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Teen fantasy. Paranormal/ Shifter romance. A modern-day reimagining of the Cinderella fairytale set in a small Australian beach town, with monsters.
"Welcome to Barrie, Ontario, the city of a new breed of wizards. My daddy can walk through doors that aren't there! Through doors, we walked through enchanted doors for our eyes only." Shelby is the main character. She did not have a clue that she was a wizard, a shape-shifter. A wizard with attitude; go, girl, go! A crown of flowers, an enchanted dress, a Grim Stone around her neck, and gifts from the Say-Waze. They were on a mission to save the Umbrella people, cursed by an evil witch. A five-hundred-year-old curse, as We-walker. She was taking Lucas's hand, a half-mouse and half-man, like a creator, falling in love as a true love story. The enchanted castle, hearing Tear-Mina's cries, entombed in a crystal ball with a witch. Shelby found the power, the strength, and the courage deep inside her heart. Becoming the queen of time. Riding a Lamar-Light across the waves of fire and ash of time. On a magical quest, finding the Gleamer child to which it started. Entombing that witch with the power of children's happy thoughts. Breaking the curse. Through an enchanted door as Bits. Into the realm of the Luckiest House as the ghost of time. Gifted children, a witch, an epic battle for power. Grimsson fire consuming them all. Imprisoning that witch in a fifty-year loop, Through a third enchanted door into a battle between the Tappets, Umbrella people, Shelby, We-Walker, Bits, O-Miss. Imprisoning her mother's three evil sisters, revealing the true story--Daddy!
Winner of the Children’s Literature Association’s 2023 Edited Book Award Contributions by Malin Alkestrand, Joshua Yu Burnett, Sean P. Connors, Jill Coste, Meghan Gilbert-Hickey, Miranda A. Green-Barteet, Sierra Hale, Kathryn Strong Hansen, Elizabeth Ho, Esther L. Jones, Sarah Olutola, Alex Polish, Zara Rix, Susan Tan, and Roberta Seelinger Trites Race in Young Adult Speculative Fiction offers a sustained analysis of race and representation in young adult speculative fiction (YASF). The collection considers how characters of color are represented in YASF, how they contribute to and participate in speculative worlds, how race affects or influences the structures of speculative worlds, and how race and racial ideologies are implicated in YASF. This collection also examines how race and racism are discussed in YASF or if, indeed, race and racism are discussed at all. Essays explore such notable and popular works as the Divergent series, The Red Queen, The Lunar Chronicles, and the Infernal Devices trilogy. They consider the effects of colorblind ideology and postracialism on YASF, a genre that is often seen as progressive in its representation of adolescent protagonists. Simply put, colorblindness silences those who believe—and whose experiences demonstrate—that race and racism do continue to matter. In examining how some YASF texts normalize many of our social structures and hierarchies, this collection examines how race and racism are represented in the genre and considers how hierarchies of race are reinscribed in some texts and transgressed in others. Contributors point toward the potential of YASF to address and interrogate racial inequities in the contemporary West and beyond. They critique texts that fall short of this possibility, and they articulate ways in which readers and critics alike might nonetheless locate diversity within narratives. This is a collection troubled by the lingering emphasis on colorblindness in YASF, but it is also the work of scholars who love the genre and celebrate its progress toward inclusivity, and who further see in it an enduring future for intersectional identity.