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"A love song for the city . . . [this] volume, attractivelypackaged and richly illustrated, is really a cookbook for downtownrevitalization." --Wall Street Journal In this pioneering book on successful urban recovery, two urbanexperts draw on their firsthand observations of downtown changeacross the country to identify a flexible, effective approach tourban rejuvenation. From transportation planning and sprawlcontainment to the threat of superstore retailers, they address ahost of key issues facing our cities today. Roberta Brandes Gratz (New York, NY), an award-winning journalistand urban critic, is author of the urban design classic The LivingCity. A former staff reporter for the New York Post, Gratz haswritten for the New York Times Magazine and other publications.Norman Mintz (New York, NY) has played a leading role in the fieldof downtown revitalization for more than twenty-five years. He isDesign Director at the 34th Street Partnership in New York City anda consultant on downtown revitalization across the country.
Why do people stay in a struggling city? City on the Edge explores this question through the lives of five people in Syracuse, New York, a quintessential rust-belt metropolis. Once a booming industrial center with a dynamic civic life and prominence on the world stage, Syracuse has endured decades of crime, drugs, economic depression, absent-minded political leadership, and population decline. Michael Streissguth spent more than three years interviewing a young survivor of the streets, a refugee from Cuba, an urban farmer, a community activist, and a city elder, who shared their stories as they found ways to make life work against sometimes formidable odds. He also contextualizes their extended commentary and storytelling with secondary characters and various episodes, such as a tragic Father's Day riot and the trial that followed. The result is an eye-opening look at life in America in the twenty-first century, where people strive to turn their ideas, frustrations, and disadvantages into new hope for themselves and the city where they live.
A timely study of Hong Kong's politics and society since the 1997 handover that explores the city's long history of resistance.
First there was downtown. Then there were suburbs. Then there were malls. Then Americans launched the most sweeping change in 100 years in how they live, work, and play. The Edge City.
This “generous, vigorous, and enlightening look at class and space in New York” examines the human side of gentrification—“a joy to read” (The Paris Review).For years, journalists, policymakers, critics, and historians have tried to explain just what happens when new money and new residents flow into established neighborhoods. But now, “Mr. Gibson lets the city speak for itself, and it speaks with charm, swagger and heartening resilience” (The New York Times). The Edge Becomes the Center captures, in their own words, the stories of people?brokers, buyers, sellers, renters, landlords, artists, contractors, politicians, and everyone in between?who are shaping and being shaped by the new New York City. In this extraordinary oral history, Gibson shows us what urban change looks and feels like by exposing us to the voices of the people living through it. Drawing on the plainspoken, casually authoritative tradition of Jane Jacobs and Studs Terkel, The Edge Becomes the Center is an inviting and essential portrait of the way we live now.
This book is a sociological description and analysis of urban collective actions, protests, resistance, and riots that started in the 1990s and continue in different forms to this date in Rome, Italy. Through participant observation, ethnographic study, and in-depth qualitative interviews—often occurring during times of protest or even violent action—this book studies a variety of urban realities: grassroots movements, anti-migrant district riots, and the daily lives of the fluid and fluctuating multi-ethnic groups in the city. Ultimately, this book gives voice to some of the protagonists involved, proposing interpretations to each reality described, but also making cross-connections with politics and migration when pertinent. It offers a new understanding of urban collective actions cognizant of the 'common goods', but also of the emergence of new right-wing populism.
Christian Slater is a screen icon in his own time and one of the world's most admired actors. This long awaited biography traces the life and career of a fascinating Hollywood player...From the late eighties onwards, Christian Slater was the embodiment of teenage cool. Films such as The Name of the Rose, Young Guns II and Pump Up the Volume became instant cult classics and ensured his status as both a teenage heartthrob and as the elite actor of his generation. His position as an A-list star was hardly diminished during the nineties, with brilliant performances in Robin Hood: Prince of Thieves, True Romance, Broken Arrow and Very Bad Things establishing him as a formidable force in acting.But fame and success did not always sit easily with Christian, and from his off-screen behaviour resulted a 'bad boy' reputation that has stuck with him ever since. Alcohol and drug excesses have led to numerous incidents with the law, assault charges, even a stint in jail - but through all this, Christian managed to retain a highly successful career.These personal demons, as well as Christian's intense and turbulent love affairs with the likes of Winona Ryder, Christina Applegate and Patricia Arquette, have merely added to the romance of this highly elusive and attractive individual. Yet for the man himself, the crazy lifestyle started to take its toll, and in more recent years Christian started to come to terms with the personality flaws that have plagued him throughout his family life and career.In addition to his film career, Christian's impeccable performances in a recent stage play version of One Flew Over The Cuckoo's Nest won him the Theatregoers Choice Award for Best Actor, and with his role in Broadway's The Glass Menagerie and the West End production of Sweet Bird of Youth, his return to theatrical mainstream is in full bloom.From this incisive biography, which includes a complete filmography, emerges a complex and sometimes contradictory character, a man who has dealt with fame, love, loss and success in his own, uncompromising and inspired way. The films, the flings, the affairs, the media gossip - all are dealt with truthfully in a book as fascinating and candid as the man himself.
This volume represents a selection of papers presented at the Third International Academic Conference on Places and Technologies, held at the Faculty of Architecture of the University of Belgrade, Serbia in April 2016. The conference brought together researchers, PhD students and practitioners, in order to create a platform for sharing knowledge in the fields of growth, new technologies, and the environment, as well as particular aspects of achieving the concept of cognitive city. The book will appeal primarily to members of the academic community in the fields of urban design, planning and architecture, engineering and technical sciences, and the humanities and social sciences. It will also be of interest to professional institutions and companies, governments, and NGOs, who will directly benefit from the knowledge presented here.
A thorough investigation of how Jane Jacobs’s ideas about the life and economy of great cities grew from her home city, Scranton Jane Jacobs’s First City vividly reveals how this influential thinker and writer’s classic works germinated in the once vibrant, mid-size city of Scranton, Pennsylvania, where Jane spent her initial eighteen years. In the 1920s and 1930s, Scranton was a place of enormous diversity and opportunity. Small businesses of all kinds abounded and flourished, quality public education was available to and supported by all, and even recent immigrants could save enough to buy a house. Opposing political parties joined forces to tackle problems, and citizens worked together for the public good. Through interviews with contemporary Scrantonians and research of historic newspapers, city directories, and vital records, author Glenna Lang has uncovered Scranton as young Jane experienced it and shows us the lasting impact of her growing up in this thriving and accessible environment. Readers can follow the development of Jane’s acute observational abilities from childhood through her passion in early adulthood to understand and write about what she saw. Reflecting Jane’s belief in trusting one’s own direct observation above all, this volume has been richly illustrated with historic and modern color images that help bring alive a lost Scranton. The book demonstrates why, at the end of Jacobs’s life, her thoughts and conversations increasingly returned to Scranton and the potential for cohesion and inclusiveness in all cities.
In the 1970s, New York City hit rock bottom. Crime was at its highest, the middle class exodus was in high gear, and bankruptcy loomed. Many people credit New York's "master builder" Robert Moses with turning Gotham around, despite his brutal, undemocratic. and demolition-heavy ways. Urban critic and journalist Roberta Brandes Gratz contradicts this conventional view. New York City, Gratz argues, recovered precisely because of the waning power of Moses. His decline in the late 1960s and the drying up of big government funding for urban renewal projects allowed New York to organically regenerate according to the precepts defined by Jane Jacobs in her classic, The Death and Life of Great American Cities, and in contradiction to Moses's urban philosophy. As American cities face a devastating economic crisis, Jacobs's philosophy is again vital for the redevelopment of metropolitan life. Gratz who was named as one of Planetizen's Top 100 Urban Thinkers gives an on-the-ground account of urban renewal and community success.