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Did alligators ever really live in New York's sewers? What's it like to explore the old aqueducts beneath the city? How many levels are beneath Grand Central Station? And how exactly did the pneumatic tube system that New York's post offices used to employ work? In this richly illustrated historical tour of New York's vast underground systems, Julia Solis answers all these questions and much, much more. New York Underground takes readers through ingenious criminal escape routes, abandoned subway stations, and dark crypts beneath lower Manhattan to expose the city's basic anatomy. While the city is justly famous for what lies above ground, its underground passages are equally legendary and tell us just as much about how the city works.
The best-selling author of Gang Leader for a Day takes his next sociological study to Manhattan, where he travels through the underground economy utilized by prostitutes, madams, drug dealers, immigrants, hedge fund traders, hipster artists and nannies.
With over 60 per cent of the world’s population living in cities, the networks beneath our feet – which keep the cities above moving – are more important than ever before. Yet we never truly see how these amazing feats of engineering work. Just how deep do the tunnels go? Where do the sewers, bunkers and postal trains run? And, how many tunnels are there under our streets? Each featured city presents a ‘skyline of the underground’ through specially commissioned cut-away illustrations and unique cartography. Drawing on geography, cartography and historical oddities, Mark Ovenden explores what our cities look like from the bottom up.
Over the past two decades, Latin America has seen an explosion of experiments with autonomy, as people across the continent express their refusal to be absorbed by the logic and order of neoliberalism. The autonomous movements of the twenty-first century are marked by an unprecedented degree of interconnection, through their use of digital tools and their insistence on the importance of producing knowledge about their practices through strategies of self-representation and grassroots theorization. The Book in Movement explores the reinvention of a specific form of media: the print book. Magalí Rabasa travels through the political and literary underground of cities in Mexico, Bolivia, Argentina, and Chile to explore the ways that autonomous politics are enacted in the production and circulation of books.
New ideas and technologies are transforming the ways we build and inhabit underground space. This book explores how these innovations can help to make our increasingly dense, climate-stressed cities both more resilient and more of a pleasure to live in. While it sets out practical design approaches, Underground Cities is not a technical manual. Designed for everyone with an interest in the future of our cities, it is beautifully illustrated and written in an accessible style that draws on the rich tradition of underworlds, both real and imagined, in art, history and poetry. Global in scope, the book ranges across continents as it surveys the vast expansion in the potential of the underground. The opening section, 'A New Frontier', looks at two pioneering cold-climate cities, Montreal and Helsinki, which developed new uses for the underground from the 1960s on. The closing section, 'Looking Forward', offers glimpses of the city of the future - of what we might be able to achieve in the next 50 or 60 years. Focusing on Hong Kong, Singapore and Tokyo, it shows projects that are going deeper, achieving a greater synergy of uses and preparing the way for new urban forms. In between, it reviews a range of innovative ideas and presents buildings and projects by leading international architects and artists, among them Jun'ya Ishigami, James Turrell, Dominique Perrault and Thomas Heatherwick, which highlight the advances in technology that are making it possible to bring the elements of nature - light, air, vegetation - deep underground. Works include a subterranean oasis, a refuge from the desert heat; a museum extension that deploys light and colour to define space; a multi-modal underground transport hub that evokes the arcades of nineteenth-century Paris, but with an added profusion of plants; and a troglodytic house and restaurant, sunk into the earth to create atmosphere.
In 1801 Elias Hasket Derby Jr. leaves his two year retirement. His father, the country’s first millionaire, has left him a money pit that many would consider one of the nations first American Castles. The expense to keep up this mansion and his leisurely life style has forced Elias back into action. He will take command of the local militia to fill in the ponds in the Common as part of an elaborate plot. The plot would entail the beautification of this neighborhood and entice a series of merchants and ship captains to build a series of two grand brick mansions set apart at fixed distances around the new park. All attached to a series of smuggling tunnels that would lead from the wharf, to their stores, and the banks. An elaborate scheme filled with Masons,pirates, a Secretary of the Navy, Senators, Representatives, a Supreme Court Justice, Presidents, and a touch of murder! Dig into the tunnels of Salem and find the underbelly of our nation!
“I am Moscow’s underground son, the result of one too many nights on the town,” says Mbobo, the precocious twelve-year-old narrator of Hamid Ismailov’s The Underground. Born from a Siberian woman and an African athlete competing in the 1980 Moscow Olympics, Mbobo navigates the complexities of being a fatherless, mixed-raced boy in the Soviet Union in the years before its collapse, guided only by the Moscow subway system. Named one of the "ten best Russian novels of the 21st Century" (Continent Magazine), The Underground is Ismailov’s haunting tour of the Soviet capital, on the surface and beneath. Though deeply engaged with great Russian authors of the past—Dostoyevsky, Nabokov, and, above all, Pushkin—Ismailov is an emerging master of Russian writing that reflects the country’s diversity today. Reviews "Hamid Ismailov has the capacity of Salman Rushdie at his best to show the grotesque realization of history on the ground." —Literary Review "The dream of grandeur is more than justified by the artfulness of The Underground, which...create[s] the motifs of blackness, subterranean movement, and isolation that are the novel’s strongest effects." —Transitions Online Hamid Ismailov is an Uzbek journalist, writer, and translator who was forced to flee Uzbekistan in 1992 for the United Kingdom, where he now works for the BBC World Service. His works are still banned in Uzbekistan. His writing has been published in Uzbek, Russian, French, English, and other languages. He is the author of novels including Sobranie Utonchyonnyh, Le Vagabond Flamboyant, Two Lost to Life, The Railway, The Underground, A Poet and Bin-Laden and The Dead Lake; poetry collections including Sad (Garden) and Pustynya (Desert); and books of visual poetry Post Faustum and Kniga Otsutstvi. Carol Ermakova studied German and Russian language and literature and holds an MA in translation from Bath University. She first visited Russia in 1991. More recently, Ermakova spent two years in Moscow working as a teacher and translator. Carol currently lives in the North Pennines and works as a freelance translator.
The only guide you will ever need to travel around New York City by subway.From the theater district of trendy Manhattan to the quaint residential neighborhoods of Queens, every single station in the four boroughs has been researched to help you maneuver the system like a pro.Highly Informative and Resourceful, The Book's Highlight's Include:Noteworthy stations featuring the best in underground artThe best nearby restaurants for affordable, informal and ethnic diningInsightful historic information on the IND, BMT, and IRT transit linesA token rating scale that gives an honest assessment of each station'sDecorCleanlinessSafetySurrounding neighborhoodsNearby points of interest such as museums, theaters, parks and shoppingNew York City residents and visitors alike will find this comprehensive handbook indispensable for riding the mass transit rails.
Cover -- Title Page -- Copyright Page -- Dedication Page -- Table of Contents -- Acknowledgments -- Introduction: Subway Stories -- 1. Forming the Subway Habit -- 2. How the Subway became Sublime -- 3. Minding the Gaps in Modernist Poetry -- 4. Underground Assimilation in Ethnic Drama -- 5. Uncanny Migration Narratives -- Conclusion: The Private Subway in the Postmodern City -- Notes -- Works Cited -- Index -- About the Author -- Back Cover.