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Poetry. Latinx Studies. Women's Studies. California Interest. "What you're reading is poetría plain and very simple," declares Paola Capó-García's CLAP FOR ME THAT'S NOT ME, a collection that revels in assured complication. Through montage and ever-startling switchbacks, CLAP FOR ME THAT'S NOT ME splices slapstick and dead seriousness, power poses and TV sex scenes, mystic contemplation and glitter shit, the self on a time-out and the self trotted out, and smack talk en inglés and shock and awe in Spanish, into one "lavish lengua," "making something out of everything, the All," making something totally its own. An unrelenting exercise in messiness and identity, Capó-García assures us, "It's not that I don't like this thing it's just that this other thing is way more tricked out." "'I've been having desires lately,' writes Paola Capó-García, 'and I don't know what to do with them.' But desires permeate the site of these poems that grow bawdy, perverse, delicious inside the body and spill out into gorgeous, gasping lines that switch and kick like a dancer moving across the page. There is a quickness, lithe and pleasurable, that invigorates this astonishing debut."--D.A. Powell "CLAP FOR ME THAT'S NOT ME is an exploration of the 'gaping pretty flushed holes' of meaning, as well as a meditation on the erotics/politics of technocapitalist embodiment, where the poet's flow is always also 'for consumption for dissemination for fandom.' Amid the lipsticks and throw pillows and LED lights, Capó-García finds an old-school blues ('I am losing my tongue in the service of poetry') rooted in equal parts indignation, mourning, longing, and a survivalist wit that asks us to channel our 'land-based rage' in the name of cleansing decolonial desires. Because who among us doesn't want to 'be straddled maybe while wearing leather pants and heels' and still unwrite the 'father figure' and the 'beauty skin regimen' in solidarity with the 'childless loveless houseless' practice of a radical écriture? The modernist in me would call this perhaps the most dynamically challenging prose-poem-bursts by an English-language Puerto Rican poet since 1920s William Carlos Williams, or else inSteintaneous punktuation or the making of hemispher(ot)ic) Américans--except that CLAP FOR ME demands its own hi-density coordinates: 'Esto no es poesía' and 'This fiction is HD.' There's nothing PC or G-rated about PCG's me-not-me textual unfolding; instead this self-unwriting has the carefully curated scattershot rigor of Bad Bunny's Instagram if its hashtag swirls were written by Leslie Scalapino. This jam deserves a slow-ass clap."--Urayoán Noel "CLAP FOR ME THAT'S NOT ME choreographs the plot-twisting costume-changing ad-riddled complexities of contemporary identity in genre-blurring acts of literary brilliance. It is a purity-pulverizing and deeply satisfying story-ish arc of postcolonial poetics and feminine intellectual backtalk within a 21st century configuration of empire. This collection is gut-wrenching, yummy, hilarious, and tender but importantly, never quite soothing."--Anna Joy Springer
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.
In a novel-in-verse that brims with grief and love, National Book Award-winning and New York Times bestselling author Elizabeth Acevedo writes about the devastation of loss, the difficulty of forgiveness, and the bittersweet bonds that shape our lives. Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people… In New York City, Yahaira Rios is called to the principal’s office, where her mother is waiting to tell her that her father, her hero, has died in a plane crash. Separated by distance—and Papi’s secrets—the two girls are forced to face a new reality in which their father is dead and their lives are forever altered. And then, when it seems like they’ve lost everything of their father, they learn of each other. Great for summer reading or anytime! Clap When You Land is a Today show pick for “25 children’s books your kids and teens won’t be able to put down this summer!" Plus don't miss Elizabeth Acevedo's The Poet X and With the Fire on High!
Babies can watch themselves in the mirror as they play new games, from blowing bubbles to peek-a-boo.
Rhyming text instructs the listener to find something yellow, roar like a lion, give a kiss, tell a secret, spin in a circle, and perform other playful activities along with the human and animal characters pictured--Résumé de l'éditeur.
Peoms and essays come in different forms, with many a momentum, force and timelessness. For example, some poems and essays are truly more powerful than others. Surely, WONDERS & EVERLASTING POEMS have their true station at the peak of such timeless literary works. Extreme bitterness can force the human soul to chant the poems of great lamentations. Indeed, when you have been through a very devastating war, when you have been captured and tortured by the so-called 'enemies', then, you would surely understand the raw meaning of unforgetable suffering. The poems of bliss are the songs of extreme joy. Have you ever been celebrated by those who once rejected you? A fantastic fate can force you to laugh the last laugh. And a pleasant destiny can carry you from the pit of total defeat to the very top of victory...."setting a rich table before you" right "in the very presence of your own enemies".
Somewhere in one of the countries on the west coast of Africa, a ruthless civil war had broken out. A family of four, a husband and a newly pregnant wife plus two children, unluckily got caught up in the quagmire of this cruel war. In an unexpected turn of events, the warlords and their henchmen ordered the rebels to kill some targeted aliens within their captured territories. The family formed part of those ill-fated aliens. To survive the war, they needed to use all their wits and bravery to outmaneuver the bloodthirsty rebels. For over three years, the family took refuge in dense forests infested with all kinds of wild animals and bloodsucking insects. There was no hospital, no food for the pregnant woman and the family. She had to be delivered in bizarre and difficult circumstances. This author experienced the bitter conflict and saw the beginning and the end of the protracted war. He recounts a true life story of the acts of brutalities, hate, genocides, deceits, and gross human rights abuses that usually characterize wars. Follow the saga of human suffering, adventures, and utter dehumanization that human conflicts can cause, also the sex slavery of adolescent girls, culture of indiscipline and impunity, and the sheer uselessness of modern African wars.
The COVID-19 pandemic: uncensored observations, mini stories and more Reflections on the catastrophe that was the COVID-19 pandemic. The pieces of writing in this collection are presented in three categories: – ‘Lockdown’. Restricted movement, common activities banned and socialising outlawed. These are three key aspects of the brutal, draconian rules we had to live by. ‘Lockdown’ looks at life under severe, often debilitating restrictions. – ‘The Government’. Wreaking havoc with a few choice words, allowing our lives to go into meltdown and exercising a frightening amount of power. These are three things governments did in an attempt to protect us from the deadly virus. ‘The Government’ questions and criticises many decisions made by our daring leaders. – ‘The Media’. Inducing terror with overly dramatic headlines, encouraging us all to panic and making us see the harmless as hazardous. These are three things the media did while the virus continued its assault on the world. ‘The Media’ is all about the official reporting of the pandemic and how it affected our approach to it. The pandemic affected us all and changed our lives in breathtaking ways. Everyone has thoughts, opinions and beliefs to do with it. Here are mine. If you’re after a social commentary that gets you thinking about the nightmare pandemic, you’ll enjoy reading Viral. Buy now and see what I have to say about the virus that plunged the world into a crisis situation like no other.
A "brilliant, innovative, beautiful" (The Guardian) book from the acclaimed author of Chilean Poet "Dazzling . . . a work of parody, but also of poetry." —The New York Times Book Review NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR, THE GUARDIAN, AND THE IRISH TIMES “Latin America’s new literary star” (The New Yorker), Alejandro Zambra is celebrated around the world for his strikingly original, slyly funny, daringly unconventional fiction. Now, at the height of his powers, Zambra returns with his most audaciously brilliant book yet. Written in the form of a standardized test, Multiple Choice invites the reader to respond to virtuoso language exercises and short narrative passages through multiple-choice questions that are thought-provoking, usually unanswerable, and often absurd. It offers a new kind of reading experience, one in which the reader participates directly in the creation of meaning, and the nature of storytelling itself is called into question. At once funny, poignant, and political, Multiple Choice is about love and family, authoritarianism and its legacies, and the conviction that, rather than learning to think for ourselves, we are trained to obey and repeat. Serious in its literary ambition and playful in its execution, it confirms Alejandro Zambra as one of the most important writers working in any language. NAMED A BEST BOOK OF THE SUMMER BY THE WALL STREET JOURNAL, ELLE, THE HUFFINGTON POST, THE MILLIONS, VOX, LIT HUB, THE BBC, THE GUARDIAN AND PUREWOW
Originally published: Edinburgh: Canongate Books, 2017.