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Following the 1898 Spanish-American War, the United States constructed federal buildings in its newly acquired territories, including Cuba, Puerto Rico, and the Philippines. Over a century later, many of these grand Beaux-Arts-style edifices are still in use. In Civic Buildings after the Spanish-American War, Maria Eugenia Achurra G. examines this architecture and urban design as a backdrop for US exceptionalism and expansionism. The book defines exceptionalism and its role in US Beaux-Arts federal architecture. Subsequent chapters compare specific examples of Beaux-Arts civic architecture in the continental US and Latin America. The book also studies architectural and urban design from other US possessions of the Progressive Era, such as the former Panama Canal Zone and occupied territories like the Dominican Republic. Reviewing the work of relevant designers and architects, Achurra G. argues that architectural examples epitomize the rich, expansionist intentions of twentieth-century Progressive America. These lingering buildings function as intriguing material evidence of the United States’ geopolitical, historical, and commercial meddling in the internal affairs of the Americas and elsewhere.
"Following the 1898 Spanish-American War, the United States constructed federal buildings in its newly acquired territories, including Cuba, Puerto Rico, and the Philippines. Over a century later, many of these grand Beaux-Arts-style edifices are still in use. In Civic Buildings after the Spanish-American War, author Maria Eugenia Achurra G. examines this architecture and urban design as a backdrop for US exceptionalism and expansionism. The book defines exceptionalism and its role in US Federal Beaux-Arts architecture. Subsequent chapters compare specific examples of Beaux-Arts civic architecture in the continental US and Latin America. The book also studies architectural and urban design from other US possessions of the Progressive Era, such as the former Panama Canal Zone and occupied territories like the Dominican Republic. Reviewing the work of relevant designers and architects, Achurra G. argues that architectural examples epitomize the rich, expansionist intentions of twentieth-century Progressive America. These lingering buildings function as intriguing material evidence of the United States' geopolitical, historical, and commercial meddling in the internal affairs of the Americas and elsewhere"--
Design and the Vernacular explores the intersection between vernacular architecture, local cultures, and modernity and globalization, focussing on the vast and diverse global region of Australasia and Oceania. The relevance and role of vernacular architecture in contemporary urban planning and architectural design are examined in the context of rapid political, economic, technological, social and environmental changes, including globalization, exchanges of people, finance, material culture, and digital technologies. Sixteen chapters by architects designers and theorists, including Indigenous writers, explore key questions about the agency of vernacular architecture in shaping contemporary building and design practice. These questions include: How have Indigenous building traditions shaped modern building practices? What can the study of vernacular architecture contribute to debates about sustainable development? And how has vernacular architecture been used to argue for postcolonial modernisation and nation-building and what has been the effect on heritage and conservation? Such questions provide valuable case studies and lessons for architecture in other global regions -- and challenge assumptions about vernacular architecture being anachronistic and static, instead demonstrating how it can shape contemporary architecture, nation building and cultural identities.