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Samuel Richardson's monumental work 'Clarissa: Preface, Hints of Prefaces, and Postscript' is a remarkable epistolary novel that delves into the complexities of human emotions, societal norms, and gender dynamics in 18th-century England. The book is a masterpiece of writing, showcasing Richardson's exceptional ability to portray the innermost thoughts and feelings of his characters through their letters. The emotional depth and psychological insights of the characters make this novel a captivating and thought-provoking read. Richardson's literary style is characterized by its meticulous attention to detail and its profound exploration of moral dilemmas and social conventions of the time. His use of multiple narrators adds layers of complexity to the narrative, engaging the reader in a rich tapestry of interconnected stories and perspectives. 'Clarissa' is a quintessential example of the epistolary novel genre, offering a unique and immersive reading experience for lovers of classic literature. It is a timeless masterpiece that continues to resonate with readers today, inviting them to reflect on themes of love, power, and virtue in a compelling and profound way.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Fictional Matter argues that chemical definitions of particulate matter shaped eighteenth-century British science and literature. In this lucid, revisionary analysis of corpuscular science, Helen Thompson advances a new account of how the experimental production of empirical knowledge defined the emergent realist novel.
This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.
It has been observed that the reevaluation of Romanticism is a special feature of post-New Critical or revisionist criticism in America. Constituting a lively ecumenical dialogue between literary historians and theorists, and between critics based in comparative literature and national literature departments, the essays in Cultural Interactions in the Romantic Age offer abundant proof that this process continues unabated. Focusing on a broad range of interactive relations from 1750 to 1850, these essays reveal as factitious the national and linguistic borders erected within the Academy and strike a blow against the tendency of literary studies to ossify into arbitrary ethnocentric categories. Cultural Interactions in the Romantic Age makes a strong argument for the position that literary activity in the Romantic Period is inseparable from international dialogue and appropriation. Contributors include April Alliston, Frederick Burwick, Annette Wheeler Cafarelli, James Engell, Lilian R. Furst, David C. Hensley, Roberta Johnson, Marc Katz, Kari Lokke, and John L. Mahoney.
Whilst drawing to some extent on recent theoretical studies, this book restores Clarissa to its largely neglected eighteenth-century context.
This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.