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Excerpt Miss Clarissa Harlowe, to Miss Howe Wednesday Afternoon, April 26 At length, my dearest Miss Howe, I am in London, and in my new lodgings. They are neatly furnished, and the situation, for the town, is pleasant. But I think you must not ask me how I like the old gentlewoman. Yet she seems courteous and obliging.--Her kinswomen just appeared to welcome me at my alighting. They seemed to be genteel young women. But more of their aunt and them, as I shall see more. Miss Sorlings has an uncle at Barnet, whom she found so very ill, that her uneasiness, on that account, (having large expectations from him,) made me comply with her desire to stay with him. Yet I wished, as her uncle did not expect her, that she would see me settled in London; and Mr. Lovelace was still more earnest that she would, offering to send her back again in a day or two, and urging that her uncle's malady threatened not a sudden change. But leaving the matter to her choice, after she knew what would have been mine, she made me not the expected compliment. Mr. Lovelace, however, made her a handsome present at parting. His genteel spirit, on all occasions, makes me often wish him more consistent. As soon as he arrived, I took possession of my apartment. I shall make good use of the light closet in it, if I stay here any time. One of his attendants returns in the morning to The Lawn; and I made writing to you by him an excuse for my retiring. And now give me leave to chide you, my dearest friend, for your rash, and I hope revocable resolution not to make Mr. Hickman the happiest man in the world, while my happiness is in suspense. Suppose I were to be unhappy, what, my dear, would this resolution of yours avail me? Marriage is the highest state of friendship: if happy, it lessens our cares, by dividing them, at the same time that it doubles our pleasures by a mutual participation. Why, my dear, if you love me, will you not rather give another friend to one who has not two she is sure of? Had you married on your mother's last birth-day, as she would have had you, I should not, I dare say, have wanted a refuge; that would have saved me many mortifications, and much disgrace. Here I was broke in upon by Mr. Lovelace; introducing the widow leading in a kinswoman of her's to attend me, if I approved of her, till my Hannah should come, or till I had provided myself with some other servant. The widow gave her many good qualities; but said, that she had one great defect; which was, that she could not write, nor read writing; that part of her education having been neglected when she was young; but for discretion, fidelity, obligingness, she was not to be out-done by any body. So commented her likewise for her skill at the needle. As for her defect, I can easily forgive that. She is very likely and genteel--too genteel indeed, I think, for a servant. But what I like least of all in her, she has a strange sly eye. I never saw such an eye; half-confident, I think. But indeed Mrs. Sinclair herself, (for that is the widow's name,) has an odd winking eye; and her respectfulness seems too much studied, methinks, for the London ease and freedom. But people can't help their looks, you know; and after all she is extremely civil and obliging,--and as for the young woman, (Dorcas is her name,) she will not be long with me. I accepted her: How could I do otherwise, (if I had had a mind to make objections, which, in my present situation, I had not,) her aunt present, and the young woman also present; and Mr. Lovelace officious in his introducing them, to oblige me? But, upon their leaving me, I told him, (who seemed inclinable to begin a conversation with me,) that I desired that this apartment might be considered as my retirement: that when I saw him it might be in the dining-room, (which is up a few stairs; for this back-house, being once two, the rooms do not all of them very conveniently communicate with each ...
Upon returning to Ehrenfest, Rozemyne is given a harsh choice to make. The winter purge has made the Leisegangs the dominant power, and their intentions sow distrust within the archducal family. Still, she continues to forge ahead, her way of life gradually inspiring change around her. The feast in celebration of spring is drawing near, and there’s much for Rozemyne to do. The coming weeks bring a long-overdue meeting with the lower-city merchants, more divine protections rituals, the education of the next High Bishop... and a magnificent tale told at the closed country gate. It now falls to the archducal family to overcome history and the divide between factions. Ehrenfest’s ambitious younger generation unites in the newest volume of this biblio-fantasy. Includes two short stories and four-panel manga by You Shiina.
Returning social justice to the center of urban policy debates
“An autobiographical account of how a psychiatric nurse specialist became a folk medicine healer; this also explains the origins and practice of one of the oldest forms of medicine in the New World.″—Kirkus Praise for WOMAN WHO GLOWS IN THE DARK “This is a book that we’ve been awaiting for years—one that unites the best medicine from the ancient past with the deepest needs of the contemporary heart and soul.”—Clarissa Pinkola Estés, Ph.D., author of Women Who Run with the Wolves, The Gift of Story, and Faithful Gardener “Elena Avila’s book is a combination manual, memoir, and healing chant. I’m so glad these stories and secrets – which have been known orally by our culture for ages – are finally down on paper.” —Julia Alvarez, author of How the García Girls Lost Their Accents “Avila shatters myths about curanderismo and reminds us that it’s just as important today as it was centuries ago.”—The Austin Chronicle “In this age of impersonal and technologic health care, Elena Avila’s book gives the reader permission to rely on what has all too often been forgotten. Her message—that healing cannot occur without the heart, instincts, wisdom, and compassion of the healer—is given with grace and simplicity.”—Barbara Dossey, R.N., M.S., HNC, FAAN, Director, Holistic Nursing Associates “Truthful, often painful, always riveting, WOMAN WHO GLOWS IN THE DARK reveals how the practices of curanderismo can heal the soul sickness not addressed by Western medicine.”—Rudolfo Anaya, author of Bless Me, Ultima “Grounded in the earth, at home in both modern and indigenous medicine, Elena Avila is a true emissary of healing, casting a brilliant glow into the dark of all medicine that denies the soul. As a human, I cherish Elena’s light. As a psychiatrist, I welcome her insight.”—Judith Orloff, M.D., author of Second Sight and The Genius of Empathy “Avila is entertaining and often humorous...Without climbing on a soapbox, [her] narrative demonstrates what’s missing from most American medical practices, and how many patients could be helped so much more than they are now.”—Kirkus Reviews
This is Volume 6 of Samuel Richardson's classic novel; Clarissa. Pressured by her unscrupulous family to marry a wealthy man she detests, the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, Clarissa is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, it remains one of the greatest of all novels.