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Automotive pioneer Charles Stewart Mott and his first wife, Ethel Culbert Harding Mott, purchased sixty-four acres at the edge of downtown Flint, Michigan, and laid the cornerstone in 1916 for the family home and gentleman's farm they called Applewood. This collection of stories of Applewood's first one hundred years reveals the private lives of a very public family, much told in their own words. The author weaves excerpts from decades of interviews, personal letters, and C. S. Mott's detailed diary, plus recollections from family, friends, and staff. More than 250 photos, both new and historical images from the Ruth Mott Foundation Archives, give an intimate look at an extraordinary family and the place they called home.
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
The financial crisis is destroying wealth but is also a remarkable opportunity to uncover the ways by which debt can be used to regulate the economic system. This book uses four case studies of cooperatives to give an in-depth analysis on how they have braved the crisis and continued to generate wealth.