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Italo Calvino's beloved, intricately crafted novel about an Emperor's travels—a brilliant journey across far-off places and distant memory. “Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.” In a garden sit the aged Kublai Khan and the young Marco Polo—Mongol emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts his host with stories of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. As Marco Polo unspools his tales, the emperor detects these fantastic places are more than they appear.
The election of Michelle Bachelet, the first female president of Chile, brought to the public sphere topics such as gender, inequality, and the legacy of seventeen years of military rule. Former dictator Augusto Pinochet instructed Chileans to "for-get" and move on, but this is complicated because individual and collective identities are anchored in memory and articulated through discourse. What happens to a nation and its people when the obliged referent of their recent history is one that hardly anyone wants to address? This book reveals the incongruity between what current media say about Chilean identity and what most people experience, showing the tensions that prevail within a society that is also quickly changing due to globalization. The author engages with the old dichotomy between agency and structure, proposing a new model for understanding identity from an intercultural perspective.
This volume offers a detailed analysis of selected cases in the reception, translation and artistic reinterpretation of Italo Calvino's Invisible Cities (1972) around the world. The book traces the many different ways in which Calvino's modern classic has been read, translated and adapted in Brazil, France, the Netherlands and Flanders, Mexico, Romania, Scandinavia, the USSR, China, Poland, Japan and Australia. It also offers analyses of the relation between Calvino's book and, respectively, the East and Africa, as well as reflections on the book's inspiration for, and resonance in, dance, architecture and art. The volume thus traces the diversity in the reception and circulation of Invisible Cities in different countries and continents, offering a much wider framework for the discussion of Calvino’s masterpiece than before, and a more detailed picture of its cultural and linguistic ramifications. This book will be of interest to scholars in Comparative Literature, World Literature, Translation Studies, Italian Studies, Romance Languages, European Studies, Dance, Architecture and Media Studies, as well as to scholars specialised in paratext and reception.
Rianna no es más que la composición desarreglada de mis sensaciones, el camino inevitable que me tocó recorrer, la construcción única de mi conciencia dolida...Yo me dedico a observarla, día y noche, mientras me voy muriendo por dentro, mi cuerpo lentamente invadido y consumido por la plaga más silenciosa y amenazante que existe: uno mismo.
In Kublai Khan's garden, at sunset, the young Marco Polo diverts the aged emperor from his obsession with the impending end of his empire with tales of countless cities past, present, and future.