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The joy of finding an old box in the attic filled with postcards, invitations, theater programs, laundry lists, and pay stubs is discovering the stories hidden within them. The paper trails of our lives -- or ephemera -- may hold sentimental value, reminding us of great grandparents. They chronicle social history. They can be valuable as collectibles or antiques. But the greatest pleasure is that these ordinary documents can reconstruct with uncanny immediacy the drama of day-to-day life. The Encyclopedia of Ephemera is the first work of its kind, providing an unparalleled sourcebook with over 400 entries that cover all aspects of everyday documents and artifacts, from bookmarks to birth certificates to lighthouse dues papers. Continuing a tradition that started in the Victorian era, when disposable paper items such as trade cards, die-cuts and greeting cards were accumulated to paste into scrap books, expert Maurice Rickards has compiled an enormous range of paper collectibles from the obscure to the commonplace. His artifacts come from around the world and include such throw-away items as cigarette packs and crate labels as well as the ubiquitous faxes, parking tickets, and phone cards of daily life. As this major new reference shows, simple slips of paper can speak volumes about status, taste, customs, and taboos, revealing the very roots of popular culture.
The joy of finding an old box in the attic filled with postcards, invitations, theater programs, laundry lists, and pay stubs is discovering the stories hidden within them. The paper trails of our lives -- or ephemera -- may hold sentimental value, reminding us of great grandparents. They chronicle social history. They can be valuable as collectibles or antiques. But the greatest pleasure is that these ordinary documents can reconstruct with uncanny immediacy the drama of day-to-day life. The Encyclopedia of Ephemera is the first work of its kind, providing an unparalleled sourcebook with over 400 entries that cover all aspects of everyday documents and artifacts, from bookmarks to birth certificates to lighthouse dues papers. Continuing a tradition that started in the Victorian era, when disposable paper items such as trade cards, die-cuts and greeting cards were accumulated to paste into scrap books, expert Maurice Rickards has compiled an enormous range of paper collectibles from the obscure to the commonplace. His artifacts come from around the world and include such throw-away items as cigarette packs and crate labels as well as the ubiquitous faxes, parking tickets, and phone cards of daily life. As this major new reference shows, simple slips of paper can speak volumes about status, taste, customs, and taboos, revealing the very roots of popular culture.
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.
From emporium to storeroom, antique to bric-a-brac, kitchenalia to militar ia, art to estate jewellery and toys to tools this book reveals all for hoarders, collectors, stockpilers, dealers and bowerbirds.
Imagine embarking on a fantastic journey-one of exploration and discovery-that will take you around the world to exotic locations and hidden portals. A journey that provides you with instant access to the secret wisdom of the ages...A journey that immerses you in incredible, breathtaking beauty...A journey that places you, the student of discovery, at the feet of the most brilliant minds from every imaginable field of expertise. Can you picture it? Now imagine being able to gain access to that limitless wisdom...boundless beauty...and inexhaustible knowledge...FOR FREE! And better still, what if you were given complete, undeniable permission to personally develop those treasures into any money-making opportunity you can imagine. No questions asked! No limitations! Talk about unlimited income potential! What would an opportunity of THAT magnitude be worth to you? Thousands of dollars? Tens of thousands? PRICELESS? Just think of it...right now: .You have your pick from over 85 million books, many written by the greatest authors to have ever walked the earth. .You have full rights to a private collection of art produced by the world's finest artists, illustrators and photographers. .You have the keys to a movie vault containing thousands of classics you know and love-all at your fingertips-from vintage movies to cartoons and documentaries. .You have unhindered access to the millions of reports, books, videos and images produced by our government every year at a cost of millions. All of it is waiting-hidden-like buried treasure...waiting to be discovered by someone with eyes to see the possibilities...the potential. This treasure is waiting for someone like YOU! Granted, you will need thecourage to believe that anything is possible. You will need a map that shows you where to look. And you will need an expert to train you how to see the hidden gems. Are you ready for X-ray vision? What I am describing is not some far-flung fantasy or pie-in-the-sky pipe dream. It is not a get-rich-quick back alley scam or even a high-level, complex secret reserved for geniuses and gurus. NO! What I am describing is the mostly undiscovered world of Public Domain. It is a world of hidden riches and forgotten secrets that would make the best tomb raiders and treasure hunters salivate with excitement. And your key to it all is "The Public Domain Code Book"! About the Author Tony Laidig is a researcher, a graphic artist, a photographer, a teacher, a publisher and a treasure hunter. He has worked in the Printing and Publishing industries for over 25 years-with the past 14 years spent working specifically as a graphic designer for the Publishing Industry. With over 500 book covers to his credit, Tony is now turning his design talents toward creating his own information products. The Public Domain Code Book is his first major project. Tony and his wife, Deborah, also serve as Directors of Healing the Land, a non-profit organization that addresses Native American issues through education, cultural presentations and publishing. Tony and Deborah's teenage daughters, Ashlea and Courtney, are also actively involved in all aspects of Healing the Land as well. The Laidig family resides in South-Central Pennsylvania.
A vibrant, wry, and engaging account of life as an adventurous, queer young person in late 1970s London discovering themselves as an artist, and an individual. While working as a photographer’s model, gallery usher, and exotic dancer, Dorothy “Max” Prior witnessed the births of Adam and the Ants, The Monochrome Set, The Sex Pistols, and Throbbing Gristle, as well as drumming in her own cult band Rema Rema and recording with Industrial Records. Her exuberant commentaries, each presented as a stand-alone episode, illustrate the multilayered nature of the London music, art, and fashion worlds of the late 1970s, and the overlap between the early punk scene with the city’s rapidly evolving club and queer cultures.
Walker Evans's haunting images of Southern sharecroppers in Let Us Now Praise Famous Men were as revolutionary in their time as James Agee's text, and are now deeply ingrained in the American consciousness. In the first full biography of this intriguing and enigmatic artist, a leading authority on Evans looks beyond the anonymity of his work to reveal the obsessions behind it.
How did we arrive at our contemporary consumer media economy? Why are we now fixated on screens, imbibing information that constantly expires, and longing for more direct or authentic kinds of experience? The Mediated Mind answers these questions by revisiting a previous media revolution, the nineteenth-century explosion of mass print. Like our own smartphone screens, printed paper and imprinted objects touched the most intimate regions of nineteenth-century life. The rise of this printed ephemera, and its new information economy, generated modern consumer experiences such as voracious collecting and curating, fantasies of disembodied mental travel, and information addiction. Susan Zieger demonstrates how the nineteenth century established affective, psychological, social, and cultural habits of media consumption that we still experience, even as pixels supersede paper. Revealing the history of our own moment, The Mediated Mind challenges the commonplace assumption that our own new media lack a past, or that our own experiences are unprecedented.
The Archive of Art and Design at the Victoria & Albert Museum contains Britain's foremost collection of primary source material relating to art and design, particularly of the twentieth century. Established in 1978, the Archive holds over 200 archives created by individual artists, craftspeople and designers and businesses and societies involved in the manufacture and promotion of art and design products. The Guide describes each archive in detail, offering information about its creator, its contents, and related sources held both inside and outside the V&A Museum. It is an invaluable reference text for everyone with an interest in studying British art and design.