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In Jeremiah 3.1-4.4 the prophet employs the image of Israel as God's unfaithful wife, who acts like a prostitute. The entire passage is a rich and complex rhetorical tapestry designed to convince the people of Israel of the error of their political and religious ways, and their need to change before it is too late. As well as metaphor and gender, another important thread in the tapestry is intertextuality, according to which the historical, political and social contexts of both author and reader enter into dialogue and thus produce different interpretations. But, as Shields shows in her final chapter, it is in the end the rhetoric of gender that actually constructs the text, providing the frame, the warp and woof, of the entire tapestry, and thus the prophet's primary means of persuasion.
Of the Major Prophets, Jeremiah is perhaps the least straightforward. It is variously comprised of stories about the prophet Jeremiah, exchanges between Jeremiah and Yahweh, and messages directly from Yahweh—meaning a consciousness of form is essential to the understanding of its content. At times it is written in poetry, resembling Isaiah, while at other times it is written in prose, more similar to Ezekiel. And it is without doubt the darkest and most threatening of the Major Prophets, inviting comparisons to Amos and Hosea. John Goldingay, a widely respected biblical scholar who has written extensively on the entire Old Testament, navigates these complexities in the same spirit as other volumes of the New International Commentary on the Old Testament series—rooted in Jeremiah’s historical context but with an eye always trained on its meaning and use as Christian Scripture. After a thorough introduction that explores matters of background, composition, and theology, Goldingay provides an original translation and verse-by-verse commentary of all fifty-two chapters, making this an authoritative and indispensable reference for scholars and pastors as they engage with Jeremiah from a contemporary Christian standpoint.
Sharon Moughtin-Mumby explores the complex, and potentially subversive, power of metaphor as a tool of persuasion in the prophetic books of the Hebrew Bible. Often such language is used to speak of the worship of gods other than Yhwh, of undesirable cultic practices, or of political alliances with foreign nations. Evaluating several schools of language and biblical criticism, including a Traditional approach, a Feminist critique and a Literary-historical investigation, Moughtin-Mumby brings lucid new readings with a fresh perspective to these dramatic texts. The study emphasises the importance of context for understanding metaphorical meaning and challenges previous scholarship which has read such language in terms of the traditional concept of 'the marriage metaphor' and the hypothetical background of cultic prostitution.
Prostitution is known as the oldest profession in the history of humanity. While historians have already given due consideration to the profession’s social and cultural meanings across time periods, little has been written about literary representations of prostitution. Prostitution in Medieval and Early Modern Literature analyses the work of writers from an array of social positions, including courtly poets and even religious writers, dealing with the topic during the medieval and early modern periods. Its study shows that prostitutes and brothel owners were present on the literary stage far more often than we might have assumed. Utilizing an interdisciplinary approach and incorporating relevant sources from across the entire European continent dating from the early Middle Ages to the sixteenth century, it examines the phenomenon of prostitution in a variety of contexts and highlights the extent to which the institution mattered for both the higher and the lower classes.
This book provides a compelling analysis of the conditions in which women are sustained within prostitution in Britain at the end of the millennium. Based on a major empirical study, it is a unique glimpse into how some women, who live lives completely torn apart by poverty, violence and criminalization, are able to understand their lives in prostitution and make sense of the choices they make (including their involvement in prostitution) in their struggles to survive.
This final volume in the Feminist Companion to the Bible Second series is a sparkling collection. These essays revisit the figure of the Goddess, redefine female prophet-(esse)s, consider Yahweh as a violent husband, explore various aspects or eroticism in prophetic literature and discuss how to say no to a prophet. In the section on Daniel the Obtuse Foreign Ruler is viewed from the perspective of both feminism and humor, while Belshazzar's mother is proposed as another wise queen. Contributors include Judith Hadley, Esther Fuchs, Renate Jost, Rainer Kessler, Gerlinde Baumann, Mary Shields, Erin Runions, Tamar Kamlonkowski, Ulrike Sals, Julia M. O'Brien, Mayer Gruber, H. von Deventer, and Emily Sampson.
"Whether dealing with collective catastrophe or intimate trauma, recovering from emotional and physical hurt is hard. Kathleen O'Connor shows that although Jeremiah's emotionally wrought language can aggravate readers' memories of pain, it also documents the ways an ancient community, and the prophet personally, sought to restore their collapsed social world. Both prophet and book provide a traumatized community language to articulate disaster; move self-understanding from delusional security to identity as survivors; constitute individuals as responsible moral agents; portray God as equally afflicted by disaster; and invite a reconstruction of reality" -- Publisher description.
This volume showcases recent exploration of the portrait of Daughter Zion as “she” appears in biblical Hebrew poetry. Using Carleen Mandolfo’s Daughter Zion Talks Back to the Prophets (Society of Biblical Literature, 2007) as a point of departure, the contributors to this volume explore the image of Daughter Zion in its many dimensions in various texts in the Hebrew Bible. Approaches used range from poetic, rhetorical, and linguistic to sociological and ideological. To bring the conversation full circle, Carleen Mandolfo engages in a dialogic response with her interlocutors. The contributors are Mark J. Boda, Mary L. Conway, Stephen L. Cook, Carol J. Dempsey, LeAnn Snow Flesher, Michael H. Floyd, Barbara Green, John F. Hobbins, Mignon R. Jacobs, Brittany Kim, Cheryl A. Kirk-Duggan, Christl M. Maier, Carleen Mandolfo, Jill Middlemas, Kim Lan Nguyen, and Lena-Sofia Tiemeyer.
This best-selling book, now revised and updated, shares the work of many feminist biblical scholars who have examined women's stories for several years. These stories are powerful accounts of women in the Old Testament--stories that have profoundly affected how women understand themselves as well as men's perception of them. Here, Alice Bellis shares the research of feminist biblical scholarship during a quarter of a century, which renders a vast amount of refreshing, exciting, sometimes disturbing material.
"This essay provides an overview of the book of Jeremiah, its historical background, distinctive literary character, language of trauma and resilience, dominant ideologies, and the state of 20th and 21st century Jeremian scholarship. It concludes with an explanation of the goals and structure of the Handbook"--