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A young man faces a choice between his religious cult group or living on an internet server. Here starts a thrilling five part science fiction story involving scientific discovery, artificial intelligence, space travel, genetic modification, tyranny, matriarchies, space colonies, omni humans, life, love, romance, family and war
Two adventurers, prospecting for gold in the jungles of Mexico, stumble across a lost Aztec city and cause an ancient evil to be unleashed. An early science fiction masterpiece written by Gertrude Barrows Bennett, writing as Francis Stevens. Discovering a lost city in the Mexican jungle, two adventurers embark on a terrifying journey. Disturbing ancient gods and nightmare creatures, they find a hidden civilization of Aztecs and bring dark magic into the modern world. With a potent cocktail of romance, revenge and swampish evil this book is one of the earliest examples of fantasy and remains an enthralling read. Gertrude Barrows Bennett, writing as Francis Stevens, is often regarded as the founder of dark fantasy and was admired by H.P. Lovecraft amongst many, with some ranking her alongside Mary Shelley in impact and imaginative power. Foundations of Feminist Fiction. The early 1900s saw a quiet revolution in literature dominated by male adventure heroes. Both men and women moved beyond the norms of the male gaze to write from a different gender perspective, sometimes with female protagonists, but also expressing the universal freedom to write on any subject whatsoever.
Humans share the world with the shape-changing Bhahdradomen, who they defeated in war centuries ago, and the mysterious Aelyr, who keep apart but also consider the Bhahdradomen as enemies. Now, the shapechangers' wiles inflame a king's madness and lead to war and murder. Two sisters and two brothers from a quiet village are about to be dragged into the conflict, where they will find unlooked-for destinies.
Despite our tendency to think of the demonic as evil and the angelic as good, our own legends don't always bear this out. Angels can be the incarnation of light and salvation, but they can also fall - Satan himself is a fallen angel. Demons can be truly demonic, but these unearthly creatures can also, on occasion, lend humankind a hand. Temptation can lead to revelation, supernatural messengers who bring true justice may not be welcomed, and beings seeking redemption can be blind to mortal needs. Stories from world-renowned authors of science fiction and fantasy - including Neil Gaiman, George R. R. Martin and Joyce Carol Oates - and rising stars portray angels in all their glory, demons at their most dreadful, and a surprising variety of modern interpretations of ancient myth.
New Orleans jazz, Dixieland, Chicago jazz, swing, bebop, cool jazz, hard bop, and free jazz: up until today, the history of jazz is told as a "tradition" consisting of fixed components including a succession of jazz styles. How did this construction of music history emerge? What were the alternative perspectives? And why did the narrative of a fixed tradition catch on? In this study, Mario Dunkel examines narratives of jazz history from the beginnings of jazz until the late 1950s. According to Dunkel, the jazz tradition is simultaneously an attempt to approach historical reality and the product of competition between different narratives and cultural myths. From the middlebrow culture of the 1920s to the New Deal, the African American civil rights movement and the role of the U.S. in the Cold War, Dunkel shows in detail how the jazz tradition, as a global narrative of the twentieth century, is intertwined with greater social and cultural developments.
Translation has a long history in China. Down the centuries translators, interpreters, Buddhist monks, Jesuit priests, Protestant missionaries, writers, historians, linguists, and even ministers and emperors have all written about translation, and from an amazing array of perspectives. Such an exciting diversity of views, reflections and theoretical thinking about the art and business of translating is now brought together in a two-volume anthology. The first volume covers a time-frame from roughly the 5th century BCE to the twelfth century CE. It deals with translation in the civil and government context, and with the monumental project of Buddhist sutra translation. The second volume spans the 13th century CE to the Revolution of 1911, which brought an end to feudal China. It deals with the transmission of Western learning to China - a translation venture that changed the epistemological horizon and even the mindset of Chinese people. Comprising over 250 passages, most of which are translated into English for the first time here, the anthology is the first major source book to appear in English. It carries valuable primary material, allowing access into the minds of translators working in a time and space markedly different from ours, and in ways foreign or even inconceivable to us. The topics these writers discussed are familiar. But rather than a comfortable trip on well-trodden ground, the anthology invites us on an exciting journey of the imagination.
Severian the Torturer continues his epic journey across the lands of Urth, carrying with him the Claw of the Conciliator and the great sword, Terminus Est. All his travels are leading towards a destiny that he dare not refuse . . . Winner of the John W. Campbell Award for best novel, 1984
Judaism has survived for four millennia, and many of its customs, laws, and traditions have remained exactly the same today as in the days of Abraham, Isaac, and Jacob. The Everything Judaism Book explains the major precepts of this robust religion in language anyone can understand and appreciate. From High Holy Days, such as Passover and Yom Kippur, to symbols and objects, such as the Star of David and the tallis prayer shawl, Jews and non-Jews alike will gain new understanding and insights into the rich diversity and seemingly endless complexity of Jewish practices and culture. Authoritative and thought-provoking, The Everything Judaism Book has been exhaustively reviewed for accuracy by Orthodox Rabbi Jacob Rosenthal and Reform Rabbi Robert Leib. The Everything Judaism Book is a terrific introduction if you're learning the religion for the first time, a great way to brush up on facts you may have forgotten from Hebrew school, and the perfect mitzvah (good deed) gift for a friend or relative.
“A beautifully written, bittersweet mystery in a wonderfully imaginative space setting” from the award-winning author of the Dominion of the Fallen trilogy (Fantasy Literature). The Citadel of Weeping Pearls was a great wonder; a perfect meld between cutting-edge technology and esoteric sciences—its inhabitants capable of teleporting themselves anywhere, its weapons small and undetectable and deadly. Thirty years ago, threatened by an invading fleet from the Dai Viet Empire, the Citadel disappeared and was never seen again. But now the empire itself is under siege, on the verge of a war against an enemy that turns their own mindships against them; and the Empress, who once gave the order to raze the Citadel, is in desperate need of its weapons. Meanwhile, on a small isolated space station, an engineer obsessed with the past works on a machine that will send her thirty years back, to the height of the Citadel’s power. But the Citadel’s disappearance still extends chains of grief and regret all the way into the fraught atmosphere of the Imperial Court; and this casual summoning of the past might have world-shattering consequences . . . A new book set in the award-winning, critically acclaimed Xuya universe. Praise for Aliette de Bodard “Startlingly original.” —The Guardian “A writer who deserves attention.” —SF Signal
Recovering a lost literary movement that was the most consuming preoccupation of W. B. Yeats's literary life and the most integral to his poetry and drama, Ronald Schuchard's The Last Minstrels provides an historical, biographical, and critical reconstruction of the poet's lifelong attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech. From the beginning of his career Yeats was determined to return the 'living voice' of the poet from exile to the centre of culture - on its platforms, stages, and streets - thereby establishing a spiritual democracy in the arts for the non-reading as well as the reading public. Schuchard's study enhances our understanding of Yeats's cultural nationalism, his aims for the Abbey Theatre, and his dynamic place in a complex of interrelated arts in London and Dublin. With a wealth of new archival materials, the narrative intervenes in literary history to show the attempts of Yeats and Florence Farr to take the 'new art' of chanting to Great Britain, America, and Europe, and it reveals for the first time the influence of their auditory poetics on the visual paradigm of the Imagists. The penultimate chapter examines the adjustments Yeats made for his movement during the war, including chanting and other adaptations from Noh drama for his dance plays and choruses, until the practice of his 'unfashionable art' became dormant in the 1920s before the restless rise of realism. The final chapter resurrects his heroic effort in the 1930s to reunite poetry and music and reconstitute his dream of a spiritual democracy through the medium of public broadcasting.