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Since 1955, City Lights Bookshop in San Francisco has published over 230 titles and its 1,500 authors include Jack Kerouac, James Joyce, Ernest Hemingway, Hilda Doolittle, Allen Ginsberg, Goethe, Walt Whitman, Gregory Corso, and Karl Marx. Provides complete information on all City Lights publications from 1955 through 1990.
Otis Redding and Steve Cropper's timeless ode to never-ending days is given fresh new life in this heartwarming picture book. Sittin' in the mornin' sun I'll be sittin' when the evening comes Watching the ships roll in Then I'll watch 'em roll away again, yeah (Sittin' on) The Dock of the Bay is a charming picture book set to one of the King of Soul'sTM greatest hits. The song was one of the last Redding recorded, and ranked number four on Billboard's year-end Hot 100 chart, going on to win two GRAMMYs and be certified triple-platinum. With lyrics by Otis Redding and Steve Cropper and illustrations by Kaitlyn Shea O'Connor, this picture book imagines a lonesome cat fishing off a dock and hoping the fish will bite soon. (Sittin' on) The Dock of the Bay is the perfect picture book for parents wanting to share a classic song with their children, allowing both to find joy in it along the way. "What [Otis Redding's] voice conveyed to listeners was an immediate, almost unparalleled connection; he could wring inconceivable intensity and complexity out of a minimal phrase and returned, most often, to the basic, raw power of love." --New York Times The Otis Redding Foundation: Redding was dedicated to improving the quality of life for his community through the education and empowerment of its youth. He provided scholarships and summer music programs which continued until his untimely death on December 10, 1967. Today, the mission of the Otis Redding Foundation, established in 2007 by Mrs. Zelma Redding, is to empower, enrich, and motivate all young people through programs involving music, writing, and instrumentation. To learn more, visit: otisreddingfoundation.org.
Thirty-seven Los Angeles authors contribute stories, poems and essays about contemporary LA.
First published in 1956, Allen Ginsberg's Howl is a prophetic masterpiece—an epic raging against dehumanizing society that overcame censorship trials and obscenity charges to become one of the most widely read poems of the century. This annotated version of Ginsberg's classic is the poet's own re-creation of the revolutionary work's composition process—as well as a treasure trove of anecdotes, an intimate look at the poet's writing techniques, and a veritable social history of the 1950s.
"Reality Sandwiches" is a book of poetry by Allen Ginsberg published in 1963. The title comes from one of the included poems, "On Burroughs' Work": "A naked lunch is natural to us,/we eat reality sandwiches." The book is dedicated to friend and fellow Beat poet Gregory Corso. Despite Ginsberg's feeling that this collection was not his most significant, the poems still represent Ginsberg at a peak period of his craft. Contents: My Alba Sakyamuni Coming Out From The Mountain The Green Automobile Havana 1953 Siesta In Xbalba And Return To The States On Burroughs' Work Love Poem On Theme By Whitman Over Kansas Malest Cornifici Tuo Catullo Dream Record: June 8, 1955 Fragment 1956 A Strange New Cottage In Berkeley Sather Gate Illumination Scribble Afternoon Seattle Psalm III Tears Ready To Roll Wrote This Last Night Squeal American Change 'Back On Times Square, Dreaming Of Times Square' My Sad Self Battleship Newsreel I Beg You Come Back & Be Cheerful To An Old Poet In Peru Aether Fearfully Waiting Answer, A Magic Universe Have Felt Same Before Soundy Time, I Hear Again! Einstein Books' edition of "Reality Sandwiches" contains supplementary texts: * Selected Poems From Empty Mirror, By Allen Ginsberg. * Howl, By Allen Ginsberg. * A Few Selected Quotes Of Allen Ginsberg.
This advanced machine learning book highlights many algorithms from a geometric perspective and introduces tools in network science, metric geometry, and topological data analysis through practical application. Whether you’re a mathematician, seasoned data scientist, or marketing professional, you’ll find The Shape of Data to be the perfect introduction to the critical interplay between the geometry of data structures and machine learning. This book’s extensive collection of case studies (drawn from medicine, education, sociology, linguistics, and more) and gentle explanations of the math behind dozens of algorithms provide a comprehensive yet accessible look at how geometry shapes the algorithms that drive data analysis. In addition to gaining a deeper understanding of how to implement geometry-based algorithms with code, you’ll explore: Supervised and unsupervised learning algorithms and their application to network data analysis The way distance metrics and dimensionality reduction impact machine learning How to visualize, embed, and analyze survey and text data with topology-based algorithms New approaches to computational solutions, including distributed computing and quantum algorithms
An entertaining read as well as a practical walking (and driving) tour, this guide covers the entire Bay Area, and comes with an introduction by Lawrence Ferlinghetti.
I have been much absorbed in David Cope's poetry as necessary continuation of tradition of lucid grounded sane objectivism in poetry following the visually solid practice of Charles Reznikoff & William Carlos Williams. Though the notions of 'objectivism' were common for many decades among U. S. poets, there is not a great body of direct-sighted "close to the nose" examples of poems that hit a certain ideal objectivist mark-"No ideas but in things" consisting of "minute particulars" in which "the natural object is always the adequate symbol", works of language wherein "the mind is clamped down on objects", and where these "Things are symbols of themselves. " The poets I named above specialized in this refined experiment, and Pound touched on the subject as did Zukofsky and Bunting, and lesser but inter esting figures such as Marsden Hartley in his little known poetry , and more romantic writers such as D. H. Lawrence. In this area of phanopoeiac "focus," the sketching of particulars by which a motif is recognizably significant, David Cope has made, by the beginning of his third decade, the largest body of such work that I know of among poets of his own generation. Allen Ginsberg Table of Contents Foreword, Allen Ginsberg. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v THE STARS The Line-up. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 . . . . . . . . . . . . Empty Street . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 The River. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Down on the Farm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 The Storm. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 American Dream. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 . . . . . . . . . . Baseball. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 . . . . . . . . . . . . Crash. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 . Lunch Hour. . . . . . . . . . . . . . . . . . . . . . . . . 9 . . . . . . . . . . . . . . . . . . . Winter Camp. . . . . . . . . . . . . . . . . . . . . . . . . . 10 . . . . . . . . . . . . . . . . . A Circle of Lights . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 . . . . . . . . . . GO Labor Day . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 . . . . . . . . . . . Peace. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 . . . . . . . . . . . . .