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What happens when the love spell you cast to conjure the perfect man comes knocking at your door? Clarissa's from a long line of self-proclaimed witches, so when her great-aunt leaves her a sprawling eight bedroom McMansion in Manitou Springs—a Colorado mountain town thick with supernatural energy—she creates an occult-themed B&B that will attract visitors from across the country. But first, a soft opening and a girl's weekend where she leads her friends through a spell where they manifest their perfect partner. Dallas is a nomad, a drifter, a beach bum in the summer, and a ski bum in the winter with a job and a bank account that allows him to do whatever he wants, whenever he wants, and wherever he wants. He doesn't know what drew him to the paranormal B&B versus an extended stay hotel, but the moment the innkeeper opened the door, he knew he found a place to settle his wandering spirit. Clarissa is like no woman he's ever met, and while her witchy vibes are adorable, he's not sure he believes in witchcraft, but he does believe in her. She never expected him—the one man he's been dreaming of since she was a teenager—to knock at her door. Picture perfect down to the small scar on his chin and his big hands, he's everything she's asked the goddess to bring her, but when he tells her he's a non-believer, can she trust what's standing in front of her?
The field of lesbian studies is often framed in terms of the relation between lesbianism and invisibility. Annamarie Jagose here takes a radical new approach, suggesting that the focus on invisibility and visibility is perhaps not the most productive way of looking at lesbian representability. Jagose argues that the theoretical preoccupation with metaphors of visibility is part of the problem it attempts to remedy. In her account, the regulatory difference between heterosexuality and homosexuality relies less on codes of visual recognition than on a cultural adherence to the force of first order, second order sexual sequence. As Jagose points out, sequence does not simply specify what comes before and what comes after; it also implies precedence: what comes first and what comes second. Jagose reads canonical novels by Charles Dickens, Henry James, Virginia Woolf, and Daphne du Maurier, drawing upon their elaboration of sexual sequence. In these innovative readings, tropes such as first and second, origin and outcome, and heterosexuality and homosexuality are shown to reinforce heterosexual precedence. Inconsequence intervenes in current debates in lesbian historiography, taking as its pivotal moment the fin-de-siècle phenomenon of the sexological codification of sexual taxonomies and concluding with a reading of a post-Kinsey pulp sexological text. Throughout, Jagose reminds us that categories of sexual registration are always back-formations, secondary, and belated, not only for those who identify as lesbian but also for all sexual subjects.
A new year, a spine-chilling mystery, and something is draining the magic from the dark forest! Siobhan Doyle’s third year at Blackthorn Academy promises to be exciting. She is refreshed from the summer, has an awesome boyfriend, great roommates, and is ready to tackle her thesis in Magical Nexuses. But the instant she steps foot on Northumberland Island, her amazing year is already in shambles. Her best friend is not only missing, but is the prime suspect for the slaying of a popular Dragon Polo player. As Siobhan digs into the murder further, students keep mysteriously disappearing—and reappearing with no memory. Thankfully, Aiden is there to help relieve the tension… until he vanishes too! Will Siobhan succeed in clearing her friend’s name? Or is the girl she thought she knew mixed up with something nefarious? Monster’s Mystery is book twelve in the Blackthorn Academy for Supernaturals shared world, featuring a determined curvy witch, a broody fire monster, and more. Keywords: monster romance, monster academy romance, academy romance, demon romance, curvy girl romance, bbw romance, witches academy, academy paranormal romance, monster romance NA, new adult monster romance, insta love monster romance, monster romance series, academy series, witches academy romance, witches romance, special peens, shifter paranormal romance, paranormal romance series, urban fantasy, romantic fantasy, happily ever after romance, supernatural romance, strong heroine, supernatural academy, destined mates, soul mates, fated mates, romantasy
In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.
One of the greatest novels of European literature, Clarissa is an indisputable masterpiece. Set in 18th-century England. a rich, complex and unique novel written in the form of letters. Richardson delves into the hearts and minds of his characters, their motives and intentions, consequently giving a glimpse of the complex human psyche. a true classic!
Samuel Richardson (1689–1761) was an English writer, best known for his epistolary novels. He also worked as an established publisher who printed almost 500 different books and magazines. Regarded by many as a masterpiece, the novel “Clarissa; or, the History of a Young Lady” tells the story of a young woman named Clarissa Harlowe, whose way to happiness is constantly endangered by her own family. Pressured to marry a wealthy man, she leaves her home with Robert Lovelace. Even then she can’t ?nd peace, because Lovelace shows himself untrustworthy, spewing vague promises of marriage without any attempts to move from words to deeds.
Clarissa: The History of a Young Lady is regency bestseller, the classic of English literature. It tells the tragic story of a young woman, whose quest for virtue is continually thwarted by her family. The Harlowes are a recently wealthy family whose preoccupation with increasing their standing in society leads to obsessive control of their daughter, Clarissa, who runs away from home to find love and happiness. However things start turning south soon.
"The day I returned to Templeton steeped in disgrace, the fifty-foot corpse of a monster surfaced in Lake Glimmerglass." So begins The Monsters of Templeton, a novel spanning two centuries: part a contemporary story of a girl's search for her father, part historical novel, and part ghost story. In the wake of a disastrous love affair with her older, married archaeology professor at Stanford, brilliant Wilhelmina Cooper arrives back at the doorstep of her hippie mother-turned-born-again-Christian's house in Templeton, NY, a storybook town her ancestors founded that sits on the shores of Lake Glimmerglass. Upon her arrival, a prehistoric monster surfaces in the lake bringing a feeding frenzy to the quiet town, and Willie learns she has a mystery father her mother kept secret Willie's entire life. The beautiful, broody Willie is told that the key to her biological father's identity lies somewhere in her family's history, so she buries herself in the research of her twisted family tree and finds more than she bargained for as a chorus of voices from the town's past -- some sinister, all fascinating -- rise up around her to tell their side of the story. In the end, dark secrets come to light, past and present day are blurred, and old mysteries are finally put to rest. The Monsters of Templeton is a fresh, virtuoso performance that has placed Lauren Groff among the best writers of today.