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Book 2 in the bestselling Barbara Marr Murder Mystery Series. Book 1, Take the Monkeys and Run is Free. If you think PTA meetings are boring, then you haven’t attended one in Barbara Marr’s neighborhood, where MURDER is on the agenda. Always one to stumble into trouble, Barb learns the hard way that a seemingly innocent yearbook scandal is actually part of a more sinister and deadly plot. Join soccer mom and movie lover Barbara Marr in this second laugh-out-loud, chaotic mystery, where high-profile crime and suburban living collide in an unexpected fashion. Books in the series: Take the Monkeys and Run (#1), Citizen Insane (#2), Silenced by the Yams (#3), Saturday Night Cleaver (#4), and Dead Man Stalking (#5).
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies. The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same.
The early years include principally resolutions, with few reports.
For the first time in scholarship, this essay collection interprets modernity through the literary micro-genres of the aphorism, the epigram, the maxim, and the fragment. Situating Friedrich Nietzsche and Oscar Wilde as forerunners of modern aphoristic culture, the collection analyses the relationship between aphoristic consciousness and literary modernism in the expanded purview of the long twentieth century, through the work of a wide range of authors, including Samuel Beckett, Max Beerbohm, Jorge Luis Borges, Katherine Mansfield, and Stevie Smith. From the romantic fragment to the tweet, Aphoristic Modernity offers a compelling exploration of the short form's pervasive presence both as a standalone artefact and as part of a larger textual and cultural matrix.