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Analyse af Bosch's maleri "Christ mocked" (The crowning with thorns).
"Originally published in Great Britain by Portobello Books."
Nazareth has been cruel to my mother, more cruel than any village ever was. All the village says that my blood father is not the man who married my mother. They have shamed her on the matter all my life. Every woman asks which man of the village is my blood father. Every man scowls and says he was not the one my mother seduced. My mother will not tell who is my blood father. My mother will not speak on the matter. My mother bears her shame in silence. Some righteous man, a prophet, said a word over me when I was a babe in arms. He told how I will redeem Israel when I grow to be a man. Now I have grown to be a man, but I do not know how to redeem Israel. The scriptures do not explain the matter. My people say that the man who redeems Israel must take up the sword and throw off our enemy, Rome, which we call the Great Satan. My family says I must take up the sword. Only I am no man of the sword. I wish with all my heart to redeem Israel, but HaShem, the God of our fathers, must tell me how. Lately, there came a new prophet to Israel, who immerses for repentance at the river Jordan. I went to ask the prophet how I should redeem Israel. He said I am to smite the four Powers. I asked what are the four Powers. He could not say, but he said HaShem will reveal the matter to me. I wish HaShem will reveal the matter, only I am not a prophet. Not yet. But I will be. Here is what I know. Every hour of every day, I feel the Presence of HaShem. I do not know why I should feel the Presence always. My mother does not. My village does not. Even the prophet of HaShem does not. I think the Presence will teach me the way to redeem Israel. But I am afraid to redeem Israel. To redeem Israel is to leave my mother to the scorn of the village. The rage of the village. My mother begs and cries on me to make a justice for her. To make a justice on the village. I do not know how to make a justice on the village. I do not know how to redeem Israel. But HaShem will show me the way. I will learn how to be a prophet of HaShem. I will learn how to redeem Israel. I will learn how to make a justice for my mother. I will smite the first Power. Or I will die in the trying.
A New York Times bestseller! “A bewitching gem...I absolutely loved every moment of this story.” —Stephanie Garber, #1 New York Times bestselling author of the Caraval series “If you loved the Hogwarts Library…you’ll be right at home at Summershall.” —Katherine Arden, New York Times bestselling author of The Bear and the Nightingale From the New York Times bestselling author of An Enchantment of Ravens comes an “enthralling adventure” (Kirkus Reviews, starred review) about an apprentice at a magical library who must battle a powerful sorcerer to save her kingdom. All sorcerers are evil. Elisabeth has known that as long as she has known anything. Raised as a foundling in one of Austermeer’s Great Libraries, Elisabeth has grown up among the tools of sorcery—magical grimoires that whisper on shelves and rattle beneath iron chains. If provoked, they transform into grotesque monsters of ink and leather. Then an act of sabotage releases the library’s most dangerous grimoire, and Elisabeth is implicated in the crime. With no one to turn to but her sworn enemy, the sorcerer Nathaniel Thorn, and his mysterious demonic servant, she finds herself entangled in a centuries-old conspiracy. Not only could the Great Libraries go up in flames, but the world along with them. As her alliance with Nathaniel grows stronger, Elisabeth starts to question everything she’s been taught—about sorcerers, about the libraries she loves, even about herself. For Elisabeth has a power she has never guessed, and a future she could never have imagined.
THE FIRST BOOK IN THE BESTSELLING SERIES AND A TIKTOK SENSATION 'With bits of Buffy, Game Of Thrones and Outlander, this is a glorious series of total joy' STYLIST Feyre is a huntress. And when she sees a deer in the forest being pursued by a wolf, she kills the predator and takes its prey to feed herself and her family. But the wolf was not what it seemed, and Feyre cannot predict the high price she will have to pay for its death... Dragged away from her family for the murder of a faerie, Feyre discovers that her captor, his face obscured by a jewelled mask, is hiding even more than his piercing green eyes suggest. As Feyre's feelings for Tamlin turn from hostility to passion, she learns that the faerie lands are a far more dangerous place than she realized. And Feyre must fight to break an ancient curse, or she will lose him forever. _________________________ Sarah J. Maas's books have sold millions of copies worldwide and have been translated into 37 languages. Discover the tantalising, sweeping romantic fantasy, soon to be a major TV series, for yourself.
A tender addition to the #1 New York Times bestselling Court of Thorns and Roses series by Sarah J. Maas, bridging the events of A Court of Wings and Ruin and upcoming books. Feyre, Rhysand, and their friends are still busy rebuilding the Night Court and the vastly altered world beyond, recovering from the war that changed everything. But Winter Solstice is finally approaching, and with it, the joy of a hard-earned reprieve. Yet even the festive atmosphere can't keep the shadows of the past from looming. As Feyre navigates her first Winter Solstice as High Lady, her concern for those dearest to her deepens. They have more wounds than she anticipated-scars that will have a far-reaching impact on the future of their court. Bridging the events of A Court of Wings and Ruin with the later books in the series, A Court of Frost and Starlight explores the far-reaching effects of a devastating war and the fierce love between friends.
Sarah J. Maas hit the New York Times SERIES list at #1 with A Court of Wings and Ruin!
In this tense modern literary classic, acclaimed Palestinian author Sahar Khalifeh depicts the humiliation, bitter resignation and determined resistance of Palestinians under Israeli military occupation. First published in 1976, Wild Thorns was the first Arab novel to offer a glimpse of everyday life under Israeli occupation. With uncompromising honesty, Khalifeh pleads elegantly for survival in the face of oppression.
Award-winning author Juliet Marillier’s “lavishly detailed”(Publishers Weekly) Blackthorn & Grim series continues as a mysterious creature holds ancient Ireland in thrall... Disillusioned healer Blackthorn and her companion, Grim, have settled in Dalriada to wait out the seven years of Blackthorn’s bond to her fey mentor, hoping to avoid any dire challenges. But trouble has a way of seeking them out. A noblewoman asks for the prince of Dalriada’s help in expelling a creature who threatens the safety and sanity of all who live nearby from an old tower on her land—one surrounded by an impenetrable hedge of thorns. With no ready solutions to offer, the prince consults Blackthorn and Grim. As Blackthorn and Grim put the pieces of this puzzle together, it’s apparent that a powerful adversary is working behind the scenes. Their quest soon becomes a life-and-death struggle—a conflict in which even the closest of friends can find themselves on opposite sides.
The Science Fiction Grand Master’s Thorns “holds up chillingly well after all these decades. A dark pastiche upon Beauty and the Beast” (SF Reviews). In a world where humanity has colonized the solar system and begun to explore more of the local galaxy, a vast audience follows real-life stories presented by wealthy media mogul Duncan Chalk. To satisfy his audience’s voyeuristic needs—and his own appetite for others’ pain—he pairs Minner Burris, an emotionally withdrawn space explorer who was captured and freakishly surgically altered by aliens, with Lona Kelvin, a suicidal seventeen-year-old girl who donated eggs for a fertility experiment that produced one hundred babies, none of whom she has been allowed to adopt or even see. Chalk promises to solve their personal problems in return for a joint performance tour. Though the love affair doesn’t last, Chalk keeps the couple on the hook by making new offers. While Minner and Lona struggle to cope with their newfound celebrity and Chalk’s broken promises, they will uncover the true nature of their manipulator—and risk everything to regain the humanity that has been stolen from them . . . An early exploration of media exploitation and a deep look at freak-show entertainment on a mass scale, this novel was one of the earliest of Silverberg’s mature masterworks. “Masterful . . . This is a sophisticated novel, beautifully written, intelligent and insightful, with wonderful dialogue and a satisfying conclusion.” —Fantasy Literature “Silverberg’s brooding, post-utopian, rumination has the makings of a great science fiction novel. . . . A worthwhile read which rambles along a dark path . . . Well done.” —Science Fiction Ruminations