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"Cinderella wants more than anything to take lessons at the new dance school in the village, but she doesn't have any ballet shoes. Will her dreams ever come true? Learn about kindness in this original story about Cinderella and her fairytale friends."--Publisher's description.
"CINDERELLA'S DRESS was like a stroll through the 1940's with a magical twist and a sprinkling of fashion. Highly recommend for all in need of a happily ever after." On the home front in 1944, Kate wants to do her part for the war effort. She'd prefer filling in for the window dressers at the New York department store where she works, but her mother insists on sending her to audition for roles she never gets. When relatives arrive from war-torn Poland with a mysterious steamer trunk and an even more mysterious story, her life is about to hit center stage. Kate's elderly aunt claims she is the keeper of the wardrobe for Cinderella's family--the real Cinderella. Her responsibility is to keep the dress safe and now she wants Kate's help. But the war has taken a toll on Kate's aunt and nothing is as it seems. While navigating family and first love, Kate will have to uncover layers of family secrets as her own secrets stack up. Will she get to the truth before it's forgotten? If you like the magic and warmth of fairytale retellings, then you'll love this continuation of the Cinderella story. Start reading today. What is the reading order for the Fairy-tale Inheritance Series? The Cinderella books go together, but the other books in the Fairy-tale Inheritance Series can be read in any order as stand-alone novels. If you'd like a reading order, you can follow this one: Cinderella's Dress Cinderella's Shoes Cinderella's Legacy (prequel novella) Snow White's Mirror Beauty's Rose Sleeping Beauty's Spindle The Little Mermaid's Voice Keywords: fairytale retelling, 1940s home front, set in New York, clean romance, clean fairytale romance, appropriate for teens, coming of age, historical novel, fantasy, fairy godmother, department store, first job, young love, sweet romance, multi-generation, Polish immigrants
Footbinding is widely condemned as perverse & as symbolic of male domination over women. This study offers a more complex explanation of a thousand year practice, contending that the binding of women's feet in China was sustained by the interests of both women and men.
Not all magic disappears at midnight! These first books in the Fairy-tale Inheritance Series introduce a world where fairy-tale magic simmers just below the surface. First, in CINDERELLA'S DRESS you'll find: A mysterious steamer trunk. A magical dress. And one unexpected inheritance... On the home front in 1944, Kate wants to do her part for the war effort. She'd prefer filling in for the window dressers at the New York department store where she works, but her mother insists on sending her to audition for roles she never gets. When relatives arrive from war-torn Poland with a mysterious steamer trunk and an even more mysterious story, her life is about to get complicated. Kate's aunt, who is suffering from dementia, tries to convince her she is next in line to be the keeper of the wardrobe for Cinderella's family--the real Cinderella. Kate'll have to prove that she's worthy to continue the family line and keep Cinderella's dress safe from the people who want it most. How can she do all that and keep it a secret from the boy she's falling for? This might be the most important role Kate has ever auditioned for. But will she get to the truth before it's forgotten? Next, in CINDERELLA'S SHOES, you'll be taken to post WWII Europe and uncover even more shocking family secrets. It all builds to one final showdown. Can Kate stop a family feud that has lasted for centuries? Finally, in CINDERELLA'S LEGACY, you'll read the story behind the story. You'll be taken up into the Tatra Mountains in what is now modern-day Poland and meet a fairy godmother living in a meadow as she wakes up one morning to a surprise on her doorstep. Learn about the conflict in young Cinderella's village, and how she meets her fairy godmother. If you like the magic and romance of fairytale retellings, then you'll love this continuation of the Cinderella story.
Titles from separate title pages; works issued back-to-back and inverted.
"This is a story about darkness and light, about sorrow and joy, about something lost and something found. This is a story about love." Cinderella's story has been told over and over, but never has it been touched by the kind of magic created by the contributors of this book. Mary Blair painted the original pictures for Walt Disney's incomparable animated film, and here her elegant art is gathered together as a picture book. Cynthia Rylant's stories about hardscrabble lives have won not only awards and honors, but hearts. Who better to take a young girl from the darkness of her garret room to the light and brilliance of a ballroom? Together these two great artists have created something quite astonishing: a Cinderella that is breathtaking, heartrending, and joyous, both for those who are coming to the tale for the very first time, and for those who think they know it well.
Samuel D. Fohr holds that the Grimms' tales are not just childish 'fairy tales', but are filled with spiritual symbolism, and as such have value for adults as well as children. Snow White, for example, is a story of creation and spiritual growth, and its message parallels Hindu and Judaic creation myths. Hansel and Gretel and Cinderella both portray the journey back to God. Fohr also looks at recurring themes in the stories, and answers such questions as: Why are giants always evil and dwarves always good? What is the symbolic significance of the hungry wolf who appears in many stories? Exactly what are genies, and why are they always trapped in bottles? A delightful but serious examination of cherished stories, this book reveals new meaning in familiar tales. Also included is an extensive bibliography and an Appendix on the authenticity of the Grimms' tales. The author is a professor of philosophy at the University of Pittsburgh at Bradford. He received his Ph.D. in Philosophy from the University of Michigan and has taught courses in both Western and Eastern Philosophy. He is the author of Adam and Eve: The Spiritual Symbolism of Genesis and Exodus, and editor of more than a dozen volumes of The Collected Works of Rene Guenon. To say that Fohr retrieves fairy tales from the nursery on the one hand, and retrieves them from mere entertainment for adults on the other, is only the start of the matter. Like Freud, Jung, and Levy-Strauss, he recognizes the wisdom folktales embody, but he goes beyond those students of myth in arguing that the authors knew what they were doing: they crafted their tales consciously. This is a courageous and cogent book that goes a long way toward revalidating a literary genre that modernity has irresponsibly trivialized. - Huston Smith, author of The World's Religions, etc.
One of the rats that was turned into a coachman by Cinderella's fairy godmother tells his story.
OF COURSE you think Cinderella was the sweetest belle of the ball. You don't know the other side of the story. Well, let me tell you...
The author draws from a variety of folk traditions to put together this version of Cinderella, including elements from Mexico, Iran, Korea, Russia, Appalachia, and more.