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Why have both pop and politics in Britain become the preserve of an unrepresentative elite? From chav-pop pantomimes to retro-chauvinist ‘landfill indie’, the bland, homogenous and compromised nature of the current 'alternative' sector reflects the interests of a similarly complacent and privileged political establishment. In particular, political and media policing of female social and sexual autonomy, through the neglected but significant gendered dimensions of the discourse surrounding ‘chavs’, has been accompanied by a similar restriction and regulation of the expression of working-class femininity in music. This book traces the progress of this cultural clampdown over the past twenty years. ,
First published in 1993, Crimes of Style investigates the politics of culture and crime through an in-depth case study of graffiti in Denver and the official response to it. Focusing on the most prevalent form of graffiti writing in Denver, the book provides a detailed consideration of the social and cultural circumstances that surround its creation. It explores the national and international development and reception of hip hop graffiti that provided the context in which Denver’s hip hop graffiti emerged. It also examines the reaction of Denver’s corporate and political community, highlighting the establishment of campaigns to criminalise it and identifying both Denver’s graffiti scene and the response to it as interwoven with broader cultural processes. Most significantly, the book puts forward the circumstances surrounding the phenomenal growth of, and subsequent attempts to suppress, hip hop graffiti as indicative of injustice and inequality within the United States.
Philadelphia’s progressive district attorney offers an inspiring vision of how people can take back power to reform criminal justice, based on lessons from a life’s work as an advocate for the accused. “Larry Krasner is at the forefront of a movement to disrupt a system. This is a story that needs to be read by millions.”—Bryan Stevenson, author of Just Mercy Larry Krasner spent thirty years learning about America’s carceral system as a civil rights and criminal defense lawyer in Philadelphia, working to get some kind of justice for his clients in a broken system, before deciding that the way to truly transform the system was to get inside of it. So he launched an unlikely campaign to become the district attorney of Philadelphia, a city known for its long line of notorious “tough on crime” DAs who had turned Philly into a city with one of the highest rates of incarceration in the country. Despite long odds and derisive opposition from the police union and other forces of the status quo, Krasner laid out a simple case for radical reform and won the November 2017 general election by a margin of nearly 50 percent. For the People is not just a story about Krasner’s remarkable early life as a defense lawyer and his innovative grassroots campaign; it’s also a larger exploration of how power and injustice conspired to create a carceral state unprecedented in the world. Readers follow Krasner’s lifelong journey through the streets and courtrooms and election precincts of one American city all the way up to his swearing-in ceremony to see how our system of injustice was built—and how we might dismantle it. In the tradition of powerful critiques of the criminal justice system, from Bryan Stevenson’s Just Mercy to Michelle Alexander’s The New Jim Crow, For the People makes the compelling case that transforming criminal justice is the most important civil rights movement of our time and can only be achieved if we’re willing to fight for the power to make a change.
Michelson's analysis of almost 150,000 divorce trials reveals routine and egregious violations of China's own laws upholding the freedom of divorce, gender equality, and the protection of women's physical security. Using 'big data' computational techniques to scrutinize cases covering 2009–2016 from all 252 basic-level courts in two Chinese provinces, Henan and Zhejiang, Michelson reveals that women have borne the brunt of a dramatic intensification since the mid-2000s of a decades-long practice of denying divorce requests. This book takes the reader upstream to the institutional sources of China's clampdown on divorce and downstream to its devastating and highly gendered human toll, showing how judges in an overburdened court system clear their oppressive dockets at the expense of women's lawful rights and interests. This book is a must-read for anyone interested in Chinese courts, judicial decision-making, family law, gender violence, and the limits and possibilities of the globalization of law.This title is also available as Open Access on Cambridge Core.
Poetry. Chosen by the Poetry Foundation as one of the best poetry books of 2009. Jennifer Moxley's CLAMPDOWN captures a time of political despair and self-doubt. Our "so-called common ground" erodes where liberal thought, implicated in the systems it critiques, finds no traction and becomes the site of new divisions. Against the reality of distant wars, everyday pleasures--even love itself--become frayed by anxiety and shame. Likewise, the past and the future prove unstable, both close to oblivion in a "maddeningly quiescent landscape" of winter. Throughout Clampdown, Moxley responds to the evanescence of both life and art with all her poetic resources, at times declamatory and incisive, at others "freely espousing" and conversational.
Twenty-eight years after its original release, The Clash’s London Calling was inducted into the Grammy Hall of Fame as a “recording of lasting qualitative or historical significance.” It topped polls on both sides of the Atlantic for the best album of the seventies (and eighties) and in publications as wide-ranging as Rolling Stone, VIBE, Pitchfork, and NME, and it regularly hits the top ten on greatest-albums-of-all-time-lists. Even its cover—the instantly recognizable image of Paul Simonon smashing his bass guitar—has attained iconic status, inspiring countless imitations and even being voted the best rock ’n’ roll photograph ever by Q magazine. Now the breakthrough album from the foremost band of the punk era gets the close critical eye it deserves. Marcus Gray examines London Calling from every vantage imaginable, from the recording sessions and the state of the world it was recorded in to the album’s long afterlife, bringing new levels of understanding to one of punk rock’s greatest achievements. Leaving no detail unexplored, he provides a song-by-song breakdown covering when each was written and where, what inspired each song, and what in turn each song inspired, making this book a must-read for Clash fans.
Revised and updated to cover the Clash's induction into the Rock and Roll Hall of Fame and the band members' post-Clash careers, The Clash: Return of the Last Gang in Town now includes the first full account of Joe Strummer's "Wilderness Years," his triumphant comeback with the Mescaleros, and his sudden and tragic early death. Extensively revised and updated from both its 1995 and 2001 incarnations, The Clash traces the band members' progress from dispiriting rehearsals in damp London basements to packed American stadiums. A fascinatingly detailed account of the first band to take punk's radical politics to the masses and survive for a decade against all the odds, it also offers an intriguing investigation into the gap between rock mythology and rock reality.
`For years, higher education prospered. It loudly proclaimed that college graduates command far greater lifetime incomes. Ample funding followed. We produced. But that argument has begun to sour. A college degree has long since stopped being a guarantee of prosperity or even job security. Society has begun to question its support for universities. In this environment, mathematicians and all academics must begin to change, compete, and seek resources that will be used with greater care. It is the only solution if we hope to maintain the integrity of the enterprise.... I want to offer advice to department heads out there. I want to try to educate the rank and file about a variety of aspects of the job of being a department head. I also want to tell you my opinion about this job and perhaps also a little about love, death, and the vagaries of the human condition.' --- from the Preface This unique book presents a witty, well-written personal view about the experience of being a department head. Those in academia will profit from the author's inside view, and other department heads and chairs -- new and old -- will benefit from the experiences of this keenly observant colleague.
This is the late 1970s and ’80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher’s Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. “Tell us the truth,” Sham 69 demanded, and pop music, however improbably, did. It’s a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher’s fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing presents an original and polemical account of the era.
For the non-technical home and small-office Internet user, this guide teaches "digital commonsense." Readers will learn easy-to-implement, cost-effective ways of protecting their children, finances, privacy, and data.