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Late medieval and renaissance cities, though powerful communities jealous of their own jurisdiction, were constantly negotiating their relationships with other secular and religious authorities. The seven essays in this collection treat various aspects of civic display and pageantry during the fifteenth and sixteenth centuries. The overwhelming sense one receives is that the solemne pomps were essentially about power -- how to get it, display it, share it and retain it. Each paper demonstrates how, through ceremony and symbol, municipalities sought to fashion their own corporate self-image in order to establish the limits of their authority in relationship to the countervailing powers sur-rounding them. The essays are concerned with the period before the ever widening impact of the Reformation and the intellectual and political revolutions it spawned had reached the level of civic pageantry. In the varied rituals considered here we can see reflected the highly sophisticated minds of their creators using the symbolic landscape of their religious and cultural past in important acts of corporate self-fashioning.
Myth of Venice - Myth and ritual - Government by ritual - Social relationships - Scuole - Cittadini - The golden book - Festivals in Renaissance Venice - Festival of the twelve Marys - Procession of Redentore - Feast of Saint Justina.
This study describes for the first time the ritual purposes, symbolic vocabulary, and quasi-dramatic form of one late medieval courtly festival, the royal entry. Although the royal entry as a formal ceremony can be traced back as an unbroken tradition from late Classical times through to the Renaissance, Kipling begins where the royal entry adopts pageantry as its essential medium in the late fourteenth century.
Public life - Humanism - Civic humanism - Friendship - Ritual - Alberti - Women in Florence - Family - Everyday life in Florence.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Pageantry and power is the first full and in-depth cultural history of the Lord Mayor’s Show in the early modern period. It provides new insight into the culture and history of the London of Shakespeare’s time and beyond. Central to the cultural life of London, the Lord Mayor’s Shows were high-profile and lavish entertainments produced by some of the most talented writers of the time. Employing an interdisciplinary approach, Pageantry and power explores various important factors, including the relationship between the printed texts of the Shows and actual events. This full-scale study of the civic works of important writers enhances our understanding of their other, often better-known, dramatic works contributing to a fuller estimation of their literary careers. This book is an invaluable resource for scholars and students of early modern literature, drama, history, civic culture, pageantry, urban studies, cultural geography, book history, as well as the interested general reader. Pageantry and power won the 2011 David Bevington Award for the Best New Book in Early Drama Studies.
Civic Rites explores the religious origins of Western democracy by examining the government of fifth-century BCE Athens in the larger context of ancient Greece and the eastern Mediterranean. Deftly combining history, politics, and religion to weave together stories of democracy’s first leaders and critics, Nancy Evans gives readers a contemporary’s perspective on Athenian society. She vividly depicts the physical environment and the ancestral rituals that nourished the people of the earliest democratic state, demonstrating how religious concerns were embedded in Athenian governmental processes. The book’s lucid portrayals of the best-known Athenian festivals—honoring Athena, Demeter, and Dionysus—offer a balanced view of Athenian ritual and illustrate the range of such customs in fifth-century Athens.
This expansive, inter-disciplinary guide to Renaissance plays and the world they played to gives readers a colorful overview of England's great dramatic age. Provides an expansive and inter-disciplinary approach to Renaissance plays and the world they played to. Offers a colourful and comprehensive overview of the material conditions of England's most important dramatic period. Gives readers facts and data along with up-to-date interpretation of the plays. Looks at the drama in terms of its cultural agency, its collaborative nature, and its ideological complexity.
This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.
A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period Contributors are both established and emerging scholars, with many leading international figures in the discipline Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies Chapters address newest departures and future directions for Renaissance drama scholarship Arthur Kinney is a world-renowned figure in the field
RENAISSANCE DRAMA Experience the best and most noteworthy works of Renaissance drama This Third Edition of Renaissance Drama: An Anthology of Plays and Entertainments is the latest installment of a groundbreaking collection of non-Shakespearean Renaissance drama. Covering not only the popular drama of the period, Renaissance Drama includes masques, Lord Mayor shows, royal performances, and the popular mystery plays of the time. The selections fairly represent the variety and quality of Renaissance drama and they include works of scholarly and literary interest. Each work included in this edition comes with an insightful and illuminating introduction that places the piece in its historical and cultural context, with accompanying text explaining the significance of each piece and the ways in which it interacts with other works. New to this edition are: The famous entertainment for Elizabeth at Kenilworth George Peele’s remarkably inventive The Old Wives’ Tale The oft-forgotten history of Thomas of Woodstock, predecessor to Shakespeare’s Richard II John Lyly’s Gallathea, a work which explores gender and love, written for the Children’s Company at Saint Paul’s Ben Johnson’s Volpone and the controversial Epicoene Perfect for scholars, teachers, and readers of the English Renaissance, Renaissance Drama: An Anthology of Plays and Entertainments belongs on the bookshelves of anyone with even a passing interest in the drama of its time.