood, Pather Panchali. Here, too, are selections from Nirad C. Chaudhuri’s Autobiography of an Unknown Indian, R. K. Narayan’s The English Teacher, and Salman Rushdie’s Midnight’s Children alongside a high-spirited nonsense tale, a drily funny account of a pre-Partition Muslim girlhood, and a Bombay policier as gripping as anything by Ed McBain. Never before has so much of the subcontinent’s writing been made available in a single volume.
The book weaves in multifaceted accounts of the various processes and stages of its creation, from cocoon cultivation to silk yarn production. There are multiple stakeholders all along the assembly line, which means it generates layers of employment opportunities in silk manufacturing as an industry. The book also highlights the impact of kosa on the local population and discusses its socio-economic aspects, the way it affects livelihood, the importance of women in the sector and its wider effects on the environment. Emphasis has been placed on best practices in the business and the use of technology, underlining the emergence of mechanized techniques, thus making it a lucrative profession and establishing silk as the real queen of textiles. The idea behind Kosa Katha is to compile information to address the existing gaps caused by poor documentation, incomplete literature and distorted figures, which have not been able to give a holistic view of this flourishing trade. The book also gives valuable suggestions so that the kosa sector turns out to be a highly rewarding and respectable vocation in times to come. In a bid to sustain the positive efforts in the sericulture industry, the hope is to connect the dots so that kosa can find its place in anenvironment where production is declining and weavers are gradually vanishing from the forefront.
Translations from Hindi, Bengali, Urdu, Tamil and the South sit alongside writing in English, bringing to light the greatest and most engaging writers from India's recent history. With introductions to the writers and their work, this is an electic and enlightening anthology of Indian writing.
Queer studies is now a rapidly expanding field, as scholars from a variety of disciplines seek to address the long-running marginalisation of queer perspectives and experiences. But there has so far been little effort to unify the study of queer communities outside the West, and much of the current writing views these communities through a narrowly Western lens. Building on the work of the annual Queer Asia conference, which the editors helped to establish, this collection represents the most comprehensive work to date on queer studies in an Asian context. Featuring case studies and original research from across the continent, covering the Middle East, South and East Asia, and Asian diasporas, the collection offers a genuinely pan-Asian perspective which places queer Asian identities and movements in dialogue with each other, rather than within a Western framework. By considering how queerness is imagined within plural Asian experiences and contexts, the contributors show a that re-envisioning of 'queer' through Asian perspectives has the potential to challenge existing discourses and debates in the wider field of contemporary gender, sexuality, and queer studies.