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In a fusion of fact and fiction, nineteenth-century women institutionalized as hysterics reveal what history ignored “City of Incurable Women is a brilliant exploration of the type of female bodily and psychic pain once commonly diagnosed as hysteria—and the curiously hysterical response to it commonly exhibited by medical men. It is a novel of powerful originality, riveting historical interest, and haunting lyrical beauty.” —Sigrid Nunez, author of The Friend and What Are You Going Through “Where are the hysterics, those magnificent women of former times?” wrote Jacques Lacan. Long history’s ghosts, marginalized and dispossessed due to their gender and class, they are reimagined by Maud Casey as complex, flesh-and-blood people with stories to tell. These linked, evocative prose portraits, accompanied by period photographs and medical documents both authentic and invented, poignantly restore the humanity to the nineteenth-century female psychiatric patients confined in Paris’s Salpêtrière hospital and reduced to specimens for study by the celebrated neurologist Jean-Martin Charcot and his male colleagues.
In 1862 the Salpêtrière Hospital in Paris became the epicenter of the study of hysteria, the mysterious illness then thought to affect half of all women. There, prominent neurologist Jean-Martin Charcot's contentious methods caused furore within the church and divided the medical community. Treatments included hypnosis, piercing and the evocation of demons and, despite the controversy they caused, the experiments became a fascinating and fashionable public spectacle. Medical Muses tells the stories of the women institutionalised in the Salpêtrière. Theirs is a tale of science and ideology, medicine and the occult, of hypnotism, sadism, love and theatre. Combining hospital records, municipal archives, memoirs and letters, Medical Muses sheds new light on a crucial moment in psychiatric history.
City of Incurable Women draws its inspiration from the Iconographie photographique de la Salpêtrière, the medical reference books that accompanied 19th century neurologist Jean-Martin Charcot's case histories of the female patients he diagnosed as hysterics. City of Incurable Women is a poetic investigation of the physiological belief, held by Charcot, that illness is written on the surface of the body, of the capacity of photography to objectively reveal those signs of illness, and of the relationship between image (in the form of Charcot's photographs) and narrative (in the form of his case histories). It is also an attempt to imaginatively chart the lives and experiences of Charcot's patients beyond the purely medical identity he assigned them.
Jack Sperry is a loyal citizen of Veritas, the City of Truth, until tragedy strikes his life, and he must hide from truth in order to save his son's life.
How living with a chronic, stigmatizing, and contagious disease transforms women's lives.
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
The story of hysteria is a curious one, for it persists as an illness for centuries before disappearing. Andrew Scull gives a fascinating account of this socially constructed disease that came to be strongly associated with women, showing the shifts in social, cultural, and medical perceptions through history.
A fresh and provocative debut novel about a reclusive young woman saving up for weight loss surgery when she gets drawn into a shadowy feminist guerilla group called "Jennifer"--equal parts Bridget Jones's Diary and Fight Club
Arthur Prescott finds respite from the drudgery of his professorship in the Barchester Cathedral Library, where he researches the Holy Grail and his long-delayed guidebook for the medieval cathedral. His tranquility is shattered by Bethany Davis, a young American academic who has come to digitise the library’s ancient manuscripts. But hostility turns to affection when Arthur discovers Bethany is a kindred spirit, a Grail fanatic. They begin a quest for the lost Book of Ewolda, which could reveal secrets about the cathedral and the Grail, and their connections to King Arthur and the Knights of the Round Table. As Arthur and Bethany delve into the past, the secret history of England—from the Norman invasion to the Civil War, the Industrial Revolution and the Blitz—is revealed. A thrilling adventure for history lovers, The Lost Book of the Grail is also an ode to the joys of reading. Charlie Lovett is a writer, teacher and playwright whose books include the New York Times bestseller The Bookman’s Tale and First Impressions. He is a bibliophile and a former antiquarian bookseller. He and his wife split their time between North Carolina and the Cotswolds. ‘In his latest literary mystery, Lovett supplements his trademark meld of books, romance, and adventure with an element of (fairly English) humor and some nods in the direction of P.G. Wodehouse...There's lots of research too...but it's underpinned by a pleasing treasure hunt mixed with the romantic involvement of two genially mismatched figures. A solidly built, innocently bookish diversion with a distinct Masterpiece Theater flavor.’ Kirkus Reviews ‘Former antiquarian bookseller Lovett here does what he did so well in his debut, The Bookman’s Tale.’ Library Journal ‘The Lost Book of the Grail is for every book addict. Full of suspense, delightful twists and turns, this is a tale about friendship, love, and the purpose of life.’ Nina George, New York Times bestselling author of The Little Paris Bookshop ‘Vivid, engaging...A love story and a detective story filled with wonderful historic detail.’ Kate Alcott ‘A mystery, a history, a pleasure—and a treasure.’ Gregory Maguire ‘Lovett considers topics both contemporary and timeless: the relevance and future of physical libraries; the advantages and drawbacks of electronic documents; love, devotion and friendship; recollection and truth; setting priorities for life; and faith and belief...Lovett’s expertise in, respect for and love of old books is apparent on every page...Not only bibliophiles will be charmed by this thoroughly enjoyable tale.’ BookMooch ‘Merging medievalist erudition, literary sleuthing and romantic comedy, Charlie Lovett’s The Lost Book of the Grail is an entertaining romp the well-read will enjoy.’ Age ‘Lovett explores the nature of faith and doubt while unravelling the long history of the cathedral and its treasures...For bibliophiles, Grail enthusiasts and anyone who loves a good quest, Arthur’s story is a rich, erudite and entertaining adventure.’ Shelf Awareness ‘Charlie Lovett’s charming novel combines Arthurian legend, Christian beliefs, history and a love of books to produce a grown-up’s version of Dan Brown’s The Da Vinci Code...An engaging concoction of mystery, ancient manuscripts, secret codes, literary sleuthing, the real meaning of faith and mild romance. It will enthral those readers who love books and history.’ Canberra Weekly ‘What a fascinating book by Charlie Lovett, author of The Bookman’s Tale. Its denouement sends tingles through the body...The plot meanders through a then-and-now of glorious old books and manuscripts, the thrills of discovery and agony of obstacles. It is eminently engaging.’ SA Weekend