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After their disastrous defeat, Dar and a handful of surviving orc warriors flee King Kregant's army to seek shelter in the orc mountain homeland, and Dar must assume leadership of their small band to guide them safely through the perils that surround them, including a potentially lethal trial by magic that could ensure her acceptance in orc society. Original.
The grandson of an Osage Indian, author Louis Burns wrote this primer to help persons of Osage descent trace their paternal lineage and to introduce researchers to Osage culture and the nuances of its language. The book opens with a discussion of the Osage dispersion from Missouri to Oklahoma and Kansas from about 1800 to 1870. Mr. Burns provides very helpful maps showing the concentration of the various tribal bands in each state. Next comes a summary of the richest sources of 19th-century Osage heritage, namely, Jesuit records, a great source of information concerning baptisms, marriages and interments; U.S. Government Annuity Rolls; and Osage Mission records, the best source of Osage family data. The aforementioned is followed by a list of tribal towns, as extracted from Jesuit records, and a list of Osage bands as found in the Annuity Rolls of 1878. When these sources are used in conjunction with the author's detailed listing of clans and their members, which furnishes names in both phonetic Osage and English, researchers stand a good chance of tracing their Native American heritage from about 1800 to the present. The balance of this carefully crafted volume focuses on aspects of the language, some knowledge of which is indispensable for successful research. Featured are an index to Osage names in Osage and in English, a listing of and indexes to kinship terms, a critical pronunciation key to Osage, and a conversion table for Osage Indian syllables. Mr. Burns' seminal work concludes with a bibliography of tribal literature.
A young woman from the Santerre clan accompanies her family to Argentina, where their lives become entwined with an uninhibited rich girl, an aging French playboy, a young Eastern European prostitute, and an orphaned child.
This enhanced eBook includes: • Eight never-before-seen video interviews with Jean M. Auel where she discusses The Clan of the Cave Bear and the Earth’s Children® series: “You Must Be Able to Change in Order to Survive,” “Jondalar and Ayla,” “On Language," “Cro-Magnons and Neanderthals: The Crossbreeding Question,” “On Research (and Glaciers),” “The Domestication of Horses and Wolves,” “The Painted Caves,” and “What Is It Like Finishing a Series?” • An excerpt from The Land of Painted Caves • An Earth’s Children® series sampler • A text Q&A with Jean M. Auel • The full text of the novel This novel of awesome beauty and power is a moving saga about people, relationships, and the boundaries of love. Nominated as one of America’s best-loved novels by PBS’s The Great American Read Through Jean M. Auel’s magnificent storytelling we are taken back to the dawn of modern humans, and with a girl named Ayla we are swept up in the harsh and beautiful Ice Age world they shared with the ones who called themselves The Clan of the Cave Bear. A natural disaster leaves the young girl wandering alone in an unfamiliar and dangerous land until she is found by a woman of the Clan, people very different from her own kind. To them, blond, blue-eyed Ayla looks peculiar and ugly—she is one of the Others, those who have moved into their ancient homeland; but Iza cannot leave the girl to die and takes her with them. Iza and Creb, the old Mog-ur, grow to love her, and as Ayla learns the ways of the Clan and Iza’s way of healing, most come to accept her. But the brutal and proud youth who is destined to become their next leader sees her differences as a threat to his authority. He develops a deep and abiding hatred for the strange girl of the Others who lives in their midst, and is determined to get his revenge.
Scotland, 1344. She believes men are not honorable nor are they kind-- until she meets one that changes fer heart forever.
Assumptions about the harmful nature of polygamy have left little room for debate, with monogamy coming to represent a hallmark of advanced societies, and polygamy the immoral alternative. Yet in this volume, eleven scholars ask whether this condemnation is justified by examining, among other perspectives, the lived experiences of polygamous families. In essays that fearlessly face difficult questions of choice, dignity, and love, the authors seek to complicate a conversation that is more often simplified. Thoughtful and persuasive, Polygamy's Rights and Wrongs is both a close consideration of polygamy and a challenging reflection on the ways in which we value family and intimacy.
This is the second novel that belongs to the Stolen Child Tale. This book finds us where book-one has left off and takes us into the Realm of the Space In-Between; the Land of the Selkies and their unusual World where Kashandarhh the Witch’s father lives. It is here she travels to warn him of the Sling’s arrival back into their land and to ask him to help her bring the Ka`afrey Covens together — to keep the creature away from finding the last two remaining offspring of the Tuatha De`Danann. Meanwhile, Sibrey who has been able to escape the Tracker who was hunting her, has been taken into the Kingdom of the Sky People, while the Dragon Lords sent to protect her have started to go missing along the edges of their home-land. This tale also introduces you to the Dark-Sidhe Queen, who has taken two of the Dragon Lords prisoner — down below in her Dark-World, just as the Dragons themselves start to disappear from the Continent of Water’s Deep. www.adeledegirolamo.com
The Fey worlds are very much alive among us, even though we may have forgotten their existence, and know very little about them. This is the journey, of one of those distant homeworlds, which the fey have inhabited since the dawn of time and begins to tell the tale one thousand years after King Balor tried to eliminate the offspring of his daughter Eithne, simply because it was scribed he would die at the hands of one of them. It tells the tale through their Shadow Scrolls; starting with the Shapeshifter Sibrey, as she flees from the Dragonlord sent to retrieve her, and comes in contact with the Goddesses, Witches, Selkies, Elementals, Dark-Sidhe, and one determined Wood Sprite that simply annoys everyone, as she flees for her life and they rush to save her from her destiny and the Sling that hunts her. The epic saga is the first of many novels about the Tuatha De`Danann’s army of Aelves, while the Author weaves a tale of fantasy and mythology that will draw you in, making you remember the tale of the evil King and the repercussions that have been left on this planet in the wake of his demise. This is book-one, of the three novels that belong to Stolen Child’s original manuscript, and will be joined by two more to complete the tale in its entirety. www.adeledegirolamo.com
Many consider the autobiography to be a Western genre that represents the self as fully autonomous. The contributors to Speaking of the Self challenge this presumption by examining a wide range of women&'s autobiographical writing from South Asia. Expanding the definition of what kinds of writing can be considered autobiographical, the contributors analyze everything from poetry, songs, mystical experiences, and diaries to prose, fiction, architecture, and religious treatises. The authors they study are just as diverse: a Mughal princess, an eighteenth-century courtesan from Hyderabad, a nineteenth-century Muslim prostitute in Punjab, a housewife in colonial Bengal, a Muslim Gandhian devotee of Krishna, several female Indian and Pakistani novelists, and two male actors who worked as female impersonators. The contributors find that in these autobiographies the authors construct their gendered selves in relational terms. Throughout, they show how autobiographical writing—in whatever form it takes—provides the means toward more fully understanding the historical, social, and cultural milieu in which the author performs herself and creates her subjectivity. Contributors: Asiya Alam, Afshan Bokhari, Uma Chakravarti, Kathryn Hansen, Siobhan Lambert-Hurley, Anshu Malhotra, Ritu Menon, Shubhra Ray, Shweta Sachdeva Jha, Sylvia Vatuk