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Ralph said, "Rain tomorrow." Burt said, "Barley needs it. You're covered with cinders, Ellis." Ralph thought that was funny. "That's funny." He laughed. "That's what we should call him-- Cinderellis." Burt guffawed. In this unusual spin on an old favorite, Cinderlla is a boy! He's Cinderellis, and he has two unfriendly brothers and no fairy godmother to help him out. Luckily, he does have magical powders, and he intends to use them to win the hand of his Princess Charming-- that is, Marigold. The only problem is-- Marigold thinks Cinderellis is a monster! Gail Carson Levine is the author of Ella Enchanted, a spirited retelling of the "real" Cinderella fairy tale and a 1998 Newberry Honor Book. In this fourth of her Princess Tales, Levine brings new life and new fun into a little-known tale and proves that determination, imagination, and kindness can carry the day.
In the fairy tale, Cinderlad and the Princess on the Glass Hill: A Fairy Tale Retold by Princess Jenny, the King makes a royal decree and promises the hand of his daughter in marriage and half of his Kingdom to the man who could ride up the slippery hill of glass and take the golden apple from his daughter who sat atop the hill. Cinderlad was ridiculed by his father and two brothers for wanting to attempt the feat and they reminded him that his place was beside the cinders. Cinderlad did not allow the ridicule of others to lower his self-esteem nor deter him from his goal. He did not have a horse of his own nor knightly grabs. How could he enter the contest and win the Princess' hand in marriage and half of the Kingdom? Cinderlad was rewarded with an unusual gift by a fairy for his kindness. Cinderlad and the Princess on the Glass Hill teaches the lesson of remaining true to one's self even under the ridicule of others and to believe that one can achieve one's goals.
Humorous retellings of three classic fairy tales, from the award-winning author of Ella Enchanted
In a land far, far away . . . A boy with magical powers to win Princess Charming's heart. A fairy who likes turning humans into toads. A true love forbidden by the King. A world of fairies and magic -- what could be more perfect than that? But is it perfect enough to help a simple farm boy marry a beautiful princess? And if an unruly fairy turns a maiden into a toad, how does she turn herself back? And can a fairy -- even a helpful one -- change a stubborn king's law? Welcome to a land where Princess Charming saves the day, the prince must kiss the toads, and nothing is as it seems! Now in one volume, three hilarious chances at happily-ever-after from the Newbery Honor author of Ella Enchanted: Cinderellis and the Glass Hill For Biddle's Sake The Fairy's Return
A hero's feats? Ever since he was a baby, Becan's only worry has been his big feet--until his widowed father remarries. His new stepmothr and her three daughters feed him crusts of bread and banish him to work in the fields. So Becan runs away. With the help of his only friend, a magical bull, he defeats a giant, slays a dragon, and rescues a princess. But before she can thank him, Becan disappears, leaving behind him one of his enormous boots. The princess scours the kingdom for the owner of the giant boot. Will Becan's feet give him away? And what will his fate be if they do? Folklorist Shirley Climo retells an age-old Irish tale that is an unusual twist on the popular Cinderella story. Just like his female counterpart, Becan has a mean stepmother and stepsisters. Unlike Cinderella, Becan has large feet and a magical bull for a fairy godmother. He defeats a sword-swinging giant, slays a fire-breathing dragon, and rescues a princess. But before the princess can thank him, he runs off, leaving her with only an enormous boot to aid her in the search for her rescuer. And, as in all Cinderella stories, true love prevails. Folklorist Shirley Climo retells an age-old Irish tale that is an unusual twist on the popular Cinderella story. Just like his female counterpart, Becan has a mean stepmother and stepsisters. Unlike Cinderella, Becan has large feet and a magical bull for a fairy godmother. He defeats a sword-swinging giant, slays a fire-breathing dragon, and rescues a princess. But before the princess can thank him, he runs off, leaving her with only an enormous boot to aid her in the search for her rescuer. And, as in all Cinderella stories, true love prevails.
The first book in Chris Colfer's #1 New York Times bestselling series The Land of Stories about two siblings who fall into a fairy-tale world! Alex and Conner Bailey's world is about to change forever, in this fast-paced adventure that uniquely combines our modern day world with the enchanting realm of classic fairy tales. The Land of Stories tells the tale of twins Alex and Conner. Through the mysterious powers of a cherished book of stories, they leave their world behind and find themselves in a foreign land full of wonder and magic where they come face-to-face with fairy tale characters they grew up reading about. But after a series of encounters with witches, wolves, goblins, and trolls alike, getting back home is going to be harder than they thought.
Gail Carson Levine charmed the world with Ella Enchanted, her spirited retelling of the Cinderella story. Now this award-winning author turns her attention to two more classic fairy tales, and deftly turns them upside down and inside out with her trademark wit and hilarity. In The Fairy's Mistake, two very different sisters have two very different encounters with the fairy Ethelinda. Rosella is kind and helpful. Her reward: Jewels and gems tumble out of her mouth whenever she speaks. Myrtle is rude and spiteful. Her punishment: Bugs and vipers slither out of her mouth. The fairy Ethelinda feels she's meted out justice just right--until she discovers Rosella has been locked up by a greedy prince and Myrtle is having the time of her life! In The Princess Test, King Humphrey has decided its time for his son, Prince Nicholas, to marry. But he must make sure the bride is a real princess. So he devises a series of princess tests, designed to weed out the phonies and the fakes. Meanwhile, Nicholas has fallen in love with Lorelei, a mere blacksmith's daughter. She's no princess, but he wants to marry her all the same--but how will she ever pass the terrible tests? In these first two delightfully entertaining, laugh-out-loud Princess Tales, Gail Levine gently spoofs the notion that fairies are always right and that tests can never prove a persons worth, but holds fast to the notion that true love will always win in the end.
This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.