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Having traced a dimensional rift to Jerusalem in 583 B.C.E., DARPA, a government agency, forces thirteen-year-old Eli and his friends into the past to try to prevent the unraveling of history and the spread of the deadly slow pox. Reprint.
This psychoanalytic study reads Jewish apocalypses as texts of mourning for the destruction of Jerusalem, arguing that the seers' experiences of traumatic loss, then visions of healing and recovery, all work to achieve the ‘apocalyptic cure’ for ancient Jewish society.
Boss, a loner, loved to dive into derelict spacecraft adrift in the blackness of space... But one day, she found a ship that would change everything—an ancient Dignity Vessel—and aboard the ship, the mysterious and dangerous Stealth Tech. Now, years after discovering that first ship, Boss has put together a large company that finds Dignity Vessels and finds "loose" Stealth Technology. Following a hunch, Boss and her team come to investigate the city of Vaycehn, where fourteen archeologists have died exploring the endless caves below the city. Mysterious "death holes" explode into the city itself for no apparent reason, and Boss believes Stealth Tech is involved. As Boss searches for the answer to the mystery of the death holes, she will uncover the answer to her Dignity Vessel quest as well—and one more thing, something so important that it will change her life—and the universe—forever. From the Trade Paperback edition.
Having traced a dimensional rift to Jerusalem in 583 B.C.E., DARPA, a government agency, forces thirteen-year-old Eli and his friends into the past to try to prevent the unraveling of history and the spread of the deadly slow pox.
Fiction. In OUR COLONY BEYOND THE CITY OF RUINS, an insomniac will do anything for sleep, crones released from a buried heart take over a town, a woman chooses to live her last days in a cave overlooking the sea, earthquake survivors establish a colony in a remote forest. With unwavering imagination and heart, Janalyn Guo delivers a cast of characters who find their own unusual ways to endure. "These stories take the gestures of new wave fabulism and make it newer and even more wavy, by being genuinely international. Here's a book that shivers with possibility and wonder and surprise, where plants grow from people's bodies, where ghosts exist even before someone is dead. Guo isn't afraid to take on even the thoroughly weird in the most delightful way. This is what it's like to see a genre revivified."--Brian Evenson "OUR COLONY BEYOND THE CITY OF RUINS is an absolute delight, a wild collection that unsettles as much as it entertains. Guo shows an impressive range and deep emotional intelligence--this is a rare book of both strangeness and heart."--Kelly Luce
The Dead City unearths meanings from such depictions of ruination and decay, looking at representations of both thriving cities and ones which are struggling, abandoned or simply in transition. It reveals that ruination presents a complex opportunity to envision new futures for a city, whether that is by rewriting its past or throwing off old assumptions and proposing radical change. Seen in a certain light, for example, urban ruin and decay are a challenge to capitalist narratives of unbounded progress. They can equally imply that power structures thought to be deeply ingrained are temporary, contingent and even fragile. Examining ruins in Chernobyl, Detroit, London, Manchester and Varosha, this book demonstrates that how we discuss and depict urban decline is intimately connected to the histories, economic forces, power structures and communities of a given city, as well as to conflicting visions for its future.
Drawing on literature, legal texts, epigraphic evidence, and the narratives embodied in monuments and painting, Broken Cities is an expansive and nuanced study that holds great significance for the field of historiography.
NATIONAL BESTSELLER • Trapped in the Mexican jungle, a group of friends stumble upon a creeping horror unlike anything they could ever imagine in "the best horror novel of the new century" (Stephen King). Also a major motion picture! Two young couples are on a lazy Mexican vacation—sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site ... and the terrifying presence that lurks there. "The Ruins does for Mexican vacations what Jaws did for New England beaches.” —Entertainment Weekly “Smith’s nail-biting tension is a pleasure all its own.... This stuff isn’t for the faint of heart.” —New York Post “A story so scary you may never want to go on vacation, or dig around in your garden, again.” —USA Today
How do urban ruins provoke their cultural revaluation? This book offers a unique sociological analysis about the social agencies of material culture and atmospheric knowledge of buildings in the making. It draws on ethnographic research in Berlin along the former Palace of the Republic, the E-Werk and the Café Moskau in order to make visible an interdisciplinary regime of design experts who have developed a professional sensorium turning the built memory of the city into an object of aesthetic inquiry.