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The stunning final novel from East Germany's most acclaimed writer Three years after the fall of the Berlin Wall, the writer Christa Wolf was granted access to her newly declassified Stasi files. Known for her defiance and outspokenness, Wolf was not especially surprised to discover forty-two volumes of documents produced by the East German secret police. But what was surprising was a thin green folder whose contents told an unfamiliar—and disturbing—story: in the early 1960s, Wolf herself had been an informant for the Communist government. And yet, thirty years on, she had absolutely no recollection of it. Wolf's extraordinary autobiographical final novel is an account of what it was like to reckon with such a shocking discovery. Based on the year she spent in Los Angeles after these explosive revelations, City of Angels is at once a powerful examination of memory and a surprisingly funny and touching exploration of L.A., a city strikingly different from any Wolf had ever visited. Even as she reflects on the burdens of twentieth-century history, Wolf describes the pleasures of driving a Geo Metro down Wilshire Boulevard and watching episodes of Star Trek late at night. Rich with philosophical insights, personal revelations, and vivid descriptions of a diverse city and its citizens, City of Angels is a profoundly humane and disarmingly honest novel—and a powerful conclusion to a remarkable career in letters.
Nikki Black, 17, a self-imposed lone wolf since her mother died, fled suburban Chicago to escape her painful past. But when her so-called boyfriend reveals why he really lured her to Southern California — to star in child porn flicks — she ends up on the streets of L.A. with only the clothes on her back and a twelve-year-old addict named Rain trailing in her shadows. The girls seek refuge at a residential hotel above a punk rock bar in downtown L.A. a few months before the city erupts into chaos during the 1992 riots. At The American Hotel, Nikki makes friends and for the first time in years feels as if she has a real family again. All that changes when Rain disappears. Everyone except Nikki, including the police, thinks Rain succumbed to the seductive allure of addiction and life on the streets. Nikki finds herself fighting for her own life the closer she gets to unveiling a sinister cover-up by a powerful group that secretly controls the city of angels. City of Angels is an edgy, gritty, mature Young Adult mystery about a teenager’s struggle to not only belong — but survive.
Los Angeles's dramatic setting, Mediterranean climate, and outdoor lifestyle have long attracted creative individuals to its diverse neighborhoods. The thirty houses and gardens featured in City of Angels, designed by renowned architects, interior designers, and garden designers, offer a rich mix of quirkiness, elegance, glitz, and Hollywood pizazz. Expertly guided by author Jennifer Ash Rudick and photographer Firooz Zahedi, we visit Kelly Wearstler's beach house in Malibu, Hutton Wilkinson's exotic ranch in the Santa Monica Mountains, a midcentury modern Schindler house, a Pacific Palisades villa decorated by Oliver Furth, John Lautner's vertigo-inducing modernist glass box in the Hollywood Hills, and Richard Shapiro's overgrown gardens surrounding a magnificent Hispano-Moorish house in Holmby Hills.
"The sprawling, complex tapestry of Los Angeles is portrayed in vivid color by artist Elisa Kleven and authors Julie Jaskol and Brian Lewis in their picture book City of angels : in and around Los Angeles. Twenty sites of interest are included, and each detailed, full-color spread is accompanied by engaging, informative text"--Provided by publisher
"Romero reveals the harrowing details of his experiences with the demonic while working for the Los Angeles County Sheriff's Department. Discover the true stories of spiritual warfare being waged in the streets and alleys of L.A."--Amazon website
Since the 1980s, Los Angeles has become the most racially and economically divided city in the United States. In the poorest parts of South Central Los Angeles, buildings in disrepair--the legacy of racial unrest. Moving beyond stereotypes of South Central's predominantly African American residents, João H. Costa Vargas recounts his almost two years living in the district. Personal, critical, and disquieting, Catching Hell in the City of Angels examines the ways in which economic and social changes in the twentieth century have affected the black community, and powerfully conveys the experiences that bind and divide its people. Through compelling stories of South Central, including his own experience as an immigrant of color, Vargas presents portraits of four groups. He talks daily with women living in a low-income Watts apartment building; works with activists in a community organization against police brutality; interacts with former gang members trying to maintain a 1992 truce between the Bloods and the Crips; and listens to amateur jazz musicians who perform in a gentrified section of the neighborhood. In each case he describes the worldviews and the definitions of "blackness" these people use to cope with oppression. Vargas finds, in turn, that blackness is a form of racial solidarity, a vehicle for the renewal of African American culture, and a political expression of revolutionary black nationalism. Vargas reveals that the social fault lines in South Central reflect both contemporary disparities and long-term struggles. In doing so, he shows both the racialized power that makes "blackness" a prized term of identity and the terrible price that African Americans have paid for this emphasis. Ultimately, Catching Hell in the City of Angels tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities. João H. Costa Vargas is assistant professor in the Center for African and African American Studies and the department of anthropology at the University of Texas, Austin. Robin D. G. Kelley is the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. He is the author of numerous books, including Yo Mama's Disfunktional: Fighting the Culture Wars in Urban America.
(Applause Libretto Library). The libretto to the Tony winning musical featuring a book by Larry Gelbart, music by Cy Coleman, and lyrics by David Zippel. The book also includes an introduction by Larry Gelbart, illustrations by Al Hirschfeld, production photographs, and original costume designs.
The courtrooms of 1903 Los Angeles are a man's world -- until Kit Shannon arrives ...
In the madness of L.A., Zen Moses is a risk-taking P.I. who has already fought for her life and her sanity-so what's wrong with doing a little favor for a friend? The friend is Jim Gray, a trusted attorney, who needs her to find a missing dog. But this simple case leads Zen to a dead man with no face, the trail of a vanished dealmaker, and the hospital room where Gray is fighting for his life. Suddenly the suspect in a murder-and an unwitting participant in a woman's violent unraveling-Zen finds herself in a tight spot. And it may be too late when she finally uncovers the truth: that in the city of angels, she's been handpicked by some very powerful people-for a long hard fall down to hell...
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences.