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THE STORY: When four lost New Englanders who enroll in Marty's six-week-long community-center drama class begin to experiment with harmless games, hearts are quietly torn apart, and tiny wars of epic proportions are waged and won. A beautifully cra
THE STORY: Two angry young men sit behind a Vermont coffee shop and discuss music and Bukowski. When a lonely high-school student arrives on the scene, they decide to teach him everything they know. A play with music about friendship, art, love and
It's "Body Awareness Week" on a Vermont college campus and Phyllis, the organizer, and her partner, Joyce, are hosting one of the guest artists in their home, Frank, a photographer famous for his female nude portraits. Both his presence in the home and his chosen subject instigate tension from the start. Phyllis is furious at his depictions, but Joyce is rather intrigued by the whole thing, even going so far as to contemplate posing for him. As Joyce and Phyllis bicker, Joyce's adult son, who may or may not have Asperger's Syndrome, struggles to express himself physically with heartbreaking results.
The debut collection of a celebrated new American playwright.
“Enthralling and sharp-witted...Highly recommended.” —Karin Slaughter, New York Times and #1 international bestselling author “Bold, fearless...Prima Facie is a deeply rewarding, absolute must read.” —Chris Whitaker, New York Times bestselling author of We Begin at the End This is not life, this is law... Tessa Ensler loves her job. She’s worked her way up to being a top criminal defense barrister against all the odds, and fights to defend those pleading not guilty. Tessa believes in the law, believes in the system. Her quick-witted cross-examinations and intelligence in the courtroom see her clocking up win after win - including securing freedom for men accused of rape and sexual assault. Innocence until proven guilty is, after all, the bedrock of a civilized society. But when Tessa is raped by a coworker, she struggles to find the strength to bring him to justice in the face of the barriers and opposition within that same system. Determined to have her day in court, Tessa is forced to confront the stark reality that the law was not written for victims, and that she is the one on trial. She fights on, even as her evidence is manipulated to make her look like a liar, even while she is retraumatized in the stand. Based on the Olivier and Tony Award-winning play, Suzie Miller’s Prima Facie is an unforgettable story of what happens when a victim is asked to navigate a system that is not set up to accommodate the lived experience of sexual assault survivors.
"Roland, a hard drinking tycoon, is considering buying an old Victorian house, once a brothel. His solicitor and the vendor, a builder, arrive to complete the deal. Also in the house are his wife, a frustrated dancer who is always considering leaving him, her brother and later the brother's fiancee, who is uncertain whether or not to run away. In the course of one hectic night and morning, with continual running up and downstairs and in and out of rooms, these characters, each immersed in a personal problem, try to sort themselves out. The first act curtain finds the solicitor in bed with the wife thinking her to be a ghost and the fiancee inadvertently shut in the attic cupboard by the distraught tycoon who has taken refuge there in the spare bed. All this takes place in a highly ingenious and original setting in which all the rooms, passages and stairs are on a single level"--
Figs in Wigs are back and this time they've got their period (dresses). After five years of creating avant-garde, boundary pushing, genre-bending contemporary performance, Figs in Wigs have decided the only way to go is backwards...
An Obie Award-winning playwright's passionate ode to film and the theater that happens in between.
The week after Thanksgiving. A bed and breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching. John, an uncanny play by Annie Baker, was first seen Off-Broadway in 2015. The play had its UK premiere at the National Theatre, London, in 2018, in a production directed by James Macdonald. Annie Baker's other plays include Pulitzer Prize-winning The Flick, The Antipodes, Circle Mirror Transformation, The Aliens, and an adaptation of Chekhov's Uncle Vanya. She has won many other awards, including a Guggenheim Fellowship and a MacArthur Grant.
Sharp, thoughtful and mysterious, How the World Began is a powerful story about an outsider in a close-knit, devastated community. Susan, a science teacher from Manhattan, starts work in a small rural Kansas town that's been ripped apart by a tornado. When one of her pupils - the damaged, articulate Micah - takes offence at an off-the-cuff remark about how life on Earth began, Susan is thrown into an ethical firestorm about science and faith that leads to her fearing for her safety. Casting light on the tension between religion and secular liberalism, How the World Began explores the debate between creationism and evolution, and how this is taught in schools. With hints of American classics like Inherit the Wind and The Catcher in the Rye, the play traces the inexorable, fatalistic momentum from a single casual act into an all-encompassing dispute. A dispute which then threatens the very foundations of a community still reeling from a colossal disaster. In addition to its relevant and complex themes, the play is also about human psychology and what drives people to extreme ideological positions in times of duress. With writing which is provocative, moving and intelligent, Catherine Trieschmann asks important questions alongside in-depth character studies. This shrewd and compassionate drama is astute, perceptive and controversial.