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CINDERELLA,NECROMANCER is CHIME meets ANNA, DRESSED IN BLOOD and was inspired by a real medieval grimoire of necromancy from 15th-century Germany. Ellison lost her mother at an early age. But since then, her father has found love again. He's happy and doesn't quite notice that Ellison does not get along with his new wife or her mean daughters. When Ellison discovers a necromantic tome while traveling the secret passages of her father's mansion, she wonders if it could be the key to her freedom. Until then, she must master her dark new power, even as her stepmother makes her a servant in her own home. And when her younger brother falls incurably ill, Ellison will do anything to ease his pain, including falling prey to her stepmother and stepsisters' every whim and fancy. Stumbling into a chance meeting of Prince William during a secret visit to her mother's grave feels like a trick of fate when her stepmother refuses to allow Ellison to attend a palace festival. But what if Ellison could see the kind and handsome prince once more? What if she could attend the festival? What if she could have everything she ever wanted and deserved by conjuring spirits to take revenge on her cruel stepmother? As Ellison's power grows, she loses control over the evil spirits meant to do her bidding. And as they begin to exert their own power over Ellison, she will have to decide whether it is she or her stepmother who is the true monster.
CINDERELLA,NECROMANCER is CHIME meets ANNA, DRESSED IN BLOOD and was inspired by a real medieval grimoire of necromancy from 15th-century Germany. Ellison lost her mother at an early age. But since then, her father has found love again. He's happy and doesn't quite notice that Ellison does not get along with his new wife or her mean daughters. When Ellison discovers a necromantic tome while traveling the secret passages of her father's mansion, she wonders if it could be the key to her freedom. Until then, she must master her dark new power, even as her stepmother makes her a servant in her own home. And when her younger brother falls incurably ill, Ellison will do anything to ease his pain, including falling prey to her stepmother and stepsisters' every whim and fancy. Stumbling into a chance meeting of Prince William during a secret visit to her mother's grave feels like a trick of fate when her stepmother refuses to allow Ellison to attend a palace festival. But what if Ellison could see the kind and handsome prince once more? What if she could attend the festival? What if she could have everything she ever wanted and deserved by conjuring spirits to take revenge on her cruel stepmother? As Ellison's power grows, she loses control over the evil spirits meant to do her bidding. And as they begin to exert their own power over Ellison, she will have to decide whether it is she or her stepmother who is the true monster.
Forgiveness is not Gabriel D’Ange’s strong suit. A self-appointed soldier of God with a penchant for ruthlessly punishing his enemies, he vanished after Anne Lawrence stabbed him with his own dagger. The smart thing would be to let him go. Unfortunately, Anne’s life isn’t just lonely without Gabriel. It’s insufferably boring. Determined to heal the rift between them, Anne goes in search of her tempestuous former lover, black parasol in hand and daeva magic crackling at her fingertips. But Gabriel has his own plans afoot and she finds herself drawn into one of his tangled webs, much against her better judgment. Gabriel’s nemesis has reappeared in Brussels, a vile slaver who’s plundering the Congo Free State with the blessing of King Leopold. Gabriel might be willing to give Anne a second chance, but not until Jorin Bekker’s head is lying at his feet. Back in London, the quasi-reformed necromancer Balthazar sets his sights on the same quarry. He holds a very personal grudge against Bekker — and killing him might be the only way to keep Gabriel D’Ange from Balthazar’s own throat. When the hunters collide at a lavish gala thrown by the king, Anne’s darkest secret comes to light and she learns just how far she’ll go to save the man she loves. Praise for The Necromancer’s Bride “Super satisfying … A gothic fantasy packed with supernatural beings, secrets, action and romance.” -Discover Elysian “Fast and addictive reading… Kat Ross fills her novels with layered and tangible characters.” -The Rest Is Still Unwritten “If you’re looking for urban fantasy with unique lore, check out this series!” -Trials and Tribulations of Writing Fiction “Amazing twists and surprises around every corner. I love this dark take on the Victorian setting.” -Haddie’s Haven "Gaslamp Gothic is a masterclass in genre-blending, combining horror, mystery, crime, comedy, fantasy, history and romance in a wonderfully addictive read." –I Smell Sheep book blog “Five huge cups of coffee from me. I think I’ll just go read this again now.” –The Caffeinated Reader “The characters are so appealing, the story twisting and turning, the scenery vivid – it’s just an all-around win.” –Cats Love Coffee “Sucked me right on in and kept me entertained the entire time.” –Jazzy Book Reviews
Knight, the sheriff of a local magical government known as "the Gambit," is called to recover a mutilated body, tainted with magic and dumped at a popular haunt. When the corpse is identified as a close associate of the Gambit, it threatens the safety of the community he protects, and those he cares about most. As the fragile peace amongst the city's magic-wielding factions disintegrates, Knight must track down a cadre of murderers before his friends are picked off, one by one- with each death used to strengthen the spells cast against the Gambit. (Keywords: Urban Fantasy, Dark Urban Fantasy, Dark Fantasy, Fantasy Urban, Fantasy Witch, Horror Fantasy, Horror Pulps, Film Noir, Urban Fantasy Thriller, Fantasy Thriller, Fantasy Pulp.)
At the age of nine, Johnnie lost his parents when they were killed by a blood-crazed vampire. He was then adopted by the husband of the vampire who killed them, and raised in a world to which he was never meant to belong. An adult now, he is the cold, beautiful Johnnie Desrosiers, and spends his days translating old grimoires and solving mysteries. Then his friend Rostislav asks his help in solving a mystery that proves simple enough, but leads Johnnie down a path that reveals mysteries about his life he was never meant to solve...
Certain lines define a movie. Marlene Dietrich in Morocco: “Anyone who has faith in me is a sucker.” Too, there are lines that fit actor and character. Mae West in I’m No Angel: “I’m very quick in a slow way.” Jane Fonda in California Suite: “Fit? You think I look fit? What an awful shit you are. I look gorgeous.” From the classics to the grade–B slasher movies, over 11,000 quotes are arranged by over 900 subjects, like accidents, double entendres, eyes (and other body parts!), ice cream, luggage, parasites, and ugliness. Each quote gives the movie title, production company, year of release, speaker of the line, and, when appropriate, a comment putting the quote in context.
In this book, the glory days of progressive rock are relived in a series of insightful essays about the key bands, songwriters and songs that made prog-rock such an innovative style.