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Whatever you call him-the Witch Father, the Old One, the Man in Black, the Horned One, the Devil-he is the source of magick. Initiator of witches. The veil between worlds. We're dedicating ourselves to him this Halloween night. He requires personal sacrifice to gain his Witch Fire, and I have just the offering to get his attention. My mind, my body, my spirit, my pleasure-all for the Witch Father.
A young woman living in a rigid, puritanical society discovers dark powers within herself in this stunning, feminist fantasy debut. In the lands of Bethel, where the Prophet's word is law, Immanuelle Moore's very existence is blasphemy. Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement. But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood. Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.
A Life of Gerald Gardner Volume 2. From Witch Cult to Wicca by Philip Heselton From the author of the highly acclaimed "Wiccan Roots", this is the first full-length biography of Gerald Brosseau Gardner (1884-1964) - a very personal tale of the man who single-handedly brought about the revival of witchcraft in England in the mid 20th Century. From Gerald's birth into an old family of wealthy Liverpool merchants, through an unconventional upbringing by his flamboyant governess in the resorts of the Mediterranean and Madeira, it tells how, having taught himself to read, his life was changed by finding a book on spiritualism. During a working life as a tea and rubber planter in Ceylon, Borneo and Malaya, he came to know the native people and was invited to their secret rituals. But it was only on his retirement to England, settling on the edge of the New Forest in Hampshire, that destiny took him firmly by the hand. Through various twists and turns involving naturist clubs and a strange esoteric theatre, he became friends with a group of people who eventually revealed their true identity - they were members of a surviving witch coven. One evening in 1939, as the hounds of war were being unleashed, he was initiated into the 'witch cult' by these people, who called themselves 'the Wica'. Gardner was overwhelmed by the experience and was determined that the 'witch cult' should survive. This book chronicles his efforts over the remaining quarter century of his life to ensure not only that it survived but that it would become the significant player on the world religious stage that it now is - "the only religion that England has ever given the world", in the words of Ronald Hutton, Professor of History at the University of Bristol, who calls it "... a very fine book: humane, intelligent, compassionate, shrewd, and based upon a colossal amount of primary research". Born in 1946, Philip Heselton is a geographer and retired local government officer who has written extensively on Earth Mysteries and our spiritual relationship with the landscape. He has also carried out extensive research into the story of the modern witchcraft revival, chronicled in his books, "Wiccan Roots" and "Gerald Gardner and the Cauldron of Inspiration". Hutton has described him as being "... the most interesting, valuable and enjoyable author who has yet written on what is becoming one of the greatest riddles in the history of modern religion: the origins of pagan witchcraft. ... Nobody has ever done more than Philip Heselton to reveal the world of magic, paganism, naturism and faerie that lay behind the garden gates of inter-war English suburban villas; and perhaps only he could have done it at all."
Orphaned at the age of four, Drucilla finally has a place she can call home with her new family, the Putnams, of Salem Village. But when a new reverend and his family move into town with their servant Tituba, life takes a strange and dangerous turn as accusations of witchcraft swirl. Dru is overwhelmed by the fervor of lies and the power of groupthink among the other girls in town; reluctant to turn her back on the Putnams, she utters her own accusations. Only her best friend Gabe sees through the deceit, but it may be too late for Dru to protect the truth, and innocent people will pay the ultimate price. Guiding readers through the confusion of this frightening historical event, Anna Myers weaves a compelling story that will captivate teen readers.
Married to a drunken tavern-keeper, Anna Wirth takes solace in her two sons, hard-working Konrad and the beautiful, flaxen-haired Manfred, who sings like an angel and who, some say, has been touched by God. But at the same time, Anna is desperate to prevent people finding out the truth about her younger son. That he is not like other children: he does not communicate, doesn't make eye contact, lives in his own private world, endlessly collecting and arranging piles of leaves and stones. When rumours of witchcraft sweep through the town, Manfred is seized by those who would use him to pursue their own agenda. As innocent townsfolk are accused, a climate of fear prevails. No one is safe - and at the heart of the terror is Anna's own son. As the death toll mounts, Anna realizes there is only one way to stop the madness. But can she act against a mother's deepest instincts?
This book discusses the role of children in the Salem witch trials through a close reading of the many and varied narratives of the trials, including court records, contemporary and historical documents, fiction, drama, and poetry. Taking a critical theory approach to explore both what we might understand as a child in 1692 New England and to consider our adult investment in reading the child, Kristina West explores narratives of the afflicted girls and the many accused children whom are often absent or overlooked in histories, and considers how the trial structure is continually repeated in attempts to establish the respective guilt and innocence of these and other groups. This book also analyses later manuscripts and fictional rewritings of the trials to question the basis on which assumptions about the child in history are made, and to consider why such narratives of Salem’s children are still relevant now.
Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which award-winning author Rivka Galchen’s writing is known, Everyone Knows Your Mother Is a Witch is a tale for our time—the story of how a community becomes implicated in collective aggression and hysterical fear. The year is 1619, in the German duchy of Württemberg. Plague is spreading. The Thirty Years War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katherina Kepler is accused of being a witch. An illiterate widow, Katherina is known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It’s enough to make anyone jealous, and Katherina has done herself no favors by being out and about and in everyone’s business. So when the deranged and insipid Ursula Reinbold (or as Katherina calls her, the Werewolf) accuses Katherina of offering her a bitter, witchy drink that has made her ill, Katherina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katherina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets. Provocative and entertaining, Galchen’s bold new novel touchingly illuminates a society, and a family, undone by superstition, the state, and the mortal convulsions of history.
In 1604, 20-year-old Anne Gunter appeared to be bewitched: she suffered violent fits, fell into trances, and was said to be able to prophesy the future. The three women she accused as her tormentors were involved in a murderous feud with her father. This true tale of controlling fathers, wilful daughters, power relations between peasants and gentry, and village life in early-modern Europe opens a fascinating window into the past and reveals one young woman's experience with the phenomenon of witchcraft. Sharpe is professor of history at York University, UK. Annotation copyrighted by Book News, Inc., Portland, OR
Read about Elizabeth Putnam being accused of witchcraft, then flip the book over to read about her friend George who must make a decision who to believe.
The Meaning of Witchcraft is a non-fiction book written by Gerald Gardner. Gardner, known to many in the modern sense as the "Father of Wicca", based the book around his experiences with the religion of Wicca and the New Forest Coven. He claimed he was allowed to tell more than ever before and cast light on the rituals and beliefs of witches. The book's main message was that neither the practices of witches nor their intents were harmful. The book tells the history of witchcraft in Europe. The author traces back to pre-Christian times, studies the rituals and beliefs of templars, and states that the belief in fairies in ancient, medieval, and early modern Europe was connected with a secretive pygmy race that lived alongside other communities. The preface to this book was Margaret Murray, who stated that witchcraft took its root in the pre-Christian religions and had nothing to do with spell-casting and other evil practices. Instead, Murray proposes to view witchcraft as "the sincere expression of that feeling towards God which is expressed, perhaps more decorously though not more sincerely, by modern Christianity in church services."