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"This volume is the first in a series that will cover the extensive and significant archaeological deposits recorded at Flixton quarry on the south side of the Waveney Valley. Volume I is largely funded by an ALSF grant, and describes remains of prehistoric, Late Iron Age/Early Roman and Early Anglo-Saxon date. The prehistoric archaeology is dominated by three monumental structures. The earliest, dating to the Late Neolithic, is a post-hole circle 18m in diameter, with an entrance to the north-west and containing a rectangular post-hole structure. Various interpretations are explored including the possibility that astronomical alignments were invested in the monument. The site of the Late Neolithic structure was subsequently overlain by an Early Bronze Age unurned cremation and its surrounding ring-ditch. A second ring-ditch subsequently became the focus for burial in the Early Anglo-Saxon period (Flixton I), and its central mound was re-used as the site of a windmill in the later medieval or early post-medieval periods. An enigmatic palisaded enclosure, describing a near-perfect circle of 27m diameter, was dated by pottery to around the time of the Roman Conquest. Various possible uses of the post-hole circle have been explored, and it may have been associated with a rectangular post-hole structure of similar date that was recorded in a later phase of the quarry. The Anglo-Saxon period is represented at Flixton by two burial grounds (Flixton I and II) and a settlement; the cemeteries are described in this volume. Flixton I seems to have been a small plot associated with a prehistoric barrow: only one grave has been excavated, but metal-detected finds indicate some further burials. Flixton II was larger and at first contained within a rectangular plot close to another barrow. Fifty-one of an estimated 200 or more graves have been excavated there. Burial at Flixton II shifted southwards on to the barrow itself, where eleven more graves were identified. The date range of the excavated graves in Flixton II is c.500 AD to the middle of the 7th century and the plot at Flixton I is likely to have been contemporary with its earliest phase. The material evidence has been used as a base from which to discuss the social make-up of the community who buried their dead there. The role of this community in the southern marches of the former Iceni territory has also been explored. Later volumes will cover excavations elsewhere in the quarry, revealing Neolithic and Bronze Age funerary monuments, occupation evidence of prehistoric, Roman and Early Anglo-Saxon date, and a large assemblage of finds. More recent remains include those associated with Flixton Hall and its surrounding parklands, and evidence for First World War training activity."--Publisher's website.
This exploration of Richmond's burial landscape over the past 300 years reveals in illuminating detail how racism and the color line have consistently shaped death, burial, and remembrance in this storied Southern capital. Richmond, Virginia, the former capital of the Confederacy, holds one of the most dramatic landscapes of death in the nation. Its burial grounds show the sweep of Southern history on an epic scale, from the earliest English encounters with the Powhatan at the falls of the James River through slavery, the Civil War, and the long reckoning that followed. And while the region's deathways and burial practices have developed in surprising directions over these centuries, one element has remained stubbornly the same: the color line. But something different is happening now. The latest phase of this history points to a quiet revolution taking place in Virginia and beyond. Where white leaders long bolstered their heritage and authority with a disregard for the graves of the disenfranchised, today activist groups have stepped forward to reorganize and reclaim the commemorative landscape for the remains of people of color and religious minorities. In Death and Rebirth in a Southern City, Ryan K. Smith explores more than a dozen of Richmond's most historically and culturally significant cemeteries. He traces the disparities between those grounds which have been well-maintained, preserving the legacies of privileged whites, and those that have been worn away, dug up, and built over, erasing the memories of African Americans and indigenous tribes. Drawing on extensive oral histories and archival research, Smith unearths the heritage of these marginalized communities and explains what the city must do to conserve these gravesites and bring racial equity to these arenas for public memory. He also shows how the ongoing recovery efforts point to a redefinition of Confederate memory and the possibility of a rebirthed community in the symbolic center of the South. The book encompasses, among others, St. John's colonial churchyard; African burial grounds in Shockoe Bottom and on Shockoe Hill; Hebrew Cemetery; Hollywood Cemetery, with its 18,000 Confederate dead; Richmond National Cemetery; and Evergreen Cemetery, home to tens of thousands of black burials from the Jim Crow era. Smith's rich analysis of the surviving grounds documents many of these sites for the first time and is enhanced by an accompanying website, www.richmondcemeteries.org. A brilliant example of public history, Death and Rebirth in a Southern City reveals how cemeteries can frame changes in politics and society across time.
Rome was the largest city in the ancient world. As the capital of the Roman Empire, it was clearly an exceptional city in terms of size, diversity and complexity. While the Colosseum, imperial palaces and Pantheon are among its most famous features, this volume explores Rome primarily as a city in which many thousands of men and women were born, lived and died. The thirty-one chapters by leading historians, classicists and archaeologists discuss issues ranging from the monuments and the games to the food and water supply, from policing and riots to domestic housing, from death and disease to pagan cults and the impact of Christianity. Richly illustrated, the volume introduces groundbreaking new research against the background of current debates and is designed as a readable survey accessible in particular to undergraduates and non-specialists.
"An ideal guidebook to facing the inevitable." Foreword Reviews After her brother died unexpectedly and her mother moved into a dementia-care facility, spiritual travel writer and Episcopal deacon Lori Erickson felt called to a new quest: to face death head on, with the eye of a tourist and the heart of a pastor. Blending memoir, spirituality, and travel, Near the Exit examines how cultures confront and have confronted death, from Egypt's Valley of the Kings and Mayan temples, to a Colorado cremation pyre and Day of the Dead celebrations, to Maori settlements and tourist-destination graveyards. Erickson reflects on mortalityâ€"the ways we avoid it, the ways we cope with it, and the ways life is made more precious by accepting itâ€"in places as far away as New Zealand and as close as the nursing home up the street. Throughout her personal journey and her travels, Erickson  helps us to see that one of the most life-affirming things we can do is to invite death along for the ride.
Not all research can be done from home--sometimes you have to head into the field. Cemeteries are crucial for any genealogist's search, and this book will show you how to search for and analyze your ancestors' graves. Discover tools for locating tombstones, tips for traipsing through cemeteries, an at-a-glance guide to frequently used gravestone icons, and practical strategies for on-the-ground research. And once you've returned home, learn how to incorporate gravestone information into your research, as well as how to upload grave locations to BillionGraves and record your findings in memorial pages on Find A Grave. • Detailed step-by-step guides to finding ancestors' cemeteries using websites like Find A Grave, plus how to record and preserve death and burial information • Tips and strategies for navigating cemeteries and finding individual tombstones in the field, plus an at-a-glance guide to tombstone symbols and iconography • Resources and techniques for discovering other death records and incorporating information from cemeteries into genealogical research
Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder. Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death. Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.
Bundeling van de zeven belangrijkste essays over de sociale interpretatie van de Merovingische begraafplaatsen-archeologie.
A hauntingly beautiful travel guide to the world's most visited cemeteries, told through spectacular photography andtheir unique histories and residents. More than 3.5 million tourists flock to Paris's Pè Lachaise cemetery each year.They are lured there, and to many cemeteries around the world, by a combination of natural beauty, ornate tombstones and crypts, notable residents, vivid history, and even wildlife. Many also visit Mount Koya cemetery in Japan, where 10,000 lanterns illuminate the forest setting, or graveside in Oaxaca, Mexico to witness Day of the Dead fiestas. Savannah's Bonaventure Cemetery has gorgeous night tours of the Southern Gothic tombstones under moss-covered trees that is one of the most popular draws of the city. 199 Cemeteries to See Before You Die features these unforgettable cemeteries, along with 196 more, seen in more than 300 photographs. In this bucket list of travel musts, author Loren Rhoads, who hosts the popular Cemetery Travel blog, details the history and features that make each destination unique. Throughout will be profiles of famous people buried there, striking memorials by noted artists, and unusual elements, such as the hand carved wood grave markers in the Merry Cemetery in Romania.
Published for the 160th anniversary of the cemetery, this book includes stories of some of the people buried there, "Civil War generals, murder victims, victims of mass tragedies, inventors, artists, the famous, and the infamous."--Page ix.
Certain symbols abound in modern Western culture that are instantly recognizable: the cross signifies Christianity, the six-pointed Star of David is revered by Jews, the golden arches frequently means it's time for lunch. Other symbols, however, require a bit of decoding-particularly those found in cemeteries. Cemeteries are virtual encyclopedias of symbolism. Engravings on tombstones, mausoleums and memorials tell us just about everything there is to know about a person: date of birth and death as well as religion, ethnicity, occupation, community interests, and much more. In the fascinating new book Stories in Stone: The Complete Guide to Cemetery Symbolism by noted author Douglas Keister, the secrets of cemetery symbolism are finally revealed. Did you know that it is quite rare to see a sunflower on a tombstone? Did you know that the human foot symbolizes humility and service since it consistently touches the earth? Or the humble sheaf of wheat-while it is often used to denote someone who has lived a long and fruitful life? Do you know other meanings it might carry? Stories in Stone provides history along with images of a wide variety of common and not-so-common cemetery symbols, and offers an in-depth examination of stone relics and the personal and intimate details they display-flora and fauna, religious icons, society symbols, and final impressions of how the deceased wished to be remembered. Douglas Keister has created a practical field guide that is compact and portable, perfect for those interested in family histories and genealogical research, and is the only book of its kind that unlocks the language of symbols in a comprehensive and easy-to-understand manner. Douglas Keister has photographed fourteen award-winning, critically acclaimed books (including Red Tile Style: America's Spanish Revival Architecture, The Bungalow: America's Arts & Crafts Home, and Storybook Style: America's Whimsical Homes of the Twenties) earning him the title "America's most noted photographer of historic architecture." He also writes and illustrates magazine articles and contributes photographs and essays to other books, calendars, posters, and greeting cards. Doug lives in Chico, California, and travels frequently to photograph and lecture on historic architecture and photography.