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"It’s easy to feel a sense of peace after completing Fawzia Gilani’s Cinderella. This humble version of the classic fairy tale is a gentle reminder that victory comes as much from a peaceful soul as a beautiful dress and a dramatic confrontation." - Luxury Reading Cinderella is one of the oldest, best-known, and most loved stories worldwide, with hundreds of cultural variants and re-tellings from ancient Egypt and China to the present day. In this version we follow the trials and tribulations of the sweet, gentle, and pious Zahra when her parents die and she is left at the mercy of an uncaring stepmother and stepsisters. This is a well-crafted Islamic version of the classic tale in which faith, goodness, and prayer are rewarded in the end. The charming, richly detailed illustrations of Shireen Adams, set in medieval Andalusia, help bring the text to life.
A rhyming retelling of the story of a young woman who finds her prince at a Halloween ball despite the efforts of her wicked stepmother. The main characters are skeletons.
The Arabian Cinderella and the Secret of the Woven Threads By: Dr. Hamsa Mahafza About the Book WHEN CINDERELLA'S EMBROIDERED SCARF IS RIPPED AT A HORSE RACE, she is heartbroken and desperate to find it. Fortunately, the Prince finds the missing piece of her scarf, and in a beautiful union, they make vows to one another to continue keeping their cultural heritage alive. The plot of the story, settings, characters, and sequence of events have grown with the author throughout the years while she was researching and teaching various topics in bilingual and multicultural education. The message and moral of the story promote the importance of cultural heritage and how to keep it alive, through the art of cross-stitching embroidery and other family traditions. Using an interdisciplinary approach, teachers can design a thematic unit focusing on the story of Cinderella from different cultural perspectives. This can effectively build a deeper understanding of diversity, and the value of cultural identity and heritage preservation.
The author draws from a variety of folk traditions to put together this version of Cinderella, including elements from Mexico, Iran, Korea, Russia, Appalachia, and more.
Migrant women are the primary source of paid domestic labor around the world. Since the 1980s, the newly prosperous countries of East Asia have recruited foreign household workers at a rapidly increasing rate. Many come from the Philippines and Indonesia. Pei-Chia Lan interviewed and spent time with dozens of Filipina and Indonesian domestics working in and around Taipei as well as many of their Taiwanese employers. On the basis of the vivid ethnographic detail she collected, Lan provides a nuanced look at how boundaries between worker and employer are maintained and negotiated in private households. She also sheds light on the fate of the workers, “global Cinderellas” who seek an escape from poverty at home only to find themselves treated as disposable labor abroad. Lan demonstrates how economic disparities, immigration policies, race, ethnicity, and gender intersect in the relationship between the migrant workers and their Taiwanese employers. The employers are eager to flex their recently acquired financial muscle; many are first-generation career women as well as first-generation employers. The domestics are recruited from abroad as contract and “guest” workers; restrictive immigration policies prohibit them from seeking permanent residence or transferring from one employer to another. They care for Taiwanese families’ children, often having left their own behind. Throughout Global Cinderellas, Lan pays particular attention to how the women she studied identify themselves in relation to “others”—whether they be of different classes, nationalities, ethnicities, or education levels. In so doing, she offers a framework for thinking about how migrant workers and their employers understand themselves in the midst of dynamic transnational labor flows.
The most beloved princess movie of all time—Disney's Cinderella—is retold in the classic Little Golden Book format. It's perfect for Disney Princess fans ages 2-5, and available just in time for the movie's Diamond Edition DVD and Blu-ray release in fall 2012.
"Except for a brief period during the Rhineland battle, the First Canadian Army was the smallest to serve under Eisenhower's command. The Canadian component never totalled more than 185,000 of the four million Allied troops serving in Northwest Europe. It is evident, however, that the divisions of 2nd Canadian Corps played a role disproportionate to their numbers. Their contribution to operations designed to secure the channel ports and open the approaches to Antwerp together with the battles in the Rhineland place them among the most heavily committed and sorely tried divisions in the Allied armies. By the end of 1944 3rd Canadian Division had suffered the highest number of casualties in 21 Army Group with 2nd Canadian Division ranking a close second. In the armoured divisions, 4th Canadian was at the top of the list as was 2nd Canadian Armoured Brigade among the independent tank brigades. Overall Canadian casualties were 20 per cent higher than in comparable British formations. This was a direct result of the much greater number of days that Canadian units were involved in close combat."--Jacket.
This book paints a horrifying reality for women of the desert kingdom. It is a haunting look at the danger of Saudi male dominance and the desperate lives of the women they rule.
The famous Cinderella and her neighbor Cinder Edna each worked sunup to sundown for their wicked stepmother and stepsisters. But while Cinderella had the good fortune to be rescued by her fairy godmother, Edna was strong, self-reliant, spunky--and she lived happier ever after! "Nicely executed....This Cinderella send-up is full of kid-pleasing jokes."--Publisher's Weekly.