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A quirky framing of the Civil War grounded in solid scholarship. The Brown twin sisters have built historical dioramas to tell the story of the Civil War with an unexpected twist. The thousands of Union and Confederate soldiers depicted in the battles and scenes are cats! Little Round Top, Pickett’s Charge, Andersonville come to life in this fun, fanciful, solidly researched and highly visual representation of the War. The cats pull you in, and soon you’ll find you’re immersed and engaged, learning details and gaining a new and different perspective.
As part of the I Corps at Gettysburg, Stone's (Bucktail) Brigade fought one of the most desperate actions of the battle. The defense of the McPherson farm bought valuable time for more Union units to arrive in the area and deploy for the ultimate victory.The Bucktail Brigade consisted of the 143rd, 149th, and 150th Pennsylvania Volunteers. The 149th were the original "Bucktails" and became as well-known for the deer tails stuck in their hatbands as for their distinguished work as a light infantry unit in the Virginia campaign of 1862. As with many other governments, the Pennsylvania authorities sought to increase their number of elite units by expanding a renowned regiment to brigade strength. Giving two new regiments bucktails to wear, it was hoped, would create an entire elite brigade who all fought as well as the original unit.The men of the 149th took the extension of the bucktail distinction with bad grace, and the two junior regiments initially were given all the least desirable assignments. At Gettysburg on July 1st, 1863, the two new units proved themselves by their gallant stand at McPherson's Farm and the entire brigade remained highly regarded throughout the Army of the Potomac for the rest of the war.James Dougherty describes this action in unprecedented detail, with extensive reference to the surviving diaries and eyewitness accounts. The author's extensive background in emergency medical services also gives him considerable expertise in describing the fearsome wounds sustained in this action and their subsequent treatment.
Americans wrote fiercely during the Civil War. War surprised, devastated, and opened up imagination, taking hold of Americans' words as well as their homes and families. The personal diary—wildly ragged yet rooted in day following day—was one place Americans wrote their war. Diaries, then, have become one of the best-known, most-used sources for exploring the life of the mind in a war-torn place and time. Delving into several familiar wartime diaries kept by women of the southern slave-owning class, Steven Stowe recaptures their motivations to keep the days close even as war tore apart the brutal system of slavery that had benefited them. Whether the diarists recorded thoughts about themselves, their opinions about men, or their observations about slavery, race, and warfare, Stowe shows how these women, by writing the immediate moment, found meaning in a changing world. In studying the inner lives of these unsympathetic characters, Stowe also explores the importance—and the limits—of historical empathy as a condition for knowing the past, demonstrating how these plain, first-draft texts can offer new ways to make sense of the world in which these Confederate women lived.
In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.
For all who have suffered great loss of heart, home, health or family; true home and genuine lasting love can be found. When a horrific battle rips through Gettysburg, the farm of Union widow Liberty Holloway is disfigured into a Confederate field hospital, bringing her face to face with unspeakable suffering—and a Confederate scout who awakens her long-dormant heart. But when the scout doesn’t die, she discovers he isn’t who he claims to be. While Liberty’s future crumbles as her home is destroyed, the past comes rushing back to Bella, a former slave and Liberty’s hired help, when she finds herself surrounded by Southern soldiers, one of whom knows the secret that would place Liberty in danger if revealed. In the wake of shattered homes and bodies, Liberty and Bella struggle to pick up the pieces the battle has left behind. Will Liberty be defined by the tragedy in her life, or will she find a way to triumph over it? Inspired by first-person accounts, Widow of Gettysburg is second book in the Heroines Behind the Lines series. These books do not need to be read in succession. For more information about the series, visit www.heroinesbehindthelines.com.
A “timely and essential” (New York Times Book Review) reconsideration of William Faulkner’s life and legacy that vitally asks, “How should we read Faulkner today?” With this “rich, complex, and eloquent” (Drew Gilpin Faust, Atlantic) work, Pulitzer Prize finalist Michael Gorra charts the evolution of an author through his most cherished—and contested—novels. Given the undeniable echoes of “Lost Cause” romanticism in William Faulkner’s fiction, as well as his depiction of Black characters and Black speech, Gorra argues convincingly that Faulkner demands a sobering reevaluation. Upending previous critical traditions and interweaving biography, literary criticism, and rich travelogue, the widely acclaimed The Saddest Words recontextualizes Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.
»Chickamauga« is a short story by Ambrose Bierce, originally published in 1889. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«
Authors Chris Mackowski and Kristopher D. White have worked for years to compile this remarkable story of one of the war's greatest battles. escribes the series of controversial events that define this crucial battle, including General Robert E. Lee's radical decision to divide his small army--a violation of basic military rules--sending Stonewall Jackson on his famous march around the Union army flank. Jackson's death--accidentally shot by one of his own soldiers--is one of the many fascinating stories included in this definitive account of the battle of Chancellorsville. "That Furious Fire: Chancellorsville" can be enjoyed in the comfort of oneÕs living room or as a guide on the battlefield itself. It is also the tenth release in the bestselling ÒEmerging Civil War Series,Ó which offers compelling and easy-to-read overviews of some of the Civil WarÕs most important battles and issues, supported by the popular blog of the same name.
The political phenomenon known as the 'Springtime of the Nations' swept through Europe in 1848, toppling thrones, forcing old autocratic regimes to grant constitutions to the people and bringing street fighting and large scale campaigns to cities and states across the continent. What is not generally known is that a precursor to these events had already taken place in the center of Europe in the Alpine valleys of the collection of independent states known collectively as Switzerland. In November 1847, twelve of the Swiss cantons went to war with seven other cantons over the future of the country. The campaign lasted just three weeks, with only a few hundred casualties and ended with the establishment of the modern Swiss state we have today. If it had not ended so quickly it is likely that France, Austria and Prussia would have become involved, which would have led to a European-wide war. This book is unique in that it concentrates on the military aspects of this episode in history. As well as an outline of the campaign itself, it covers the strengths and organization of each canton; in 1847 each was a separate state with its own army. Included are chapters on the uniforms of the canton's armies, their battle flags, weapons and distinguishing badges. The major battle of the war, at Gislikon (modern Gisikon), a small village with a strategic river crossing, just north of the city of Luzern, is treated in detail. As well as the general picture, individual soldiers' stories illustrate the combat techniques of the period. Biographies are given of some of the leading figures from both sides of the conflict, which demonstrate the European dimension. Many served in French, Dutch and Neapolitan armies before taking appointments in the Swiss canton armies. To compliment the text the book is well illustrated with a mixture of contemporary pictures, in color and black and white, and also specially produced color plates of Swiss canton uniforms and flags. So that the reader can follow the campaign, maps from official Swiss sources are included. Orders of battle for all the cantons and detailed orders of battle for the main action at Gislikon are also provided. This is the latest title in Helion's groundbreaking series of 19th Century studies, and will again appear in hardback as a strictly limited edition printing of 500 copies, each individually numbered and signed by the author on a decorative title page. Ralph Weaver has made a life-long study of military history, particularly of Europe in the 19th Century. He began his military career with the Sealed Knot before giving up the sword for the pen. He has been the editor of the journal of the Continental Wars Society for the past twenty-five years and has written and illustrated books and magazine articles on military history. He trained as a land surveyor in the Civil Service and has used his map-making skills in battlefield walking and table top wargaming. He has been collecting books, pictures, photographs and reference material on uniforms with a view to writing a definitive history on the subject. As well as conducting research on military topics, his latest interests include cooking and looking after grandchildren.
Since its publication in 1996, George Saunders’s debut collection has grown in esteem from a cherished cult classic to a masterpiece of the form, inspiring an entire generation of writers along the way. In six stories and a novella, Saunders hatches an unforgettable cast of characters, each struggling to survive in an increasingly haywire world. With a new introduction by Joshua Ferris and a new author’s note by Saunders himself, this edition is essential reading for those seeking to discover or revisit a virtuosic, disturbingly prescient voice. Praise for George Saunders and CivilWarLand in Bad Decline “It’s no exaggeration to say that short story master George Saunders helped change the trajectory of American fiction.”—The Wall Street Journal “Saunders’s satiric vision of America is dark and demented; it’s also ferocious and very funny.”—Michiko Kakutani, The New York Times “George Saunders is a writer of arresting brilliance and originality, with a sure sense of his material and apparently inexhaustible resources of voice. [CivilWarLand in Bad Decline] is scary, hilarious, and unforgettable.”—Tobias Wolff “Saunders makes the all-but-impossible look effortless.”—Jonathan Franzen “Not since Twain has America produced a satirist this funny.”—Zadie Smith “An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.”—Thomas Pynchon