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Thirteen-year-old Sikander Aziz has to team up with the hero Gilgamesh in order to stop Nergal, the ancient god of plagues, from wiping out the population of Manhattan in this adventure based on Mesopotamian mythology.
People are dying. Then they are waking up hungry. In the small university town of Redwood Grove, people are succumbing to a lethal strain of flu. They are dying—but not for long. Ashley Parker and her boyfriend are attacked by these shambling, rotting creatures that crave human flesh. Their lives will never be the same again. When she awakes Ashley discovers that she is a "wild card"— immune to the virus—and is recruited by a shadowy paramilitary organization that offers her the chance to fight back. Trained by gorgeous vegan Gabriel, and bonding with her fellow wild cards, Ashley begins to discover skills she never knew she had. As the town falls to ever-growing numbers of the infected, Ashley and her team fight to contain the outbreak—but will they be enough?
Plague and the City uncovers discourses of plague and anti-plague measures in the city during the medieval, early modern and modern periods, and explores the connection between plague and urban environments including attempts by professional bodies to prevent or limit the outbreak of epidemic disease. Bringing together leading scholars of plague working across different historical periods, this book provides an inter-disciplinary study of plague in the city across time and space. The chapters cover a wide range of periods, geographical locations and disciplinary approaches but all seek to answer significant questions, including whether common motives can be identified, and how far knowledge about plague was based on an understanding of the urban space. It also examines how maps and photographs contribute to understanding plague in the city through exploring the ways in which the relationship between plague and the urban environment has been visualised, from the poisoned darts of plague winging their way towards their victims in the votive pictures from the Renaissance, to the mapping of the spread of disease in late nineteenth-century Bombay and photographing Honolulu’s great plague fire in 1900. Containing a series of studies that illuminate plague’s urban connection as a key social and political concern throughout history, Plague and the City is ideal for students of early modern history, and of the early modern city and plague more specifically.
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An absorbing look at the role of disease and health policy in the construction of race, gender, and class and in urban development in nineteenth- and twentieth-century San Francisco. "Craddock's provocative work offers an invaluable perspective on public health and the construction of race that speaks not only to the past but also to the present." -Bulletin of the History of Medicine "City of Plagues should fuel excitement and increase other geographers' notice of the remarkable work emanating from it. It simply and brilliantly traces how the often-argued triad of power/knowledge/space actually works in a particular place, at a particular time, and around a particular issue. Meticulous and nuanced." -Environment and Planning D: Society and Space "This book provides an engaging, readable, and well-researched account of the social, political, and medical responses to infectious diseases in San Francisco from the mid-nineteenth century to the present day. A wealth of material is brought together to describe, in a geographical, historical, and cultural framework, the experience, among San Francisco's population, of diseases such as tuberculosis, smallpox, syphilis and other sexually transmitted diseases, plague, and, latterly, HIV and AIDS." -Environment and Planning A Susan Craddock is associate professor in the Department of Women's Studies and the Institute for Global Studies at the University of Minnesota.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.