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On November 5th, 1688, Protestant Prince William of Orange answered the call of nobles and churchmen to come and "rescue the nation" from the Catholicism of King James II. Dutch warships sailed unchallenged into English waters.Despite misgivings about King James, Thomas de Chastelain stays true to his oath of loyalty to the monarchy -- thereby imperiling himself, his wife Libby and his children Piers and James. Defeated in battle, Thomas eventually has to flee with the rump of the royal party to Scotland, where he lives the life of an outcast. All the while, a noose is tightening around the family he has left behind in England. The temptation to compromise is great, as Thomas' father-in-law Lord St. Clare, who has effortlessly switched sides, never ceases to remind him. But Thomas is made of sterner stuff, and his fateful decision triggers a series of dramatic events.
Dr. Susan Shader is the most fascinating -- and sexiest -- heroine to come along since Clarice Starling made her debut in The Silence of the Lambs. Introduced in Joseph Glass's widely praised first novel, Eyes, Susan is a renowned psychiatrist and criminal profiler for the Chicago Police Department whose uncanny gift of second sight has made her a celebrity among law enforcement professionals. However, Susan is increasingly reluctant to devote her psychic powers to the cause of tracking down criminals. Last time, her efforts led to the abduction and near death of her eight-year-old son. But when a young woman is found dead in a body bag in Chicago's Lincoln Park, Detective David Gold, Susan's longtime friend at the Chicago Police Department, once again calls upon her psychic powers. Traces of foreign blood and strange markings found on the body make one thing certain: a killing this ornate could only be the work of a deranged serial killer. They call him the Undertaker. Susan is quickly drawn in by the bizarre psychology of the killer, a man who preys on, and prays over, beautiful young women like a fanatic executioner. Plagued by psychic messages that allude to abortion, virginity, and seemingly random quotations from Romeo and Juliet, Susan scrambles for answers. When the best efforts of a determined police force fail to solve the riddle, Susan Shader's controversial gift may be the only way to stop the madman. Combining the disturbing imagery and virtuosic writing of Thomas Harris and the intricate plot twists of John le Carré, Joseph Glass catapults the suspense thriller to an entirely new dimension. In Blood, he has fashioned a relentless, masterly psychological drama that leads to a most unexpected and bone-chilling climax. And he has given us Susan Shader, a hauntingly appealing heroine we've definitely not seen the last of.
Charles Reagan Wilson documents that for over half a century there existed not one, but two civil religions in the United States, the second not dedicated to honoring the American nation. Extensively researched in primary sources, Baptized in Blood is a significant and well-written study of the South’s civil religion, one of two public faiths in America. In his comparison, Wilson finds the Lost Cause offered defeated Southerners a sense of meaning and purpose and special identity as a precarious but distinct culture. Southerners may have abandoned their dream of a separate political nation after Appomattox, but they preserved their cultural identity by blending Christian rhetoric and symbols with the rhetoric and imagery of Confederate tradition. “Civil religion” has been defined as the religious dimension of a people that enables them to understand a historical experience in transcendent terms. In this light, Wilson explores the role of religion in postbellum southern culture and argues that the profound dislocations of Confederate defeat caused southerners to think in religious terms about the meaning of their unique and tragic experience. The defeat in a war deemed by some as religious in nature threw into question the South’s relationship to God; it was interpreted in part as a God-given trial, whereby suffering and pain would lead Southerners to greater virtue and strength and even prepare them for future crusades. From this reflection upon history emerged the civil religion of the Lost Cause. While recent work in southern religious history has focused on the Old South period, Wilson’s timely study adds to our developing understanding of the South after the Civil War. The Lost Cause movement was an organized effort to preserve the memory of the Confederacy. Historians have examined its political, literary, and social aspects, but Wilson uses the concepts of anthropology, sociology, and historiography to unveil the Lost Cause as an authentic expression of religion. The Lost Cause was celebrated and perpetuated with its own rituals, mythology, and theology; as key celebrants of the religion of the Lost Cause, Southern ministers forged it into a religious movement closely related to their own churches. In examining the role of civil religion in the cult of the military, in the New South ideology, and in the spirit of the Lost Cause colleges, as well as in other aspects, Wilson demonstrates effectively how the religion of the Lost Cause became the institutional embodiment of the South’s tragic experience.
The previously untold story of the violence in Congress that helped spark the Civil War In The Field of Blood, Joanne B. Freeman recovers the long-lost story of physical violence on the floor of the U.S. Congress. Drawing on an extraordinary range of sources, she shows that the Capitol was rife with conflict in the decades before the Civil War. Legislative sessions were often punctuated by mortal threats, canings, flipped desks, and all-out slugfests. When debate broke down, congressmen drew pistols and waved Bowie knives. One representative even killed another in a duel. Many were beaten and bullied in an attempt to intimidate them into compliance, particularly on the issue of slavery. These fights didn’t happen in a vacuum. Freeman’s dramatic accounts of brawls and thrashings tell a larger story of how fisticuffs and journalism, and the powerful emotions they elicited, raised tensions between North and South and led toward war. In the process, she brings the antebellum Congress to life, revealing its rough realities—the feel, sense, and sound of it—as well as its nation-shaping import. Funny, tragic, and rivetingly told, The Field of Blood offers a front-row view of congressional mayhem and sheds new light on the careers of John Quincy Adams, Henry Clay, and other luminaries, as well as introducing a host of lesser-known but no less fascinating men. The result is a fresh understanding of the workings of American democracy and the bonds of Union on the eve of their greatest peril.
Acclaimed author Gail Jarrow, recipient of a 2019 Robert F. Sibert Honor Award, explores the science and grisly history of U.S. Civil War medicine, using actual medical cases and first-person accounts by soldiers, doctors, and nurses. The Civil War took the lives of hundreds of thousands of Americans and left countless others with disabling wounds and chronic illnesses. Bullets and artillery shells shattered soldiers' bodies, while microbes and parasites killed twice as many men as did the battles. Yet from this tragic four-year conflict came innovations that enhanced medical care in the United States. With striking detail, this nonfiction book reveals battlefield rescues, surgical techniques, medicines, and patient care, celebrating the men and women of both the North and South who volunteered to save lives.
A Booklist Editor's Choice A Parents' Choice Gold Award A Eureka! Nonfiction Children's Book Award Honor Book Jonathan Daniels, a white seminary student from New Hampshire, traveled to Selma, Alabama, in 1965 to help with voter registration of black residents. After the voting rights marches, he remained in Alabama, in the area known as "Bloody Lowndes," an extremely dangerous area for white freedom fighters, to assist civil rights workers. Five months later, Jonathan Daniels was shot and killed while saving the life of Ruby Sales, a black teenager. Through Daniels's poignant letters, papers, photographs, and taped interviews, authors Rich Wallace and Sandra Neil Wallace explore what led Daniels to the moment of his death, the trial of his murderer, and how these events helped reshape both the legal and political climate of Lowndes County and the nation.
The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune
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They are monsters: Mariah, the reluctant rebel who has become a god to others of her kind, and Gabriel, the vampire, who loves her at his own peril. They have returned to the Bloodlands, where their story began-to face the horrors of Mariah's past and the uncertainties of Gabriel's future- and to make a final stand, for their lives-and their love.